Name: London Bridges by Sonni Quick in Selection of 2023-01 | Chapter 1
Duration: 4 min 35 s
Description: Music to sleep by. Turn out the lights. Put in your earbuds and close your eyes in the dark. Enjoy.

Just had this on in background while i was reading on the back porch. So peaceful and relaxing.

"nice " is an apt description here..like the lullaby opening and the strings rock you to sleep..

@user-196810537 That's why I call it Dream Music. I often listen to put myself to sleep

Such a wonderfully gentle and pensive composition delivered with lots of elegance.. A real pleasure to listen to this marvellous piece..

Selection of 2023-01 | Chapter 1

Music to sleep by. Turn out the lights. Put in your earbuds and close your eyes in the dark. Enjoy.

London Bridges

Rabbit Rock

This is one of the battle tracks of the yet unreleased game Anthador.
After I had finished the first attempt of this composition there was something missing. A lack of energy, character and vitality. So I decided to rework the composition and add another instrument that I'm quite familiar with from the past years as a singer-songwriter and frontman of my band: my voice.

Singing in this completely different style was a challenging but very exciting and fun experience. You may want to check out a short "behind the scenes" video: https://www.youtube.com/shorts/4zvCrhwvero

Point Of No Return

Here is a new track written with a new collaborator, vocalist Elvya. @elvyadulcimer brings her wonderful heavenly vocals to this Celtic track and Jordi Storm lends his voice on harmony.  We hope Willows Waltz will transport you to a peaceful spring day, laying by a river bank under the gently swaying boughs of a willow tree.

Elvya - Vocals and Harmonies
Philleann - Music and Instruments
Jordi Storm - Harmony Vocal

Written by Philip Dale & Elvya

Willow's Waltz (Philleann & Elvya)

Like  Sisyphus who lifts his stone every day and begins to climb, knowing that, inevitably, the stone will end up rolling down the slope, and he will have to start over.

EVERY DAY I TRY...

This track is the fourth (of the five longer than ten minute pieces mentioned we'd be uploading) from the Self care reflective pieces released earlier through our website's spiritual enlightenment journey. As with all of our tracks, you may find the full individual song blog by clicking the link below and scrolling down to the appropriate song title. 

As always, we thank you and appreciate you Blessing us and our music with your time and listening ears... and we hope you enjoy this journey with us.

https://channeltherain.com/music

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Longevity

This is a song that began with me laying down some bass, organ, piano, synth, and slide over a looped, heavily delayed guitar riff. I asked Ken to put some drums on it, which he did to perfection, as well as added some acoustic guitar. I then sent it to Tez, and asked him to come up with a lead part for it. He also delivered exactly what I wanted to hear. We dropped the initial looped guitar that was the whole basis for the song to begin with, which I think is pretty cool. Tez mixed and produced this, and what a fine job he did, too, as always. these two guys are wonderful collaborators--so talented and so easy to work with. What I told them was that I wanted to make sober people feel high when they listen to this. I hope it has that effect on you!

A Separate Reality (with Llanpsych and K2 and the Three)

Summer

A rainbow perched on a wire, like notes on a staff.

A RAINBOW ON A WIRE

Composed and performed by Stefano Manotti

I have a special relation with this piece, it's the first piece of music I ever composed at the age of 15. I felt for the first time the unexpected thrill that musical creation can give, since then it has been the only spark of infinity inside everyday life.

Usual Dream

Come And Go As You Please

Chapter 148 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA Vol. 9 is now available exclusively on Bandcamp.
https://belialpelegrim.bandcamp.com/album/taffeta-vol-9

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
https://soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 148

TAFFETA | 148

Azazel has always been a mysterious name that has aroused great curiosity. It is mentioned in ancient Jewish writings and has been the source of inspiration for much fiction, including some of Isaac Asimov's stories to which my song refers.

Azazel

only this  8.21.25

A sort of jazz big band suite in 4 parts…
The first features Tenor Saxophone, 2nd Brass section, 3rd Soprano Saxophone and 4th Trumpet

#187 Jungle Suite

Solo Piano.  Created LIVE in Real-Time at St. Stanislaus Church, St. Loius MO.

Photo provided by Greg Carr, my brother.

Year of Music XIC

Year of Music: September 1, 2025

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

London Bridges

Sonni Quick

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