A Synth Jam - Orchestra at the End of Space.
Rhytm: AKAI XR10, Synths: Kawai K5000S, Technics WSA1, Formanta Polivoks.
Recorded, mixed and mastered on Roland VS-2480DVD. No computers were harmed (or even used) in the process.

Soniq Six - Orkester Na Koncu Vesolja

♥ on @hypem - http://hypem.com/track/2f53z/Icarus+-+Home+(feat.+Aurora)

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Itunes: http://smarturl.it/iHome
Apple Music: http://smarturl.it/amHome

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iTunes

Home (feat. AURORA)

Taken from the album 'XX'
Available on: 2xCD / 2xLP+CD+DL
Release Date: January 27th, 2017
www.glitterbeat.com

A kaleidoscopic, two-disc, career-spanning compilation from Istanbul’s revered psychedelic explorers. Esteemed collaborators include Sly & Robbie, Mad Professor, Dr. Das of Asian Dub Foundation, Alexander Hacke (Einstürzende Neubauten) and more. Without a doubt one of the planet’s great musical adventures.

All too often these days, the world can feel like a dark and dangerous place. But music remains a light in the bleakness, offering a constant sense hope and joy and celebration. In Turkey the ominous shadows have been growing longer for several years but Baba Zula have been a shining beacon for 20 years, bringing the West and the Orient together in a glory of Istanbul psychedelia. To celebrate those two decades of existence, XX brings together tracks from across Baba Zula’s history, along with a second album of dubs created by artists like Mad Professor. Dr. Das of Asian Dub Foundation, and Dirtmusic.

“We wanted to have a compilation that was a little different,” explains group founder and electric saz player Osman Murat Ertel. “None of the pieces here are in their original forms. Instead, we picked remixes, re-recordings, collaborations, live tracks, all the possibilities, but none of these have been released before. And it’s a mix of recording techniques – digital, analogue, tape, mp3.”

Formed by Ertel and Levent Akman in 1996, Baba Zula took Turkish psychedelic pioneers of the 1960s like Moğollar as their inspiration and foundation for what they called Istanbul psychedelia, the fathers of a scene that’s since grown up around them.

Since then Baba Zula have played all over the world, won awards for their work in film and theatre, often been rewarded at the Turkish Billboard awards, and had their albums counted among the most prestigious ever released in Turkey. They’ve also built a global network of like-minded performers, experimental souls in all genres of music, working with people as varied as Turkish opera singer Semiha Berksoy, dub mixer Mad Professor, and Can drummer Jaki Liebezeit. And that, to Ertel, is one of the band’s great successes.

“It’s exciting to collaborate with people you listened to when you were young. It’s a great inspiration and a huge fulfilment in dreaming something and having it come true. And it becomes a link of friendship.”

And now, with 20 years behind them, what’s next for Baba Zula?
“I never thought it would last this long,” Ertel admits. “Maybe another 20 years is possible, maybe not. But living here in Turkey, I don’t know about the future. I hope the band could continue without me. We give our messages very carefully for those who can understand them. But I do know it’s important to carry on; you can be gone anytime.”

Aşıkların Sözü Kalır (Eternal Is The Word of Poets)

Baba Zula - Asiklarin Sözü Kalir (Eternal Is The Word of Poets)

Jesca Hoop album Memories Are Now (release date 2/10/17)
https://megamart.subpop.com/releases/jesca_hoop/memories_are_now

Jesca Hoop http://www.jescahoop.com
Facebook https://www.facebook.com/JescaHoopMusic 
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Podcast http://subpop.fm/

Jesca Hoop - Memories Are Now

Live in Paris

What's Mine Is Yours (Live)

RESURRECTION OF IAN CURTIS:

lyrics & music :: IAN CURTIS & Joy Division,
vocals :: APHRA TESLA,
vocal manipulation :: APHRA TESLA,
percussion sample :: APHRA TESLA,
drums, bass, noise synth :: DANI BEDRAČ,
arrangement, mix & production :: DANI BEDRAČ & APHRA TESLA,
recorded in Studio KVEDER, Celje / Slovenia, 2016,
mastering MaximalSound, France, 2016

All rights reserved.
*
This is a crisis I knew had to come,
Destroying the balance I'd kept.
Doubting, unsettling and turning around,
Wondering what will come next.
Is this the role that you wanted to live?
I was foolish to ask for so much.
Without the protection and infancy's guard,
It all falls apart at first touch.

Watching the reel as it comes to a close,
Brutally taking its time,
People who change for no reason at all,
It's happening all of the time.
Can I go on with this train of events?
Disturbing and purging my mind,
Back out of my duties, when all's said and done,
I know that I'll lose every time.

Moving along in our God given ways,
Safety is sat by the fire,
Sanctuary from these feverish smiles,
Left with a mark on the door,
Is this the gift that I wanted to give?
Forgive and forget's what they teach,
Or pass through the deserts and wastelands once more,
And watch as they drop by the beach.

This is the crisis I knew had to come,
Destroying the balance I'd kept,
Turning around to the next set of lives,
Wondering what will come next.

(Ian Curtis, 1956 - 1980)

Aphra Tesla & Dani Bedrač :: PASSOVER / Joy Division cover

Himalayan- Magnetized teaser

RESURRECTION OF LEONARD COHEN:

lyrics & music :: LEONARD COHEN,
vocals :: APHRA TESLA,
violin :: NINA PEČAR,
drum, bass, synth :: DANI BEDRAČ,
arrangement & production :: APHRA TESLA & DANI BEDRAČ,
mix :: DANI BEDRAČ,
recorded in Studio KVEDER, Celje / Slovenia, 2016,
mastering MaximalSound, France, 2016

All rights reserved.
*
It's four in the morning, the end of December
I'm writing you now just to see if you're better
New York is cold, but I like where I'm living
There's music on Clinton Street all through the evening
I hear that you're building your little house deep in the desert
You're living for nothing now, I hope you're keeping some kind of record
Yes, and Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Did you ever go clear?

Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train, and
You came home without Lili Marlene
And you treated my woman to a flake of your life
And when she came back she was nobody's wife
Well I see you there with the rose in your teeth
One more thin gypsy thief
Well, I see Jane's awake
She sends her regards

And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way
If you ever come by here, for Jane or for me
Well, your enemy is sleeping, and his woman is free
Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried

And Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear

Sincerely, L Cohen

Aphra Tesla & Dani Bedrač :: FAMOUS BLUE RAINCOAT / Leonard Cohen cover

1st single from same titled album.

Lyrics:

Aha, bass in my face. Life is great.
This is the case.
Ta-din-din-take-ta-din-din.

The amps are movin' and we're all groovin'
to the beat and tunes, oh, let love in,
feel that flow or just go, oh,
I'm in love, I'm in love, I'm love.

Love's the ground for the sound to land,
on its sand, my friend, here's the music of our band.
We're picking its fruits and we pass them on
through the riffs and synths and
mic-raw-phone.

We only eat the meat of the beat,
we're fit and up, up, this is it.
Don't sit, keep rockin' to the goal,
roll, roll ya soul, roll, roll.

Bon-bon apetit, cette musique est gratis,
les papillons de riz sont très jolis.
Le prince est toujours petit,
oui, oui, les rimes sur les i. Uhm?

We're movin' like in a movie,
tune in, you're in, it's so groovy,
We're movin' like in a movie,
tune in, you're in, it's so groovy.

Johnny, bring the fat beat back!
The fat beat's back, the fat beat back.

Sync, sing to the beat,
beat of the drum,
song's burnin' in my heart,
bright like the Sun.

We're movin' like in a movie,
tune in, you're in, it's so groovy.
We're movin' like in a movie,
tune in, you're in, it's so groovy.

Tap-tap! Too pop. Tap! Two digits,
no limits, yes, yes , we're all in it,
I may sound slavic, the towel is organic,
the cover says it clearly: Don't panic.

Be strong, titanic, and keep it real,
fill the space with grace and your will.
Spark the light, shine on, I see you stare,
His flare is everywhere, love's in the air.

Sync Sing

HuXterlTronik :: HUMPHREY BOGART

Single from the forthcoming album Perlas & Conchas out April 5th produced by Quantic 

"Arriba was the beginning of a new creative process for us. It was the first song we composed on the album. We wrote it as a part of an 'exquisite corpse', a surrealist writing exercise, and that's when the three of us started to composing together for the first time, as we often used to compose separately. We united our minds and hearts together, which was a great challenge and a new creative process for us. The song speaks about deconstructing oneself, changing the established ways, and going to new places. It takes about finding ones true self. This song references the ancestral, our roots and our earth."

"Arriba fue la canción que activó un nuevo proceso creativo, fue el primer tema del disco que compusimos, a partir de un 'cadáver exquisito' (ejercicio de escritura surrealista) y así comenzamos a componer las tres juntas, unir las mentes y corazones como un gran desafío para éste nuevo proceso. Habla de deconstruirse, cambiar las formas establecidas, ir hacia lugares nuevos. Habla de encontrarse con el verdadero ser. Esta canción nos remite a lo ancestral, a la raíz, a la tierra nuestra."

Perlas & Conchas

Arriba

a Digital Vintage Electronica music project. Enjoy our music!

Soniq Six - Orkester Na Koncu Vesolja

Soniq Six

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