Ha!!! Most enjoyable random thoughts floatlng thru thls Beat atmosphere--these robotic voices makes lt even more nostalgic ln a modern sort of way:):)

What a sensational idea with a sensational result Dear Jo...Ich liebe es...Es klingt so wunderbar schoen! Massively creative-effective...Percussion tres bon!

Getting direct sunlight first thing in the morning for at least 5 mins sets one's circadian rhythm and helps with mood dips. :)

Production Note
https://furicomusicteam.blogspot.com/p/spa-music.html

Spa Music (Low Frequency Therapy）

Tranquil

DRUMAX No. 33 // ISON // The small sad story of the comet ISON ...
https://soundcloud.com/docfritz // Composition, Arrangement, Soundscapes, Rhythmic Design, Artwork, Mix & Production
https://soundcloud.com/joerxworx // EWI, violin and trumpet
© 2023 // DRUMAX PROJECT // All Rights Reserved

DRUMAX No. 33 // ISON

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. 
When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. 
So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
 Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track. 
 Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Home's Album

Tonkas and Matchbox Cars -(Eclectic Collective)

The story that goes behind this is: 
"There once was a well-to-do Irish lass,
Who sat & ate blades of grass.
Upon the day she ate too much, 
She slipped off a cliff's slope as she was aiming for more to touch.
She then mysteriously turned into a sea octopus.
So much for the legs of an Irish Lass,
Who ate her last grass! " ©9/30/2023--by Lady ElectroTrek

Life's Strange Fantasy

Of Limerick & Legend

Featuring the voice of Jennifer Roe
https://soundcloud.com/jenniferroe

Mood Exhibit - Thrive Under Canopy

We've got no time to cool the burning hammer we've raised so high,
No time to escape the hammer swinging down from the sky.
　　
What we need is time to think, a moment to contemplate,
To defeat those who steal our time, our foes we won't underestimate.　　


Synthesizer V 弦巻マキ AIライト版を使用
Using Synthesizer V Tsurumaki Maki AI light version

No Time To Escape(feat.Maki Tsurumaki／弦巻マキ）

method: layers, balabolka helped out with impersonal voices
narration: to some people,  autumnal depression can be devastating. it can, however, also be described, both by words and in sounds. this is what I am trying to do here by means of a bilingual poem. 
image: copyright jo richter

poem /copyright jo richter:

trees in chromatic distress
zeit sich einwärts zu wenden
elektrischt summt das es
addictive dusk to brighten

stirnhöhlenstau begrenzt
loose filaments of reason
emotions crack, feel distanced
baumgräten decken wiesen

there will be, will be some solstice
schrei hallt durch's navi-system
halt spur, stürz nicht duch den riss

median line, don't veer from your lane
tu, was als nächstes zu tun ist
broken times might soon be fixed

TRANSLATION of the German lines in sequence:
. time to turn inwards
. the id hums electrically
. sinus blocks limit
. fishbone patterns of trees cover meadows
. the cry pierces the navigation device
. stay in lane, don't fall through the crack
. act on the next task to do

still es

Vocal performance by the wonderful @diamondlajolie

[ d o w n l o a d a b l e ]

Brilliant Aura (Featuring diamondlajolie)

Praeludium Harpeggiato - Johann Casper Ferdinand Fischer - Clio suite + 3 Variations

Piano with 4 Variations

The Most Beautiful Gift In The World

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

still es

sonic structures and silent stretches

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