loved this - great vocal into the bargain / K

Gicanticaly epic. just how it should be. Cracking tune.

I love the emotion in this. The addition of strings really sweeps me up into it.

Great soundscape.  You must get more stuff out there.

LYRICS

we speed through our own ways through our own time that won’t turn back
and we fall to our futures like the leaves fall on the track

the rain beats the window as we whistle through the moor
and spires hide behind hills that roll like waves upon the shore

the trees make you wonder how the birds know where to fly
and the streams will carry water until the oceans run dry

the wind moves the wheat fields as the houses hurry by
and wires thread the pylons to feed the cities down the line

the train makes its own way through the valleys of weathered stone
and I’ll run alongside forever until I find my way home

Buy from iTunes

Dream On The GNER

soft

From the new EP "Ulysses" by  Sonofdov 
get it at https://tcbc.bandcamp.com/

Written and Performed by Sonodov 
Bass Guitar by Mike McWean/Rich Bradley 
Mixing and Additional Production by Rich Bradley, Silvertin Music 
Mastered by Kim Rosen, Knack Mastering

Oceans

New single from our forthcoming Double A-side "Vesuvius, Now / Drop An Anchor". Available online from 27th May 2016.

Sion Edmonds - Lead Vocals / Guitar

Sam Williams - Lead Guitar / Backing Vocals

Jamie Hooper - Drums

Moc Isaac - Bass Guitar / Backing Vocals

Recorded / produced by Todd Campbell at Stompbox Studios.

Vesuvius, Now

From the EP 'Peridot', released on Jul 28, 2016
Buy here: https://itun.es/us/Wm_Mdb

⇩⇩⇩ Lyrics ⇩⇩⇩

Support the artist:
http://peridotband.com
facebook.com/peridotband
instagram.com/peridotband
soundcloud.com/peridot-159457022

More about Indie Feed:
www.indiefeedmusic.com
Facebook.com/indiefeedmusic
Youtube.com/indiefeedmusic
Instagram.com/indie_feed_music

~ Lyrics:

The sun had found a place to hide behind the maple trees.  I came home with shadows on my shoes.  I walked on through the door, turned on the same old dusty lamp, and realized that I've been hiding too.

Loving you is lonely work.  I could use a friend.  I could use some company tonight.  Why don't you come over, we can lie down by the fire.  You can bring your books and things to read till you get tired.  We don't have to talk too much, or even say hello, as long as I don't have to love you alone.

The room was full of strangers I'll never see again.  Temporary friends with lavish lives and empty eyes.  I thought I heard you laughing, for a moment it was true.  I looked around to find that I've been hiding, too.

Loving you is lonely work.  I could use a friend.  I could use some company tonight.  Why don't you come over, we can lie down by the fire.  You can bring your books and things to read till you get tired.  We don't have to talk too much, or even say hello, as long as I don't have to love you alone.

Seven years of broken, wasted time.  Are we ready?  Are we ready now?  Let's stop pretending that we're fine.  Are we ready?  Say we're ready.

Tell me you'll come over, we can lie down by the fire.  You can bring your books and things to read till you get tired.  We don't have to talk too much, or even say hello, as long as I don't have to love you alone.

I don't wanna love you alone.

Lonely Work - Single

Peridot - Lonely Work

Siren

Here's the Truth

Picture this... It's 1998. You and your friends are hanging out at school on a high from seeing The Wedding Singer for the first time the night before. You're quoting all the quotes, singing all the songs and laughing all the laughs, when this certain someone you've had a crush on all year walks by and says "Hey, are you going to the dance tonight?". Now you're kinda nerdy, kinda shy, but your inner super hero spouts back "Only if you're going". Inside you melt into a puddle, and they walk away. Flash forward to the dance. You're standing against the wall, hands in pockets, nervous as hell. Good thing you're looking extra fly with your pressed shirt and gelled hair. Suddenly, Truly Madly Deeply by Savage Garden comes on the PA and you take a moment realize it's the most romantic song ever written. Then, through the sparkling glaze of the disco ball, you see that special someone waking straight towards you. In a frozen moment in time, they gaze into your eyes and ask "Wanna dance?"

Thought You'd Never Ask

You danced in the evenings 
And let down your blonde hair 
I walked in the mornings 
And I wished you were there

You were looking up to me
But I looked above
I was searching for meaning 
And you were searching for love 

I thought that if I showed you 
I could change you, that was wrong 
And now I see your face 
Through my kitchen window 

Out in the wild like a child
Living again by the light of the moon
Seeking a life ten miles from your mind
Something I’ll never find 

We were both growing tired
Of the secrets we kept
You’d sneak me in after midnight
And I’d lay wide awake while you slept

You never followed
When I pulled at your sleeves
I’m only thinking of you I said
But I was thinking of me

I thought that if I showed you 
I could change you, that was wrong 
And now I see your face 
Through my kitchen window 

Out in the wild like a child
Living again by the light of the moon
Seeking a life ten miles from your mind
Something I’ll never find 

Now I see you face 
Through this open window 
I see you as you are 
You’re a shadow in the rain 
And there you shall remain 
A flickering of light 
Forgotten in the day 
And remembered in the night 

Produced in part with Oli Barton-Wood (Michael Kiwanuka/ Flamingods)

Gus White offers something truly unique to the alt-folk/roots scene, combining his distinctive voice and songwriting approach with an accomplished guitar style that pays its respects to Nick Drake and John Martyn. His particularly English, melancholic sound is both timeless and contemporary. Gus toured the UK after his debut release in 2017, with his intimate live show attracting both folk and alternative fans. Continuing to hone his craft as a songwriter, performer and producer, Gus is releasing five tracks in 2019. 

Growing up in Wiltshire, Gus’s first exposure to music was learning to sing as a chorister, before discovering rock music and playing in bands at school. During this time, Gus began to discover artists such as Nick Drake, Joni Mitchell and Neil Young, and quickly shifted his focus away from the electric guitar toward the acoustic. In 2013 he moved to Belfast to study Music Technology and Sonic Arts at the prestigious Sonic Arts Research Centre at Queen’s University. Whilst studying, he was introduced to the strong underground Irish folk scene, spearheaded by artists such as Joshua Burnside & Mark Loughrey. His time at university allowed him to experiment sonically. In 2017 Gus release his debut EP entitled True Really Do Come Dreams, inspired by a dream diary that he kept at the time. Whilst deeply rooted in Gus’s warm acoustic sound, his EP experimented with acousmatic elements and electronic samples, all of which were exemplified by his quadraphonic live show that he toured around the UK that year. 

Moving to London in September 2017 to further his studies at Goldsmiths University, Gus quickly became exposed to London’s booming Folk, Roots and Jazz scenes. He began collaborating with a variety of musicians such as Brazilian guitarist Raphael Gimenes, Jazz ensembles Fake Party and Vellichor, and singer-songwriters Laura Frances and Kristin McFadden. A long period of songwriting and performing with Kristin led to the genesis for much of Gus’s musical output this year.

Kitchen Window

Taken from the Album Salt catch Michael Baker on tour
March 19th The Brunswick Brighton
http://bit.ly/39wJpfG
March 29th The Duke Whitstable
free admission
March 30th The Finsbury London 
http://bit.ly/3awkRUf
April 5th The Loft (Above The Kings) Portsmouth

BIOGRAPHY, by NME’s Andrew Trendell
“I lived in my van for two and a half years to pay for the making of my first record,” casually laughs singer-songwriter Michael Baker. “I moved into the van after a typical period of heartache. I had nowhere to go, but it was pretty good actually!” 

From this, you can gather a lot about the Anglo-French troubadour. Mainly, he takes nothing for granted and lives for his music.  

Spending his childhood near Brighton (where he went to the same school as Rag N’ Bone Man), Michael got his first guitar aged eight after seeing Oasis live and needing to learn ‘Wonderwall’. In his teens, the songs soon started to flow. It wasn’t long before the purity of his voice, the direct rawness of his writing and the sheer scope of his sound found him regular gigs and a devoted fanbase – one that only grew bigger and more in love with the release of his magnificent debut album Dust & Bone. 

A soaring collection of heart-wrenching indie-folk and cinematic sounds, Dust & Bone was recorded with Massive Attack collaborator Dan Brown, and was a staggering first showcase of Baker’s ambition and soulful style. “I’m really proud of the songwriting on that record,” he admits. “I was in such a bad place in my life when I made it, but it got such a great response from the people who heard it.”

Early sessions for Salt started when Baker hit the studio with Dan Brown and Oliver Baldwin, who had recently finished making Aldous Harding’s acclaimed album Party with PJ Harvey collaborator John Parish. While promising Michael says ‘’It felt like I needed more time to experiment than we had scheduled in.” So Baker headed back to record and produce the album with long-time friend Ed Martin. 

After discovering that his childhood home would be empty for a few weeks while his parents were in the process of moving away. He went in and stripped everything away, begged and borrowed all the equipment he needed, crammed the band in, drank a lot of wine, got a little stoned and naturally just flowed through the album – playing all day and all night. The recordings were so impressive, that Baldwin agreed to mix the record at Real World Studios and gave the songs a whole new dimension (as well as inviting Jack White’s pedal steel player Maggie Björklund to play on the album too). 
“I absolutely love artists like Cat Stevens and Bon Iver,” says Baker. Salt is a record that maps Baker’s journey through darkness and vulnerability to something a lot more hopeful. 
Among the key tracks that show Baker’s road to recovery, ‘Baby Books’ was inspired by being in close proximity to someone taking their own life – and totally changing the way he saw the world. Single ‘They Look Just Like They Know’ also deals with how “the mind can be a deadly place” and “feeling trapped in the prison of your own vision”. He’s looking for the sunrise on the horizon, too. Baker’s personal favourite ‘Claire’ celebrates the “the beauty of space in a relationship” and the escapist ecstasy of ‘One Good Damn’ has won over scores of new fans with its feel-good magnetism. 

Salt is a towering accomplishment that will win hearts with its adept handling of love, loss and hope, and there’s more to come. For now though, you’re about to get to know the real Michael Baker. “I feel like I have too much of a personal relationship with anyone who says they like my music,” concludes Baker. “I’ve been getting letters and messages from people saying that my songs have got them through a very hard time, and I don’t know how to reply to them other than as if I’d known them my whole life. That’s the way that I would do it. I hope that my music gives them as much as it’s given me.”

Baby Books

Slow Living

The Hope Comes Again

Tiny Cities and SONOFDOV

New Jersey singer-songwriter Dennis King AKA SONOFDOV.
https://sonofdov.bandcamp.com/
https://www.instagram.com/sonofdov/

Oceans

SONOFDOV

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