For all those person who always will in our memories, in our hearts.

awesome and you play angelic way🥂👏🏼🔥☕🔥☕🔥☕🔥⚘♨️⚘♨️🙋

The bass parts of your songs are really attractive. This sound composition keeps the songs from being colored in a pale way, and allows me to paint images in my mind with free colors.

Lovely.The horns are perfect for this. 😃👏👏

Related tracks: Gold

Adelma is one of the cities described by Marco Polo to Emperor Kublai Khan in Italo Calvino's book Invisible Cities. Adelma is part of the Cities and Memory thematic series. It is a reflection on memory, mourning, and the fact that at a certain age, the dead outnumber the living in the traveler's mind.

Adelma est l'une des villes décrites par Marco Polo à l'empereur Kublai Khan dans le livre Les Villes invisibles d'Italo Calvino. Adelma est classée dans la série thématique des Villes et la Mémoire. Elle est une réflexion sur le fait qu'à un certain âge, les morts sont plus nombreux dans l'esprit du voyageur que les vivants.

Écouter Villes Invisibles -
on.soundcloud.com/cUvF4I3fbD00CwyvYx

Adelma

Words&Music by Netta&McGill
Available on Spotify, YouTube, iTunes and most other music streaming platforms

-
When I saw you, long ago caught up so quickly
Just a glance, indeed we knew that we just met
Then a day, a week a month passed rather swiftly
When you told me this that I could not forget

You said, I am pretty sure I have always known you
And time’s been standing still since we first met
You said mine a smile that stood out from a view
That this moment in our life we won’t forget

Could I feel any better than today 
And my smile is even wider than before
you already knew the words I want to say
Only I could not agree with you much more

I am pretty sure that I have always loved you
And time’s been standing still since we first met
When I saw your smile, then I already knew
That this moment in our life I won’t forget

Still In Time

Cast of Characters:

Jeff Roberts-- @jeff_roberts – bass, seed idea
TexMex Shaman– @texmex-shaman –Stephen– guitar solo, rhythm guitar, arrangement , production, mix, and mastering
Mistermark – @user-432503709 – Mark – production, editing, synth bass in the break section
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Llanpsych-- @llanpsych -- Tez – guitar solo
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, lyrics and lead vocals in the bridge section 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – rhythm guitar, lap steel, vocals and lyrics for the verses, vocal harmony in the bridge
Composition – The Eclectic Collective

 This song began with a bass part that Jeff came up with and shared with Stephen, who had added some fiery guitar and foundational rhythm guitar to it. However, it languished on his digital shelf for many months as two parts, until he recently remembered that he had it. So, he decided to share it with the rest of the group. We were salivating, all of us, when we heard Jeff's bass line, so we began with Ken laying in the groovy drums and the tight, driving percussion, which propels the entire song. Once we had a beat, we decided to edit the part to include the break you hear about a minute into it. Mark took on that task, and deftly added the bass in that section, too. 
  I was up next, and decided to add a rhythm guitar inspired by Talking Heads. Once I had done that, I started hearing a simple, catchy melody in the main verse part, too, so I came up with some simple lyrics and recorded the vocals for that. At the same time this was happening, Ken also came up with some lyrics and a vocal melody for the breakdown part, which he added. After Ken had added his vocals, I added a harmony part on them. I also added the lap slide melody you hear in that section, as well. 
  JJ was next up to bat, laying in the breathtaking organ throughout. He also backdropped a canvas of synthesizer throughout and put in some electric piano too. Tez came along not long after and added the ripping guitar solo in the jam section. Once everyone had added their parts, it was up to Stephen to produce, mix, and master it. He arranged and added some length to it, then mixed it in his usual expert manner.
  This is the first song the Eclectic Collective has done with Jeff, though Stephen has worked with him in the past, and we were all fans of his music, and thus very excited for the chance to make music with him. Hopefully, this will be the first of many.
  We all hope you enjoy listening to this as much as we enjoyed making it. If you comment, please share, too. 

Original lyrics by Josh Clary:
The trees talk to each other
They send messages through the breeze
There's magic all around us
If we look for it, we can see
 
Original lyrics by K2 and the Three:
Hey, how you feeling about love and lust
Hey how you dealing with all the lies you trust
We're here to be clear
Not a walk in the dark

A simple woweluja
Simple halleluja

Wowlelujah (Eclectic Collective with Jeff Roberts)

I started writing this in the seventies and first recorded it in the eighties. Finally decided to give it a new try. Just piano and vocals, with a touch of acoustic guitar, accordeon, and a few more details to bring joy and variety to the face of the land.

Assenta os dois pés na beira do abismo.
Enfrenta o mar. Resiste ao vento.
Não caias. Não temas.
Para quê nervosismo?
Despreza a vertigem. Respira o momento.
Não olhes para terra.
Verás a origem de tanta aventura,
de tanto lamento,
do patriotismo.
Verás desse monte os mastros desertos
que crescem e murcham no longe horizonte
com os braços abertos.
Cada barco carrega uma cruz
constrói um caminho no mar-labirinto de ventos incertos
e estradas de luz.

Os mastros por vezes dão frutos
e trazem notícias, saudades,
carícias de vagas fatais
que inventaram delícias
para os cascos cansados que dormem no cais.

E quando uma voz chamar na distância
verás a sereia, o ouro, a ganância.
Cairás com um grito.
Verás nessa altura que a pátria é um mito.
Só existe a vontade, a aventura, a ilusão.
Só existe a saudade que levas contigo
como um porto de abrigo no teu coração.

A saudade vai
no teu coração
como um porto de abrigo.

The Google translator produced a nice English translation:

Place both feet on the edge of the abyss.
Face the sea. Resist the wind.
Don't fall. Don't be afraid.
Why be nervous?
Ignore vertigo. Breathe in the moment.
Don't look at land.
You will see the origin of so much adventure,
of so much lamentation,
of patriotism.

From that mountain you will see the deserted masts
that grow and wither on the distant horizon
with open arms.
Each boat carries a cross
and builds a path in the labyrinthine sea of ​​uncertain winds
and roads of light.

The masts sometimes bear fruit
and bring news, memories,
caresses of fatal waves
that invented delights
for the tired hulls that sleep on the dock.

And when a voice calls in the distance
you will see the mermaid, the gold, the greed.
You will fall with a scream.
At that moment you will see that the homeland is a myth.
There is only the desire, the adventure, the illusion.
There is only the longing that you carry with you
like a safe haven in your heart.

Longing goes
in your heart
like a safe haven.

Porto De Abrigo

Title track from the 2024 Album Vision:  https://www.terrywigmore.com/wigmore-allen-gibbons

Vision

I had a vision (x4)

I had a vision, when I was a boy
This was my kingdom… I drew it like a child…
But never stuck to my aim… and so I missed it by half a mile…
There’s a wide-winged bird, a circling…or could it be two or three
I could save it all the bother…and then it wouldn’t bother me, see
This is my vision…This is my vision
I had a vision (to find that common ground)
I had a vision (with friends that are benign)
I had a vision (to find that common ground)
I had a vision (with friends that are benign…)
I entrust this mystery to you
For my fate is in your hands
So let’s push on…so let’s push on…
I had a vision…

(INST)

I had a vision…
I had a vision (to find that common ground)
I had a vision (with friends that are benign)
I had a vision (to find that common ground)
I had a vision (with friends that are benign)
I had a vision (it was a real beauty)
I had a vision (all laid out for me)
I had a vision…I had a vision…a mystery!

Wigmore: Music, Production
Allen: Lyrics, Vocals, Bass, Guitar
(c) 2024

Visions

I Had A Vision

I WILL RETURN (Ft.Molly Barnett)

I care little for your gold, when my gold is the wind and the sun over the wheat fields.

Poco me importa tu oro, cuando el mío es el viento y el sol sobre los trigales.

Gold

YouTube video: https://youtu.be/oVBVW2MgRrs?si=05cpLtGiltoWTH13

Everyone has people they have loved who are no longer here.  We think of them and we miss them.  Have you ever dreamed about them? Had talks with them and could feel the warm from them? I have.  Most of them were with my father, who died when I was 35. Half my life ago.  When he hugged me, I could feel the warmth. When he walked away I felt such sadness. But that was not the only time we met in a dream.

Only In Our Dreams

Recording sessions from 20/03/2024 - 14/04/2024.

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

202-3

202 - 3 - ❤️🕊️🙏

Here’s my attempt at Hide and Seek by Imogen Heap. She inspired me to create my own music in my own house years ago. With piano and lots of vocal layers. 😊🎤🌷💕

Thank you to my lovely Sander for mastering again. 😊❤️🎶

Where are We
What the hell is going on
The dust has only just began to form 
Crop circles in the carpet
Sinking feeling

Spin me round again 
And rub my eyes
This can’t be happening 
With busy streets a mess 
People would start to hold their heads heavy

Hide and seek
Trains and sewing machines
All those years
They were here first….

Oily marks appear on walls 
Where pleasure moments hung before the takeover
The sweeping insensitivity of this still life

Hide and seek
Trains and sewing machines
Blood and tears
They were here first…

Mmm what ya say
Oh that you only meant well
Well of course you did
Mmm what ya say
Mmm that it’s all for the best
Of course it is
Mmm what ya say
That it’s just what we need
You decided this…
Mmm what ya say
What did she say…

Ransom notes keep falling out your mouth
Mid sweet talk 
Newspaper word cut outs
Speak no feeling no I don’t believe you
You don’t care a bit
You don’t care a bit
You don’t care a bit

HIDE AND SEEK (cover)

Another super fun collab with my good friend @texmex-shaman !!

Hope you enjoy it, has a bit more of a major key mood going on this time.

And check out the Texas Tea playlist here: soundcloud.com/texmex-shaman/sets/texas-tea-sea

Static Glow (a Texas Tea production) - w/ TexMex Shaman

Borrowed Time

Other Girls

DRUMAX No. 55 // SWAG // Stick To Your Casual Cool Vibe
@docfritz // Composition, Arrangement, Music, E-Drums & Percussion, Cover, Mix & Production
@joerxworx // Alto Saxophone And EWI Synthesizer
© 2024 | DRUMAX PROJECT | All Rights Reserved

DRUMAX No. 55 // SWAG

F-Blanche

*FREE*unodavid + 55bagz type beat "mood swings" [prod. corysk]

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Only In Our Dreams

Sonni Quick

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