oh my god. thank you for this story of environmental destruction

Maye-be

Big Data "Dangerous"

Narrow Stairs

I Will Possess Your Heart (Radio Edit)

Bear Hands' new album, You'll Pay For This, out now

CD/Vinyl: smarturl.it/bearhandsshop 
iTunes: smarturl.it/youllpayforthis-I
Google Play: smarturl.it/youllpayforthis-gp
Amazon: smarturl.it/youllpayforthis-a
Spotify: smarturl.it/youllpayforthis-sp

bearhandsband.com
facebook.com/bearhandsband
twitter.com/bearhandsband
instagram.com/bearhandsband
youtube.com/bearhandsband


I Won't Pay

released November 15, 2011 

All songs written by Theo Katzman, except "Growing, Growing, Gone" written by Theo Katzman (Music) and Lee Katzman (Lyrics) 

All instruments and vocals performed by Theo Katzman, except for: 

Joe Dart: Fender Bass on "Called To Tell You," "Country Backroads" and the reprise of "I Feel Love (All The Time)" 
Woody Goss: Rhodes on "Country Backroads," and "White Picket Castle" 
Devin Kerr: Claps and Snaps, Shaker, Backing Vocals and Whistling on "Called To Tell You," Rhodes left hand Bass on "White Picket Castle," Piano on "Country Backroads," Percussion 
Joey Dosik: Piano on "White Picket Castle" and "Brooklyn," Mellotron on "I Feel Love (All The Time)" 
The West Deuce Kitchen Choir: Tyler Duncan, Jae Gerhart, Mike Shea, Hannah Winkler, Theo Katzman, and Julian Allen, sing backing vocals on "Brooklyn" and "I Feel Love (All The Time)" 

Produced by Theo Katzman and Devin Kerr 
Recorded at Good Hertz in Ann Arbor, Michigan 
Engineered by Devin Kerr and Theo Katzman 
Mixed and Mastered by Devin Kerr 
Additional Mixing by Tyler Duncan 
Assistant Engineer: Annlie Huang 
Piano Technician: Ron Torella 
Album photography by Christine Hucal (www.christinehucal.com) 
Graphic Design by Jack Stratton and Theo Katzman 
Album Layout Design by Jack Stratton

White Picket Castle

The Dodos - Horny Hippies

Second Chances

Desire

Remnants

Black Waters

Sleep

Wait (AWWWM Outtake)

Come Away

Quivering Prints

In Birdsong

From the start, Son Lux has operated as something akin to a sonic test kitchen. The band strives to question deeply held assumptions about how music is made and re-construct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring five recordings, including LPs Bones (2015) and Brighter Wounds (2018). A carefully cultivated musical language rooted in curiosity and balancing opposites largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions.

Black Waters

Son Lux

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