Gozen Atila

This mixtape features (mostly) Sundanese psychedelic pop music recorded during the 1970s when the Suharto military dictatorship ruled Indonesia. These recordings were chosen due to their signature sound in which haunting and darkly psychedelic notes mingle strangely with endearing girl pop vibes to create an unusual, intense and suspenseful atmosphere.

MUSIC OF THE PSYCHEDELIC MILITARY STATE

with @theatreofforgottenconcern at ELLIPTICA, Porto, Portugal
https://www.instagram.com/elliptica.elliptica/?api=1

INSTRUÇÕES RITUAIS

Freshly uploaded from an early Jan '25 gathering of music souls pushing the limits....

Saeko & André really nailed this one. In anticipation of Thomash and a debut airing of his homage to the Tokyo Metro system YAMANOTE...

Enjoy!
xxx

Saeko Killy b2b André Pahl (warm up set) - Yamanote @ Sameheads 04.01.24

Following the tracks whilst the snowy landscape brushes past the windows. As one focuses more closely on this forward motion the eyes are drawn to the snow. Zoom in closer and a whole different visual universe unfolds. The endless connections are made throughout these different branches, like an aural tapestry unweaving endlessly…

More info and tracklist here: https://www.lyl.live/episode/the-otherside

The Other Side 90, Lyl Radio 18/03/2025

Basement Amazement: Benedikt Frey & Menqui @ Klub Kegelbahn 250222

First thing on Fridays - Jack Rollo's here to take care of things.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/early-bird-show-jack-rollo/episodes/early-bird-show-jack-rollo-13th-june-2025

The Early Bird Show w/ Jack Rollo & Andre Pahl 130625

Just on in to this slinky set of tracks from Snakedance........ Recorded at the recent Tripple Vision party at Sameheads xxxx

Snakedance - Tripple Vision @ Sameheads 13.06.25

New recording session from the Meyzieu Studio. An improvised mix/selecta, progressing from downtempo-ambient to techno, fast house, with everything in between. Enjoy the listenning ;)

New unrealeased Mix series #7 : Summer 2025

From Finland, but based in Amsterdam, https://soundcloud.com/elinatapio is a DJ/radio maker/sonic researcher with a love for the cerebral, dark and psychedelic. She co-hosts the shows Scrying the Landscape on Mutant Radio with Hannah Pezzack and axia maxim on Echobox with Julia Mira. Together with Marco Segato, under the moniker eoobe, they produce otherworldly musical explorations with an avant-garde touch, deep and intense.

Her daily life atm revolves around executing a daytime job in music/data/machine learning related affairs while trying to finish recordings and releases with Marco for eoobe. Another important part of her day is feeding birds outside of her window, close friends, especially the crow-related ones, they’re so smart.

 Passions include an interest in good concepts and ideas across the board (and in sound). She's pushing herself to read more, though she can be very bad at that‎, but it’s important to see the world through different lenses, more deeply. Currently she's reading philosophy that is about time, hard analytical stuff from which a very esoteric world view emerges.

She’s working on becoming comfortable with being bored, but she’s made only little progress. She likes magpies, drones (the sound, not the surveillance), dry heat, and being fluid. She does not like the days getting shorter and darker, being stuck, silly expectations, and unveiling too many personal details.

 In her mix Elina takes the time to set the mood, slowly raising the tension. Temperature’s rising, almost reaching boiling point. What she’s giving, keeps you sizzling. Out-there mind-twisters, restless rhythms, hypnotic and tripped out gems. The blazing sun makes you melt… almost.

« Inspired by the feeling of sitting in a hot car biting into a juicy fruit »

NOSE JOB 43 — ELINA TAPIO

Oh what a woman will do to have peace and quiet...

Haunted Onslaught

Rush E

Erecting of the news

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

Slavic folk, ambient psychedelia, 20th century minimalism and vocal experiments - Polish band Księżyc floats somewhere between, happily resisting simple genre categorization. The surreal and haunting beauty of their music is amplified by the fairy tale inspired lyrics Remek Hanaj has created.

For this episode, Remek has curated an hour of Eastern European 
avant-folk. It displays some of the creative diversity of the region and its relationship with blending traditional and contemporary ideas.

1. Almost Dead Celebrities - Factory Girl
2. Maarja Nuut - Haned Kadunud / Geese Lost
3. Svitlana Nianio & Illkutan - Kites
4. Maniucha Bikont & Assaf Talmudi - Cipi гуси / Grey Geese
5. Lautari - I’m Going Home
6. Odpoczno - Polka
7. Širom – A Washed Out Boy Taking Fossils from a Frog Sack 
8. Bastarda – Achar  
9. Księżyc – Kapkowa
10. Remek Hanaj feat. Tade Sudnik & Paweł Nowicki – Carpet
11. Pole – Radom 
12. Berjozkele ] – A yingele, a meydele / A little Boy, a Little Girl
13. Iva Bittova – Zeleny vineček / Green Maidenhead

Image: Jan Stanisławski - Orchard (1890)

https://skylab-radio.com/shows/off-the-edge-e7

Off The Edge E7 - Remek Hanaj (Księżyc)

ANADOL "ÇürüyenYıllar"

Chopin, Morton Feldman, Satie, Schifrin ….

sonnobjet@gmail.com

1/2 Instruções Rituais with @theatreofforgottenconcern

INSTRUÇÕES RITUAIS

SON OBJET

Recent comments

Pavel Ritter

Freshly Wrapped Candies

Related tracks