Great rhythm, melody and harmony: unparalleled compositional imagination!

always enjoy the care and depth you put into your creative work...Well Done!

Paco, menudo tema has sacado en la descripción, las Decisiones. Uhmmm, creo que todo el mundo alguna vez nos hemos planteado , "si no hubiera hecho" o "si hubiera hecho aquello". Con los años, lo único que sé es que no se pueden juzgar las decisiones del pasado con la visión del presente. Momento espacio-tiempo. Lo importante son las grandes y buenas decisiones que has tomado en este temazo. Grandísimo sonido y producción como siempre ;)

Fantastic, melodic track. Great arrangement!

Una grabación hermosa, llena de luz a pesar de su temática difícil. Me ha gustado mucho lo que escribiste junto a la música — está impregnado de una sabiduría vital y de una aceptación serena del presente. Es una reflexión muy madura. Creo que hay mucha verdad en la idea de que, incluso si fuera posible, cambiar ciertas decisiones del pasado podría haber causado aún más daño — todos conocemos esa sensación. Con los años, a veces llega la comprensión de que no podía haber sido de otra manera, y que precisamente eso es lo que nos construye, lo que nos forma tal como somos.  Y quizás ahí reside el verdadero arte de vivir: no en corregir el pasado, sino en aprender a leerlo con compasión. Cada error, cada giro inesperado, cada sombra — todo eso es parte del mapa que nos guía. No hay camino sin huellas, ni crecimiento sin grietas. Lo importante no es evitar el dolor, sino transformarlo en profundidad.

A beautiful piece of music, my friend! 😃👏👏

Daily Drops

Made for fun — Electro Pop at 115-120 bpm that hopefully makes you want to dance 💃🕺💃💃🕺🕺 A light-hearted fun song because Atlanta (A-Town) is fun, y’all — hot and humid 🥵 — but never dull. 

Composed digitally MIDI to DAW via VST instruments, all original, no AI, made by a human 

Available to download (.wav) if anyone feels inspired to collaborate for a remix, adding vocals or whatever. DM me if you prefer MP3.
……………
Home to sports legend Hank Aaron and Braves baseball, southern cooking, tons of historical landmarks — from Centennial Olympic Park to the King Memorial Center — and history-makers, MLK, John Lewis, Jimmy and Rosalyn Carter to name a few, A-Town has neighborhoods of talented minds from all over the world. 

As the American South’s “Ellis Island”, our melting pot of metro neighborhoods makes us ATL strong and welcoming. As home to dozens of colleges and universities, Atlanta acts as a hub for higher education.

Night clubs? And hip hop? Oh yeah, we got that! A-Town is also a huge urban center for LGBTQ folks, so if you’re straight but not narrow, come, dine, and party with us!
..……….…
115/120 bpm

Written in 2022, I ordinarily don’t compose above 100 bpm but A-Town needed a 2025 refresh — the beats fit ATL.

DAW Apple Logic Pro X
MIDI Akai Professional Keyboard 

E-INSTRUMENTS
Concert Grand 
SoCal Ballad Piano 
Classical Acoustic Guitar 
Flamenco Echoes 
Plucked Bass Arp
Deep Round Synth Bass 
Analog Phaser Pulse
Film Memories synth
Chordal Chimes
Classic Pad 
SoCal Ballad Piano
Ambient Lead
Indian Sitar
Chinese Guzheng Zither
Modern TR-727 Timbales High
Persian Santoor

E-PERCUSSION 
Atlanta Drum Kit 
Beat Machine 
Hip Hop Kit 
2-Step Remix
Pawn Shop 808 Maracas 
Castanets

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop.

2023 Copyright SUNNYBECK 
All rights reserved 2025
..……….…
.

Summertime in A-Town

Foujita          ( translated after French Text )

Vidéo : https://youtu.be/wG4DmzweoTE

Texte :             Philippe J.  (@PhilippeJ.)
Chant :            Delphine     (@Ze Delph )
Musique : Alain Illos
e vous attends ici comme je vous sais là-bas
Et déjà de Paris si loin des embarras
Vous nous avez quittés mais vous n’avez pas fuit
Je vous sais étranger à tout ce qui ennuie
(Seulement) À tout ce qui ce qui ennuie
Foujita
Dans ce café maté ou s’entassent nos vies
Amère destiné qu’un passé déconfit
Je les vois défiler ces années, Ho chat oui !
Et si désemparée, je vous cherche, Dandy
Où sont passés Soutine et Modigliani ?
Que nous dit Picasso, loin de l’académie ?
Quand Zadkine est parti vivre aux États-Unis
Vous peignez loin d’ici mon portrait alangui
Mais moi je suis restée dans le vieux Montparnasse
Mon regard décalé s’embue et je me glace
Je voudrais présager votre retour en grâce
Léonard, Léonard, mon ami
Aussi je vous écrit Foujita aux traits fins
Aux blancs évaporés, aux gris évanescents
Et je m’évanouis lorsqu’en y repensant
Je fonds et me répands aux lits de vos glacis
Merci à vous Fuji, ô parure de mode
Homme déraciné, d’un monde qui désaccorde
Épris de liberté comme des anciens codes
Pour ce portrait léger, je vous le dis, merci

I wait for you here as I know you are there
And already so far from Paris and its troubles
You left us, but you did not flee
I know you are a stranger to everything that bores
(Only) to everything that bores
Foujita
In this dark café where our lives are crammed together
Bitter fate, a ruined past
I see those years go by, oh yes!
And so distraught, I search for you, Dandy
Where have Soutine and Modigliani gone?
What does Picasso tell us, far from the academy?
When Zadkine left to live in the United States
You paint my languid portrait far from here
But I stayed in old Montparnasse
My offbeat gaze clouds over and I freeze
I would like to predict your return to grace
Leonard, Leonard, my friend
So I write to you, Foujita, with fine lines
With evaporated whites and evanescent grays
And I faint when I think back
I melt and spread across the beds of your glazes
Thank you, Fuji, oh fashion adornment
Uprooted man, from a world out of tune
Enamored of freedom like the ancient codes
For this light portrait, I say to you, thank you

Foujita  avec Delphine

After 18yrs of releasing a new song, Hostal Handshake are BACK!
Maybe just a single, maybe just an EP or maybe...an album? But we are Back! :D
#ripOzzy

Youtube link: https://www.youtube.com/watch?v=lYcakJJnz1E
-----------------------------------------------------------------------------------------------
lyrics:
This is not a drill!

Give me something to break it in two
give me glory to rule the fools
take me in your house on a big flat screen
Ready to sink you on a dark black dream

Are you ready to become a slave of me?
Corrupted government ain't gonna set u free
All these righteous pre-election pigs
are now pointing the finger for you to pay the fee

Now it's the time, this is not a drill
ain't got no privilege , got nothing to feel
Your heart is gray from the news today
only your soul left in the end to pay


(p) & (c) 2025, Hostal Handshake.

This is not a drill! (new song 2025)

https://www.instagram.com/reel/DNntOqxN1fi/?igsh=OWJ1M2hqZ3ozNW5j

MARTIAN WASTELAND
The Martian winds whispered across the empty plains, carrying dust like ash from an old fire. When SPACECAT landed, he knew immediately—something here was wrong. His whiskers tingled, his tail flicked. Mars wasn’t just silent. It was watching.

Shapes appeared through the red haze. Astronauts. But their suits were torn, their visors cracked—inside, nothing but pale light, shifting like smoke. They walked with jerking, unnatural steps, boots leaving no trace in the dust.

Ghosts.

The stories were true. The lost crews of Mars missions, trapped between life and death, now wandering the wasteland.

One lifted its helmet, revealing a hollow void that hissed his name:
“Sssspaaacecaaat…”

SPACECAT didn’t flinch. He’d faced worse. Probably.

Then came the sound—metal grinding against rock. A rover rolled into view, but it was twisted, warped by something beyond engineering. Its headlights burned white like empty eyes. Chains rattled as it tore across the soil, hunting.

The ghosts pointed, and the rover roared forward.

SPACECAT sprinted, claws flashing on stone, his jetpack coughing weak sparks. The rover chased close, its mechanical arm snapping inches from his tail. The ghosts drifted after, whispering in unison:

“Stay. With. Us.”

He leapt into the shadows of a crater—and there, waiting, was Zorgo. Oil on his claws, sparks in the dust, he grinned his lizard grin.
“Fixed it. Just in time. The MARS RIDER is yours.”

The machine stood ready: sleek black hull, neon veins pulsing, engines glowing like fire in the dark. It looked alive. It looked hungry.

SPACECAT dove into the cockpit. The rover crested the ridge above, screeching, its jaws widening—

FWOOOSH!

The MARS RIDER launched like a lightning strike, neon trails tearing across the wasteland. The rover gave chase, but the Rider cut sharper, faster, burning over ridges and craters. With a final burst, SPACECAT flipped a switch marked with a claw-scratch: Overdrive.

Engines screamed. The Rider leapt a canyon, fire spilling behind. The rover couldn’t follow. It fell, crashing into the abyss, its death-screech swallowed by the Martian dark.

Silence returned. But not peace.

The ghosts still stood on the plain, far behind now—hundreds of them. Their glowing visors turned, following the Rider’s path. They raised their hands in eerie unison.

SPACECAT narrowed his eyes, tail lashing as he sped into the horizon.
“They’re not gone,” he muttered. “And next time… they’ll come for me.”

The Martian night swallowed the MARS RIDER, leaving only dust and whispers in the wasteland.

Martian Wasteland

Highland Dawn ( free download  mp3 )

CROSSROAD.

======================


November 2024.

This is a more electronic composition with a small piano touch at the end.

I try to capture in music the decisions we must constantly make in life to follow our path. I've made some wrong decisions in my life... who hasn't? But at least I can say that I made them on my own and they weren't induced, even the wrong ones. That allows me to overcome, for the time being, any regret or frustration they may cause. I believe most are irreversible because they can cause unforeseen damage, even to other people, if you backtrack and choose another path.

Happy summer, everyone.



Cover art by Vilkasss (Pixabay)

Hardware. iPad 
DAW Music Studio 2
Mix…. Yes…yes… my car 🚘

24 Tracks MS2 and Old Forum Xewton
1 Track XPad
2 Tracks flowtones
2 Tracks Sunrizer
1 Track FM player


Next….First eclipse on mars.

Crossroad

Recording sessions from 14-08-2025 - 18-08-2025.
presets, mixing, processing and editing: Pier WILL.

"Waiting for your sunshine"
Lyrics and singing: Special Cecilia 
Music: Pier WILL

Everything here is clear, simple and limpid... a voice, a synth, an old piano... enjoy listening. 
Pier WILL◄┤❤️🕊️🙏├►

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Sony, 
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Waiting for your sunshine

Here's my take on this Yanni's masterpiece. I've changed the original arrange in some sections to differ slightly, improvisations during the recording sessions are always full of surprises. I've added some subtle strings as an essence of Yanni's original version, no intention to copy it anyway. It wouldn't be an appropriate approach to this project, I think. It is strangely satisfying to dive into a genius mind to discover what is moving the gears inside. Yanni as a composer seems to be simple and minimalistic, but there are some quite complex twists in his compositions...

The End Of August by Yanni - piano remake

When Everything Was Ours

Heavenly Ray

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Not everyone is on holiday, even in the heat of summer. Some still work while the city falls silent, stretched under a long, empty day. I can’t tell if the man expects something to happen; to me, it feels like nothing will happen today either. Anyway, everything's good.

This is the third in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon

Composed by Michele Ansani (2020-2025 - this is a remake with a lighter sound and standard guitar tuning of a piece I already posted last year: https://soundcloud.com/michele-ansani/imperfections).
All the ambient noises are taken from public sound archives. Female vocals are courtesy by Black Octopus.
Posted on SoundCloud: 2025, August 23.

In case nothing happens - part 3 (noon)*

Using Paul Revere's famous night-time ride alerting people of the coming of the red coats, Light The Lanterns serves as a contemporary warning to light the lanterns again, this time, for the enemy within the US Administration.
Smart people doing wrong always perplexes me.
Religious people supporting wrong raises concerns about faith claims of following truth.
Political parties  and governments oppressing people causes alarms to ring out.

Track 10 from the 2025 Album called Fringe, available at https://www.terrywigmore.com/wigmore-allen-gibbons

Light The Lanterns

V1
In a world that's confusing
When the Sheriffs are the bad guys
When the ones with the masks on
Are putting cuffs on the good guys
When the ones being locked up
May be the ones that we needed

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it


V2 
When they tax the poor ones,
And give it back to the rich ones
When the constitution becomes
the  whim of a convicted felon
Maybe it's time for Paul Revere 
to light the lantern ( to light the lanterns)

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it

How can something wrong, seem so right, for some 
Right for some (yeah yeah)yeah yeah
How can something wrong, seem so right, for some
Right for some 
Something wrong was right
Something wrong not right
Something wrong but right
Something

Wigmore: Lyrics, Vocals, Music, Production
Allen: Lyrics, Vocals, Guitars, Bass

Wigmore Allen Gibbons - Light The Lanterns

Utnyttjar du mig. 631 ( 1983 ) Margareta Theorin ( Margareta )

C / T / F / O
Release Date: 07-01-2019
© 2019 Keith Richie

C / T / F / O represents a bold evolution in my sound—ushering in what I consider a new phase: Aggressive Ambient. While still grounded in the atmospheric textures that define my work, this album introduces grittier edges, distorted basslines, and a driving pulse that adds urgency and weight to each track.

The journey begins with Maestoso, featuring searing guitar leads by Ray Clay. What starts as a subdued ambient-techno fusion gradually builds into a cinematic, guitar-forward anthem—setting the tone for the dynamic contrasts that follow. Throughout the album, you'll encounter industrial rhythms, shadowy darkwave undercurrents, and moments of melodic tension that refuse to stay in one place.

Familiar elements of my previous work remain present, but they’ve been recontextualized with new intent. Tracks like Muzika Automatika—a clear homage to Kraftwerk—blend retro-futuristic textures with robotic precision and raw mechanical energy.

C / T / F / O is unpredictable and unapologetically experimental. It’s ambient music with a backbone, designed for those who want their soundscapes immersive and invigorating. The experience concludes with the title track—a final cathartic release, and a reminder to… well, C / T / F / O.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/ctfoBC  

Quil Pill

To reset is to start over.
To reformat is to completely redefine the foundation.

Syncopate

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Osc Project

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

Crossroad

Midisound

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Teresa Bagar

ɅƉﺍꝚﺍɅNƠ

Orlando51

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