Ya radiju sam (Glad by myself) DVA Remix

9 Love (Esthetic Education)

Africa (Ой спала я на сене)

Ой Хоч Думай Ти Марічко - гурт "Очеретяний кіт"/Ірина Скрипнікова

Mixing and mastering: Danylo Venhreniuk
Lyrics:
Як сказать, люблю, хочу у губи з тобою всюди, а вітер дує 
Як сказать, люблю, весна б'є в груди, красиві люди танцюють в клюбі. 

Attntion, attention, вовк забрав зайча 
Attntion, attention, коротке життя 
Attntion, attention, вовк забрав зайча 
Attntion, attention, коротке життя

Simon Stone - Viter

Холоста свобода перетворюється знову на кошмар

Сумно

У зімовым чарце на TuzinFM Іван Кірчук, Юры Дзьмітрыеў і Юры Паўлоўскі прэзэнтуюць жывы запіс вясновай песьні пра тое, як зіма зь летам стракаецца, зроблены ў студыі праграмы Belsat Music Live.
Падрабязнасьці - http://tuzinfm.by/performer/mp3/4040/zima-z-letam.html
Поўнае выданьне - http://belsat.eu/programs/belaruski-kosmas-ad-etna-trya-troitsa-u-belsat-music-live-21/

гіт-парад на tuzinfm

этна-трыё Троіца - Зіма зь летам (Belsat Music Live)

Ви слухаєте "Товар" Олеся Целюха.

Олесь Целюх - вокал, акустична гітара, клавішні, текст/музика
Дмитро Мацко - гітара
Юрій Хомік - перкусія-семпли
Міша Сало - бас
Записано: студія звукозапису MuzProduction
Зведення/мастеринг: Олег Мороз
Дизайн: Настя Горнічар
Велике дякую всім, хто чує і надихає!
о^ц 2018

Порожньо

Na Stavochku

Balaklava Blues' debute full-length album
first performed at Luminato Festival (June 2018)
released December 31, 2018
produced by Mark Marczyk, Marichka Marczyk with Rob Teehan (tracks 1, 4, 5, 14), Dave Plowman (tracks 1, 4, 5, 6, 14), and Greg Geisbrecht (tracks 2, 3, 7, 8, 9, 10, 11, 12, 13, 15)
mastered by Joao Carvalho
Album art by Ivan Semesyuk
Layout/graphic design by Oksana Hawrylak

Underground

Патріарх сучасної української літератури Юрій Андрухович та Сергій Жадан говорять про новий роман «Радіо Ніч», привид української поразки, пошук кращої долі, музику в політичній активності, останнє рок-н-рольне покоління, естетику ХХ століття, критику, право автора на свій власний світ та нові простори культури в ковідному світі.

Говорить Жадан: Юрій Андрухович про Радіо Ніч, альтернативну історію та революцію

FOLLOW US !! Comment us!! Any feedback appreciated ! :-)

Тhe ensemble known as Soncekliosh (Kiev) share some common features; both outfits are built upon the appeal of large, semi-improvised singalongs from the jazz canon. To that happy-go-lucky foundation they add a muddle of related genres, all the way from ska to South American tangos or Slavic folk songs. Fun on stage is deliberately, if not stubbornly cultivated, for reasons we will explain.Soncekliosh (aka Сонцекльош in Ukrainian or Солнцеклёш in Russian), the band is composed of residents of both Kiev Underwriting this inclusive attitude towards music fashion and half-forgotten traditions is a "real sense of Ukrainian kitsch." In order, however, to assure that any such kitschiness not run the risk of offending an audience, the band members claim that they've gathered their material on actual expeditions to actual villages. Songs written in the Ukrainian sunshine are brought back to the world of neon lights - and subjected to a liberal, double helping of both affection and irony.. In their own words, the members hope "to play joyful, even inspired songs in a 'retro-reggae' format, borrowing from all kinds of styles and nations." As we said.
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Underwriting this inclusive attitude towards music fashion and half-forgotten traditions is a "real sense of Ukrainian kitsch." In order, however, to assure that any such kitschiness not run the risk of offending an audience, the band members claim that they've gathered their material on actual expeditions to actual villages. Songs written in the Ukrainian sunshine are brought back to the world of neon lights - and subjected to a liberal, double helping of both affection and irony.
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Bringing those mawkish songs back to life in Kiev, together with their numerous colleagues, are vocalists Mariia Kudriavtseva and Olena Grozov'ska, shown in our faux-retro snapshots.
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Traveling far from the big city in search of long-lasting sentimentality, these artists have cataloged the songs of "simple folk" who've long dreamed of visiting those same cities. These, in other words, are naive tales of yearning, written in Surzhyk, which is a provincial muddle of Russian and Ukrainian, found in those areas where two cultures and languages overlap. 

The members of Soncekliosh insist upon preserving the unfashionable oddities of Surzhyk "with much love." Put differently, they show no condescension towards to normal citizens in normal places. 

Provincial listeners, free of big-city snobbery and dismissive of fashion, have no problem drawing upon incompatible periods for their record collections. This is the same muddle that informs the Soncekliosh playlists of "1930s' retro, Ukrainian folk songs, Moldavian and Romanian elements, klezmer traditions, Balkan and Spanish motifs... all of which is added to jazz, reggae, Latin, and other styles." This list grows with every mention.
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1930s' retro, Ukrainian folk songs, Moldavian and Romanian elements, klezmer traditions, Balkan and Spanish motifs... all of which is added to jazz, reggae, Latin, and other styles

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 For booking contact to email kirillw@mail.ua

Africa (Ой спала я на сене)

Sonceklyosh (Сонцекльош)

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