Ursa

"Terrible Things" from the Brick + Mortar "Bangs EP" available now. Get it on iTunes here: http://smarturl.it/ibangs

BUY 

Brick + Mortar - Terrible Things

Produced by Jaymes Young
facebook.com/jaymesyoungmusic
twitter.com/jaymesyng

Dark Star EP

Moondust

"Sweet Ophelia" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

Kicker

Sweet Ophelia

Pre-Order Now!

Bathed In Sound

"Pyre", from the album Lanterns, now available at Joyful Noise Recordings. bit.ly/14jPwRe

Written, Performed & Recorded by Son Lux

Additional Vocals - Cat Martino, Cameron Schenk, Aaron Strumpel

Ryan Lott Music (ASCAP) administered by Domino Publishing Company USA (ASCAP) © 2013 Joyful Noise Recordings + Son Lux / sonluxmusic.com

"This song developed slowly over many months, yielding and shedding many ideas. When it eventually articulated itself, it had a severe duality of tenderness and aggression, inspiring thoughts of a funeral pyre; The ceremony is tender in intent, but violent in action. The lyrics came last and quickly." - Ryan Lott

Buy on iTunes

Pyre

Self Made Man

Téléchargez https://lnk.to/inigomontoya-magienoire
Clip réalisé par ZEUGL
http://zeugl.tumblr.com/
Ecrit, composé et réalisé par Iñigo Montoya!
Mixé par Frédéric Deces aux Studios du Futur de l'Audiovisuel
Masterisé par Chab
Voix : Marion G.
http://goo.gl/z7rPdw

Magie, magie noire, magie magie noire, sort.

Les mains qui pèguent, tu sens les cartes te glisser entre les doigts,
Le monde t'insulte et tu ne dis plus rien.
Avril approche, de ta fenêtre l'île aux Cygnes a perdu son calme,
Ton seul espoir est l'aide de tes amis magiciens.

Calme, calme, nous ne te voulons pas de mal,
Soldats libres à l'appel, avec ou sans amis magiciens, nous sommes de taille à creuser ton déclin.
Magie blanche ou magie noire, qu'on t'oublie ou qu'on te cuise, tu ne changeras pas,
Mais soldat, tu ne l'es pas moins que lui ou moi.

Magie, magie noire.


Magie Noire

Reemerging in 2017 with four new tracks, Son Lux’s new EP 'Remedy' is the ferocious trio’s response to an ever-encroaching reality of social and political upheaval. Reflective but defiant, Ryan Lott, Ian Chang, and Rafiq Bhatia synthesize their signature unpredictable experimentation into an explosive examination of what it means to live, to create, and to resist in America today. These songs were born the week of the 2016 election, and they capture a band both mournful and refusing to accept the new normal. "How does it feel, to be your own deceiver," Lott whispers in our ears, just ahead of the steady approach of swarming, mechanized woodwinds and rising torrents of noise. "I watch you fall, hollow and depleted. A city razed/raised, to bury you beneath it.”

The EP's final statement is a plea, sung in unison with a crowd-sourced choir of more than 300 people. "Find your voice, in the sea of surging bodies and breath, to form a melody, to find a remedy."

In that spirit, Son Lux will donate all proceeds of the sales of 'Remedy' to the Southern Poverty Law Center, a non-profit organization dedicated to fighting hate and bigotry and to seeking justice for the most vulnerable members of American society.

Remedy

Dangerous

Purchase

Advance Copy EP. OUT NOW: http://smarturl.it/ADVANCECOPYEP

Blood On The Surface available now: http://smarturl.it/BloodOnTheSurface
Light The Way available now: http://smarturl.it/LightTheWayME 

http://www.mikkyekko.com
http://www.facebook.com/mikkyekko
http://www.twitter.com/mikkyekko
http://smarturl.it/MikkyEkkoSpotify
http://www.youtube.com/mikkyekko
http://www.youtube.com/mikkyekkovevo
http://smarturl.it/BloodOnTheSurface

ADVANCE COPY EP

Blood On The Surface

This is a semi-acoustic version of Iron and Wine’s song “He Lays In The Reins” from the EP “Women King”, recorded by Mary Gaffney in the WBEZ Performance Studio for the Sound Opinions podcast.  I mixed this version on ProTools HD.

"Woman King" by Iron and Wine Live

Not Human - Single

Not Human

Wish I Was Dead

Rot Away

Our first full length album, released nationally in February 2012.

Alligator Teeth

DOWNLOAD "WE MUST BE KILLERS" HERE: http://bit.ly/Q2gdkT
BUY HERE: http://smarturl.it/MEkillers

"We Must Be Killers" on YouTube: http://youtu.be/-lshmwmeU7c
http://www.mikkyekko.com
http://www.facebook.com/mikky.ekko
http://www.twitter.com/mikkyekko
(Photo credit: MacKenzie Levine)

LYRICS:

WE MUST BE KILLERS
 
I woke up.  I was stuck in a dream.
You were there.  You were tearing up everything.
We all know how to fake it, baby.
We all know what we’ve done.
 
We must be killers,
Children of the Wild Ones.
Killers.
Where we got left to run?
 
Killer.
 
Set my body free.
Silver tigers in the moonlight running
And the wind in the trees
Singing “Do you believe?”
 
We all know how to fake it, baby,
And now we know it’s gone.
 
We must be killers,
Children of the Wild Ones.
Killers.
Where we got left to run?
 
Killer.
 
We all know how to fake it, baby.
Now look what we’ve done.
 
We must be killers,
Children of the Wild Ones.
Killers.
Where we got left to run?
 
Children of the Wild Ones.

We Must Be Killers

WE MUST BE KILLERS

Rhinestone Eyes

New album out now! Stream it here : http://bit.ly/LP-KRiiLL
Get our Vinyl here : www.kriill.com/store
Green Jewels (Live Session) :  https://youtu.be/YR65WvzYkWE 
Song available on all music platforms : https://lnk.to/Kriill_GreenJewels
Listen, watch, live, everything : http://hyperurl.co/KriillURL
------------------------------------------------------------------
Music by Kriill 
Artwork by Félicien Colmet Daâge 
------------------------------------------------------------------
Follow Kriill
Youtube : youtube.com/c/kriillmusic/
Facebook : facebook.com/kriillmusic/
Instagram : instagram.com/kriillmusic/
Twitter : twitter.com/kriillmusic/
------------------------------------------------
Follow Félicien Colmet-Daâge
Vimeo : vimeo.com/feliciencolmetdaage
Website : feliciencolmetdaage.myportfol...
-----------------------------------------------------------
Lyrics :

I came across what seems to be you 
In a shell
The feeling was not exactly different 
Nor really the same 
You’re standing there a face on your shame 
With green jewels
If we make believe and I believe you 

Who would be the fool
With green jewels
Who would be the fool
With green jewels
If you’re wrong then 
Who would be the f-

Your eyes once were blue but now they’re fading 
Green they go
Look at you suffering from a syndrome
No one knows the cause 
I used to pray for you to get through 
With green jewels
If we make believe and I believe you 

Who will be the fool 
(Who would be the fool)
Who’s the fool and who’s in charge 
Qui du fou ou qui du sage
If you’re wrong then what am I
Si je me trompe c’est quoi les bails (Bails, bails)
Ça rend fou rester sage 
Who’s the fool and who’s in charge 
J’y vois flou c’est quoi les bails
If you’re wrong then 

Who would be the fool, with green jewels
Who would be the fool, with green jewels
If you’re wrong then who would be the fool 
We will go, with green jewels
All the way
Who would be the fool 
We will go, with green jewels
All the way, if you’re wrong then
Who would be the fool

Green Jewels

From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. 

Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux scored A24’s Best Picture winner Everything Everywhere All at Once for which they were nominated for two Academy Awards and a BAFTA. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

Dangerous

Son Lux*

Recent comments

max 💢

max 💢

max 💢

max 💢

Related tracks