New album due for release November 2021 on Fuzz Club

Horizons

Den Atomosfaeriske Elven

Electric Eye - Den Atmosfaeriske Elven

Possessions

Waster

B side/Demo from Join the Circus

Matt Whiteford - Guitar & Vocals
Donnie Coco - Bass & Vocals
Cameron Kynett - Vocals
Chris Doyle - Guitar
Tony Rossi - Drums

Record, Mixed, and Mastered by Matt Whiteford at The Hatch Studio in Philadelphia, PA

The Sun

Written, arranged and performed by Hideous Towns. 
Recorded and mixed by Matthew Hosking. 
Mastered by Mikey Young.

Eternal gratitude to Matthew Hosking, Mark Monnone and Lost and Lonesome, Mikey Young, Andy Moore, Mr. and Mrs. Stirling for their tolerance and anyone who's come to watch us play or listened to our songs.

Heart Attack

Landing
"Delusion Sound" (edit)
Third Sight

Catalog number: EPR034
Formats: CD/DL/LP (transparent green vinyl limited to 750 copies, includes download card)
Release date: June 17, 2016
Contact: info@elparaisorecords.com
Distributed by: Cargo Records / Forced Exposure (US)

Connecticut's Landing have specialized in a mild and rural kind of psychedelia over the course of nearly two decades. Recent releases have seen them closer to post-punk and shoegaze territory than ever, but Third Sight – recorded specifically for El Paraiso Records’ Impetus series – builds on the hallucinatory soundscapes of the band's earliest days.

There's a unique sense of motoric drift to these four long pieces, and an organic blend of rock instrumentation and analog electronics that brings to mind Eno's best collaborations in the 1970s. But the group's flair for fuzzy drones and new weirdsy commune-folk also betrays their affiliation with the experimental American east coast scene –these guys have played shows with their friends in Bardo Pond, releasing a split EP with Windy & Carl and playing numerous Terrastocks throughout their existence. 

And despite releasing one brilliant album after another the band remains appalingly under-appreciated. Perhaps because the tryyps Landing take are rooted in self-exploration. As trends in krautrock, drone, folk, and psychedelia ebb and flow, Landing remain unfazed. The door to Landing’s world is open, but there isn’t a flashing neon sign above it. These guys are far removed from the hustle and bustle of geographic cultural bubbles, both physically and spiritually.

Listening through this LP is likely to stimulate mental images of rural winds blowing across vast American fields of grass, bonfires, blue rivers and power lines sailing through rolling hills. Landing's psychedelia possesses a rare timelessness. We are proud to present this offering from the band in the El Paraiso catalog!

”the whipper snappers these days, trafficking in similar sounds, have NOTHING on their sonic elders. Dreamy, droney, poppy, psychedelic, electronic perfection!”
-Aqaurius Records

”Connecticut's Landing inhabits that amorphous space where time itself expands and contracts according to a delay pedal setting, and dream pop blurs into dream proper. Groups like Stars of the Lid and E.A.R. have wandered this same misty plane in search of the perfect drone, but Landing incorporates Bardo Pond's jam aesthetic into the journey, imparting a welcome communal feel to their lengthy, meandering compositions.”
-Mark Richardson, Pitchfork

"They’ve got integrity to spare and their career, though already spanning more than a decade already, seems to be just getting started."
-Grant Purdum, Tinymixtapes

"Some of the best avant-prog and lo-fi space rock around"
-Mojo

"If you're not yet familiar with Landing, I encourage you to fill up the peace pipe and figure it the fuck out." -Kenny Bloggins Adhoc


Delusion Sound (edit)

Shapes And Things

Wireheads-Technical Man

Released on 09/02/18
Originally premiered on Dummy Mag here - http://bit.ly/cruelwind

Pre-order the debut album WILD NOTION here - http://hyperurl.co/wildnotion

Written and performed by Night Flowers 
Produced by Adam Jaffrey at Unwound, Hackney 
Mastered by Tom Woodhead at Hippocratic
Copyright Control ℗ + © 2018 Night Flowers under licence to Dirty Bingo Records Ltd.

Cruel Wind

GLOK (aka Andy Bell from RIDE) reworks the second single from bdrmm’s debut album, which released on July 3.

Recorded by Alex Greaves at The Nave, Leeds
Remix by Andy Bell
Mastered by Carim Clasmann

bdrmm – A Reason To Celebrate (GLOK Remix)

From the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous songwriter. His new album "Uncommon Weather" is both an elusive portrait of San Francisco -- during one of its fluctuations as an untenable place for musicians and artists -- and also a self-portrait of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs. Self-recorded and mostly self-performed, the music on "Uncommon Weather" continuously reckons with the influence of The Television Personalities' Dan Treacy, as well as The Cleaners From Venus, Blueboy, East River Pipe, and the Cherry Red and Flying Nun labels. Beautiful, mysterious and rather perfect pop.

Uncommon Weather

The Reds, Pinks & Purples - The Biggest Fan

The first voice you hear on ‘It’s Already Tomorrow’ is James Hilton, author of the novel Lost Horizon (1933) and creator of ‘Shangri-La’, a utopian monastery located somewhere in Tibet, whose inhabitants do not age and where there is time to read and consider everything: Chinese topography, all wars and their causes, the myth of the Minotaur, Borges’ first-person retelling of it, The Island of Dr Moreau, the practical applications of astronomy. But who has time for that?’

bdrmm – A Reason To Celebrate (GLOK Remix)

Sonic Cathedral

Related tracks