Beautiful arrangement of voice and instrumental.

It's Your Move (I See Your Light)

Edicion del tema ceremonial " El abuelo" , en la voz de Fernando Milagros.

El Abuelo (voz F. Milagros )

Edit-Time again.

Listen & think of summertime.

Free Download

Né Nana (Pay Kusten Edit) - Abou Diarra

Multi Culti’s lucid-lifestyle dreamer Peter Power takes us on a free-wheeling trip to the motherland on AFRO DAMBA.

The Irish-born Voodoohop resident has returned from the jungles of Bahia with a fresh ep of primal party tracks sampling voices and rhythms from across Africa and it’s neighbouring islands, producing what is easily his most club-oriented work to date. Whereas his tracks for Voodoohop were spiritual flute-heart-openers, these are neo-pagan mating-ritual floor-fillers. The rhythm is set to tribal chug, with rollicking percussion, reverb-soaked vocals, and all the fun jangly bells & bits you expect to be hanging off such a well-traveled producer.

If that weren’t enough, we enlisted Romanian-dance-duo Khidja to double-down and remix both Adama Waro and Dansakoni (available as a digital-exclusive). Resident mix-lord Dreems also weighs in with a subtle remix of Dansakoni, gently upping the tempo and tweaking the knobs in selfless service of the original groove.


• ‘Dansakoni’ samples Guinea’s Famadou Konaté

Afro Damba [MC033]

Peter Power - Dansakoni

@munomusic 
Takes us on a long journey trough the Argentinean Mesopotamia from this folkloric style called "Chamamé" .

Thanks for being part of the conscious good feeling.....

Chango Spasiuk -  Escenas De La Vida (Muno Edit)

ZIMT - Dos Caminos EP - STR 012

Produced by 
@https://soundcloud.com/zimt-4

Remixes by 
Gerra G
@https://soundcloud.com/gerragmusic

Nicolas Pera
@https://soundcloud.com/nicolaspera

Mastered by Yosi Horikawa 
@soundcloud.com/yosi-horikawa

Cover Art by Ju Sting 
@ be.net/ju_sting

ZIMT - El Camino Feat. Niña Índigo (Nicolas Pera Remix)

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Otun feat. Nidia Gongora

El español Alejandro Guillán bajo su alias Baiuca, remixó “Ilaló”, una de las canciones más interesantes del último álbum de estudio de Chancha Via Circuito llamado  “Bienaventuranza”, con la colaboración vocal de Mateo Kingman.
Esta versión cuenta con una impronta más electrónica que el original, en clave housera, con un pulso bailable que gira en torno a la voz del ecuatoriano Kingman y una melodía que viene desde Canale y su sensibilidad híbrida que combina dos mundos con envidiable sencillez. Un lujo que nos damos en DJ Mag Latinoamérica.

La nota completa en www.DJMAGLA.COM

Sigue a @chanchaviacircuito en:
www.facebook.com/chanchaviacircuito/
www.instagram.com/chancha_via_circuito/

Sigue a @baiucamusic en:
www.facebook.com/baiucamusic/
www.instagram.com/baiucamusic/

Bienaventuranza Remixes

PREMIERE: Chancha Via Circuito ft. Mateo Kingman "Ilaló" (Baiuca Remix)

Devenir Maleza was one of those projects that just arrived in our overflowing inboxes one day out of the blue. We opened the link and discovered four finely crafted, beautifully produced and captivating tracks of transformative, percussive music. 

It rare to find music that marries so well recorded percussion, live instrumentation and vocals with deep electronic productions without one dominating on the other. With Devenir Maleza Prisma and Martin Broder, a duo based between Berlin and Buenos Aires, managed to find that sweet spot that we love so much here at Shika Shika: deep, electronic but natural, acoustic and introspective. Or as the duo describes it: “a crackling, soothing, hypnotic lullaby.” 

Devenir Maleza’s was inspired by the concept of “becoming” and of transformation in many aspects. Through their long-distance collaboration the duo’s starting point was to imagine music becoming la maleza or “the undergrowth”, as if it the synths, vocals and instruments were sinking into the humid earth or drawn from the whistling wind or emerging from a rustling forest. 

The duo is joined on the EP by the talented singer and pianist Maria Barone as well as techno-producer / percussionist Merlin Genschel.
credits
released July 25, 2019 

Producido por Prisma & Martin Boder 
Voces: Maria Barone 
Percusion: Merlin Grenschel 

Turbina de amor es originalmente de Rafael "flaco" Ferriaolo 

Mastering: Rob Small
Artwork: JUMU (instagram.com/jumumonster)<3
ShSh 031

Buy on Bandcamp

02. Prisma & Martin Boder - Turbina de Amor

SUPPORT FOLLOW ARTIST
https://soundcloud.com/aiwaamusic
https://soundcloud.com/bombaestereo

Simon Mejía - Majaná (AIWAA Remix) FREEDL [Lump Records]

We welcome again - Kosh aka. Alexandros Papadopoulos, a music producer from Greece, resident DJ @ famous Branco Mykonos.

Enjoy his fresh edit for Ali Farka Touré, already tested @ Abu Dhabi & Dubai dancefloors, soon across whole world... :)

soundcloud.com/koshdj

Bandcamp

Ali Farka Touré - Samba Geladio (Kosh Edit)

Sonido Trópico is a Label & Event Producer rooted in São Paulo & Berlin

sonidotropico@gmail.com

ZIMT - El Camino Feat. Niña Índigo (Nicolas Pera Remix)

Sonido Trópico

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