Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024
Artwork by Benfika

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Caverna

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https://drive.google.com/file/d/1dsWOPEgHgdJV-yt8h9EDHEqJQpPgyaAL/view?usp=sharing

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Checkpoint es un EP de 3 tracks, uno de ellos featuring con Leo Mal quién es un artista proveniente de Tlaxcala, y gran amistad.


Checkpoint

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SELVAJIA & C1BERIA – HIPERLAXA
Out now!
🔗 Link in bio → terminalrec.bandcamp.com/music

From a house under renovation in Lima — surrounded by construction noise, traffic, and the intensity of city life — SELVAGIA & CIBER1A carved out the mental space to build HIPERLAXA: a raw document of transformation and catharsis.
Produced in just a few days with field recordings, modular synths, and shared intuition, the record flows like a fixed point watching everything around it mutate, collapse, and rebuild itself.

Industrial, club, deconstructed, funk, Afro-Peruvian — influences are torn up, distorted, and blended without hesitation.

Both artists come from improvisation and dropped any preconceptions, letting the process itself define the sonic world of HIPERLAXA — transient, intense, danceable, and unexpected.

More than a record, HIPERLAXA is the echo of a vital transition, captured in a moment where everything was shifting.
Between Lima and Montreal, urgency and contemplation, SELVAGIA & CIBER1A  craft a rhythmic antidote for times of perpetual motion.

Tracklist:
01. TKT
02. Okow
03. Crac

⚪️🛒 Now on Bandcamp → terminalrec.bandcamp.com/music

Mastered by Imaabs at Modos Studio, Mexico City
Cover art: @oyu0k0io
Photo: @bellescx
Photo edit: Indigo

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Artistas: Mc Gw
Single: Desconta na Tropa
Produção: CaiiqDJ & DJ Chico Oficial
Ano: 2025.

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ZUT ZUT X  TSVI

Color Plus presents 'Pure Energy' - a full length record jointly released by Towhead Recordings and Vanity Press Records. Connecticut bred and Brooklyn based, Color Plus burst onto the landscape in 2017 with two vinyl releases on Vanity Press and Cazeria Cazador. He then founded his own imprint Towhead Recordings and released his first album 'Regular Energy'. Providing production for Eartheater, Little Pain & frequent collaborator Ize along the way, 2019 saw the release of his mixtape 'Roadrunner.'
Expanding on the ideas of 'Regular Energy', 'Pure Energy' is 10 manic tracks that will bring a dying dancefloor back from the grave.

CD & Digital: https://towheadrecordings.bandcamp.com/album/pure-energy

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