Ricardo da Silva

Psychedelic world corps presents a planet dust remix of the jim manser track reflections 

remixed and remastered by Jim manser

REFLECTIONS planet dust remix

I heard Erik the Flutemaker describe how he imagined how the pre-historic man first came up with the flute concept.
He imagined a group of early humans living near a forest, occasionally weird sounds would come from the forest that scared them into running away, until a inquisitive ancestor ventured into the forest in search of this unworldly noise .
He found a bamboo that fell ,the little forest bugs ate the inside of the bamboo as it is soft and eventually decomposition made holes in to the bamboo.
Occasionally when it was windy and the wind blow from a certain angle its created a note, a sound.
And that ancestor of ours tried to understand the concept of wind, hollow bamboo with holes...
And maybe this was the way that the flute was born...
I loved that vision and when I saw this art work, it reminded me of this story and my creativity started to develop ...
Erik is a master flute maker, he makes All kinds of amazing flutes, please visit his site, it will bring you joy... https://eriktheflutemaker.com/

A special thank you to Brita Seifert, a generous ,fabulous ,creative artist with a great talent and eye for beauty.
Please visit her site , it will definitely brighten your day  
https://www.shutterstock.com/g/Brita+Seifert

For Tom and Ela

The Bamboo and the Wind

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony in the end vocals, mastering
TexMex Shaman–@texmex-shaman –Stephen– production and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and third harmony on the end vocals

This song actually began more than a year ago, when Ken and I were just sniffing each other out. We'd been working on Zeppelin's Night Flight, for those of you who remember that long ago, and I was having trouble with latency in my recording. Out of frustration, I recorded a really rough version of this, to which Ken put really amazingly perfect drums. Shortly after, I got my recording issues settled and we continued on with Night Flight, shelving this half baked creature for more than a year. But it wasn't forgotten. 
  In the meantime, I'd been following John Anthony on both YouTube (https://youtube.com/@johnanthony5720?si=-ooQcUUQaemrk-NH) and on the Cloud. If you were ever curious about how Jimmy Page's fingers looked in the studio, do yourself a favor and check him out on there, too. Since he can play literally every Zep song note for note, I figured I'd ask him if he would replace my pitiful by comparison guitar part with his own. He not only did that in numerous sections, as Page would've, but played the mandolin for it, too. Now, we had a song that was almost ready, but of course we needed someone to fill Plant's part. So, of course we asked The Mysterious Decibel if he'd do the honors, which he came through with in grand fashion. 
  Now that the song was done, we needed it to be mixed, too. So, we tapped our resident mixing expert, Stephen to do that for us. It was a surprisingly difficult mix to get everyone to agree on. And there were philosophical questions that arose during the mixing process, too. We're very lucky, though, that Stephen is not only an expert producer, but a great teammate as well, with the patience of your favorite high school teacher. 
  You can even watch a video of us all adding our parts on John's page right here. https://www.youtube.com/watch?v=1mdeT8ySZow&ab_channel=LowTechniqueCovers
  Our hope is that we honored the almighty Led Zeppelin with this one. We hope you all enjoy our reverent tribute to one of our collective favorites as much as we enjoyed putting it together.

Hey Hey What Can I Do by Led Zeppelin (Eclectic Collective with John Anthony)

A very simple track I did in my partners studio about... 3 years ago and forgot about.  not the best ending I've ever done!

Recorded and produced at Rose Pro Studio,
by Cookie Jay

Joy of the Darkest Night

Lyrics
Off the top ———-is where it’s at
unwrap this —————-gift RAP
hitting the streets—-it’s ——pure crack
Stone cold —-this trap ——TRACK!
Pool of knowledge ——-untapped
going —-in —-hard——we do that 
Better —-tighten up —-them bootstraps 
———SAY-——-“what the hell ——did Lou snap!!!”
swag baby —-The recap 
no snags—nah—we stop that!!!

Break the game down--it's a new map
Flow so rich--- better check that NASDAQ
Eyes on the prize---go the full lap
concrete jungle---stuck in the trap

[Verse]
From the alleys to the skyline---watch us elevate
Living large in the boroughs where we demonstrate
Every word a heavy weight--- every rhyme we detonate
New York state of mind---watch the Empire State

We on a mission---ain't no intermission, snap back
Murals on the walls--- street art on the subway track
Ambition in the air, we the kings--- claim the throne
Spittin' bars like bullets--- in this zone--- we at home

Icons of the asphalt--- legends in the flesh
Droppin' beats so heavy--it’s poundin' in your chest
From the 5 boroughs, anthems——- on full blast
Queens to the Bronx-- Brooklyn —-movin' fast
Elevate the hustle---the spirit never cracks
Struggle in the verses —-resilience in the—— tracks

Untapped

When i was a young Boy my father use to come home late at night drunk and looking for a fight with my Mother. She eventually got sick of the abuse and left him and i was left at home to help him.
Here is what i use to say to him.
I was 9 years old. 
Written and performed by : John Mc Farlane

Daddy Will You Hold My Hand

I worked on this theme a few years ago, but imagining and producing a different result and atmosphere (https://soundcloud.com/michele-ansani/the-statue-removal). Today things have changed a bit, and going back to that music I thought it was necessary to eliminate the final vocalisms (too cheerful) and make the atmosphere darker.

On 23 October 1956 two hundred thousand Hungarians took to the streets of Budapest to express solidarity with the Poles and their recent political changes. Among the things they demanded was the removal of the statue of Stalin, erected in Városliget, the city's main park.
The revolutionaries demolished the statue, leaving only its boots, on which they planted a Hungarian flag.
On the following events, which are well known, there is no need to return here.

------

Composed by Michele Ansani (2015-2024).
Posted on SoundCloud: 2024, August 9.

The statue's removal (final draft) **

In The Night

Composed, arranged, performed and produced by:
Leon Pajer

orlando51music © 2024

In The Times Of Yangquin

dripping

Dripping

Versatile collection of tracks blending orchestral genre and African elements, this album provides a vast range of moods and intensities. From wide and majestic cinematics to heartfelt or mysterious underscores, it paints a vivid picture of Africa's vast landscapes, cultural depth, and natural wonders. Ideal for documentaries and other audiovisual content set in Africa or evoking its rich soundscapes, it will serve as the perfect companion for shaping narratives and visual journeys through the heart of the continent, offering a versatile sonic backdrop for stories of exploration, connection, and discovery.

Ancient Vision

A Natural

Atrem-Shadow Land-The Bone Cart

Drift into Cosmic Breath, an instrumental ambient journey that expands your senses beyond the stars. Ethereal waves, shimmering synth layers and cosmic vibrations blend to create a meditative soundscape — perfect for studying, relaxing, introspection, or simply floating through the universe.

Inspired by the vastness of space and the unseen beauty beyond our eyes, this track invites you to take a deep breath, slow down, and let yourself be carried away.

Cosmic Breath

theme composed in 2015.

Last remix of March 2020.

Music Studio 2

native synthesizers and kv331.

When we go to other worlds (L.V.)

Inspired by a track taped from Bruce Conover's morning relaxation in his deck... First I made a synth out of the sounds in "PreSonus Studio One 5"..., and the rest is history.
Here's the link to the original track: https://soundcloud.com/conover/my-back-yard-nature-sounds-at-5am/comment-1089809905
Stop by and check out Bruce's page here:
https://soundcloud.com/conover
This track is also open for download or collab!!!
Enjoy Fam!!!

For The Birds

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

When we go to other worlds (L.V.)

Midisound

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