By Dystherial/Saruky.

The theme for Saruky's Friday Night Funkin' Fallen Stars Sans mod that she was working on. I don't believe she ever released anything more than a preview on YouTube.

Friday Night Funkin' - Our Broken Constellations

Marble Lair

In The Gutter

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EXE 3

thjis was part of an infernal harmony ost retake thing i was doing with midway but i never got around to finishing it

sorry for bad mixing i was too lazy to fix before uploading bleh

BLOOD n' BONES RETAKE (unfinished)

DIZZY ft. NexusVGM

Not finishing the rest of this hope you enjoy it ourghhhh
Lmk what to do next beginning work on glee co rn so ajhahahahh!!!1!
SEE YOU AT OUTCOME MEMORIES v0.2


Hi moribunn!!!!! 
Original by Duccly and Sturm

Lord X - BIG MISSER [BeepBox Cover]

Listen to the version with vocals: https://www.youtube.com/watch?v=lop4P3E88MQ

FRIDAY NIGHT DUSTIN' - INOPIA (SPOOKY KIDS MIX) INSTRUMENTAL

Dark ambient soundscapes for your pleasure, relax, chillout and enjoy.

DARK AMBIENT - THRONE OF INSANITY

@haya33
@evitamanji
https://www.instagram.com/hottarek/
https://www.instagram.com/evitamanji/

blurer is a peripheral study exploring ways to perceive our surroundings beyond any focal point. The poetic text where the winds are coming from, invites contributing artists and musicians to collectively explore a world that has become unfamiliar yet again. Inspired by the moment Alice tumbles into Wonderland, it asks what it means to unlearn, relearn, and navigate within a world anew. Like Alice, this conceptual mixtape delves into places, things, and feelings that have been overlooked, ignored or seen as a backdrop. The text, tracks, and sounds of this compilation take us on an explorative journey—not to arrive somewhere, but to sense that what lies within the blur has always already been in the here:now.
(Lisa Walder, 2025)

Most music is used as a form of abstract translation. To unblur the personal, we abstract it and transform and transport it through familiar sounds. Through abstraction, the motives are essentialized to their core. In this, minimalism becomes a prioritisation. A blur can be more flexible. The reduction of elements could be optimistic or protective.
What this release does is observe the peripheral, to look for emotionality or personality within it, but also to create atmospheres that appear peripheral, yet are again included in the general blur.
When hearing the sounds of blurer, the focus of the compositions fluctuates and directs the listener’s perception to certain points within, not only to hear what seems essential but also to draw closer attention to the peripheral. Throughout the whole release, the procedures are very different. Some moments are vivid, almost narrative. There are deconstructed references to find, in both energetic and quiet forms. Occasionally, we pass by rearing, foggy drone walls or prancing, twirling, or scurrying melodies carried around, on synths or guitar strings. Blurer seems to harbor atmospheres of comfort in the cold, loops of spiraling memories or expressions of disorientation, that scamper around on the acoustic foundation created by the 19 artists.
(Elia Brülhart, 2025) 

Assembled by Periphery Serpentine
Commissioned Text by Lisa Walder
Mastered & Cut by Isabel Schröer
Artwork & Design by Dimitri Erhard

supported by GGG Kulturkick Basel-Stadt
ryser005 © 2025

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Sonic Prototype Soundtest

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