Track taken from the new Sonologyst album, "Interdimensional";
https://sonologyst.bandcamp.com/album/interdimensional

"Interdimensional" explores the paraphysical dimension of cosmic music. It completes the dilation process of his sound, which began with the albums "Silencers" and "Ancient Death Cults And Beliefs", which now form an ideal trilogy inspired by what is beyond the boundaries of science.

"Interdimensional" is inspired by the scientist Michio Kaku who theorized what could be the remote future of the human species; beyond matter, the stars, and known dimensions. A future that could lead us to the victory over the end of everything, beyond the foreseen and inevitable death of the universe known to us.

Also a cosmic record in terms of sound, "Interdimensional" is pervaded by a sense of stasis reminiscent of Thomas Köner's isolationist electronics, but still characterised by the use of electrified instruments, analogue synthesizers and recordings of resonant metal objects. Unlike the previous albums, however, the typical dark experimental / post industrial sound of Sonologyst is filtered through hazy warping reverberations and infinite delays, which musically depict the intergalactic journey of a civilization in search of a possible future beyond death.

Music ad astra.

Sonologyst: Analogue synthesizers, electronics, dronin table.

Mastered by Sonologyst
Graphic Design by Abby Helasdottir
Released by Cold Spring Records

Interdimensional

Ad Astra

Electrons (new edition) is a remastered version of the original 2016 digital-only release – and this time, as well as including a new track (LHC), it is also available on CD. As the album name suggests, the music is here is very much electronic in nature, with pulsing drones, analogue synthesizers, and processed sounds utilised in expert fashion to explore the science and mystery of quantum physics theory. This is a must-have for fans of the more experimental, electronic-based side of the dark ambient genre.
(This Is Darkness)

Electrons

Zeeman Effect

Many people all around the world hear strange sounds in the sky, from deep ocean or somewhere else.
In many cases these sounds are not identified and science still not gives an explanation for this phenomenon. 
This album is in the zone between music fiction and field recording reality.
It runs from unidentified sounds heard in Finland and Canada, to possible sounds of a deep waters mermaid, until inner sounds of Andromeda galaxy.

Credits: 
Samples: You tube, Nasa, other sources.
Processing and mastering: Sonologyst
Cover design: Fabio Magara




Andromeda

Sleeper Agent is a track part of the Sonologyst album "Shortwave Spectrum".

The new Sonologyst "sonic documentary" delves into the secretive realm of shortwave transmissions; a chronicle of clandestine shortwave transmissions culled from a span of nearly four decades (1982-2021). These mysterious transmissions - repetitive voices, signals, sound pulses, short pieces of music - were collated and edited to compose the tracks of the main album.

Immersed in an isolating fog of dark ambient, deep drone music and cinematic sound art, it provides an auditory exploration of the ongoing Cold War. Originating from covert radio stations engaged in military and espionage endeavours, the tracks unveil a hidden sonic landscape of strategic communication.

The second disc, in its extensive presentation, provides a deeper immersion into these enigmatic broadcasts. Each recording remains unaltered, accompanied only by a ghostly drone. It offers an unfiltered glimpse into the world of clandestine communication, where words are transmitted beneath the radar and in the shadowy confines of the electromagnetic spectrum.

Double CD in a matt-finish gatefold ecopak with graphic design by Abby Helasdottir.

Watch album teaser (YouTube) by Abby Helasdottir: bit.ly/SonologystShortwaveSpectrum

NUMBER STATIONS:

The so-called Number Stations are short-wave radio transmissions, broadcast at various hours of the day, and with variable durations, available on many frequencies and observed and studied for decades by radio amateurs from all over the world. These mysterious transmissions, consisting of voices reading groups of numbers or letters in the international phonetic alphabet, or of Morse code signals or sound pulses, are often preceded by transmission start "alerts" consisting of short pieces of music, sequences of letters or scales of notes, cyclically repeated at set times.

Several studies, conducted by telecommunications experts, have concluded that these transmissions were, and still are, used by numerous secret services to transmit short text messages to their undercover agents, operating in other countries. After the fall of the Berlin Wall in 1989, these transmissions suffered a significant decrease, but in recent years other broadcasts have followed the raising of respective new global geopolitical players, and Chinese, Korean and Indian Numbers Stations have been picked up.

Shortwave is cheap, reliable, and, unlike web communications, cannot be intercepted or blocked except in the event of a nuclear explosion. The ideal secret communication system in times of new cold war.

Shortwave Spectrum

Sleeper Agent

Numbers Station is a track part of the Sonologyst album "Shortwave Spectrum".

The new Sonologyst "sonic documentary" delves into the secretive realm of shortwave transmissions; a chronicle of clandestine shortwave transmissions culled from a span of nearly four decades (1982-2021). These mysterious transmissions - repetitive voices, signals, sound pulses, short pieces of music - were collated and edited to compose the tracks of the main album.

Immersed in an isolating fog of dark ambient, deep drone music and cinematic sound art, it provides an auditory exploration of the ongoing Cold War. Originating from covert radio stations engaged in military and espionage endeavours, the tracks unveil a hidden sonic landscape of strategic communication.

The second disc, in its extensive presentation, provides a deeper immersion into these enigmatic broadcasts. Each recording remains unaltered, accompanied only by a ghostly drone. It offers an unfiltered glimpse into the world of clandestine communication, where words are transmitted beneath the radar and in the shadowy confines of the electromagnetic spectrum.

Double CD in a matt-finish gatefold ecopak with graphic design by Abby Helasdottir.

Watch album teaser (YouTube) by Abby Helasdottir: bit.ly/SonologystShortwaveSpectrum

NUMBER STATIONS:

The so-called Number Stations are short-wave radio transmissions, broadcast at various hours of the day, and with variable durations, available on many frequencies and observed and studied for decades by radio amateurs from all over the world. These mysterious transmissions, consisting of voices reading groups of numbers or letters in the international phonetic alphabet, or of Morse code signals or sound pulses, are often preceded by transmission start "alerts" consisting of short pieces of music, sequences of letters or scales of notes, cyclically repeated at set times.

Several studies, conducted by telecommunications experts, have concluded that these transmissions were, and still are, used by numerous secret services to transmit short text messages to their undercover agents, operating in other countries. After the fall of the Berlin Wall in 1989, these transmissions suffered a significant decrease, but in recent years other broadcasts have followed the raising of respective new global geopolitical players, and Chinese, Korean and Indian Numbers Stations have been picked up.

Shortwave is cheap, reliable, and, unlike web communications, cannot be intercepted or blocked except in the event of a nuclear explosion. The ideal secret communication system in times of new cold war.

Numbers Station

Sonologyst: electric guitars, processing, mastering.
Aktarus Iksam: electronics.

Cover art: Aksam
Unexplained Sounds Group Productions
Additional link for Sonologyst: sonologyst.tumblr.com 

“You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.” 

J. L. Borges

A Dream Inside A Dream - Part 1

Sonologyst: electric guitars, processing, mastering.
Massimo Discepoli: drums

Cover art: Aksam

Unexplained Sounds Group Productions
Additional link for Sonologyst: sonologyst.tumblr.com

“You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.”

J. L. Borges

Harmonics In A Lucid Dreaming Brain

Sonologyst: electric guitars, electronics, sound processing. Ancient Egypt and Maya music samples. 

Edited by Cold Spring Records
Mastering: Martin Bowes 
Cover artwork: Abby Helasdottir

Many thanks to Paulo Chagas, Frans Kedes,  for their special contributions and trusting the project.

Ancient Death Cults And Beliefs

Ceremony

track from "Silencers - the conspiracy theory dossiers" release.
https://sonologyst.bandcamp.com/album/silencers-the-conspiracy-theory-dossiers

Sonologyst: electric guitar, dronin, electronics, sound processing. 

Edited by Unexplained Sounds Group 
Mastering: Sonologyst 
Cover image by Absolute Plank 

Given the mixture of a treasure chest of governments money, and private connections, the likelihood exists that six decades later there is a clandestine group that possesses: 

- Technology that is vastly superior to that of the “mainstream” world. 
- The ability to explore areas of our world and surroundings presently unavailable to the rest of us. 
- Scientific and cosmological understandings that give them greater insights into the nature of our world 
- A significant “built off the grid” infrastructure, partially underground, that affords them a high degree of secrecy and independence of action. 
This might well qualify them as a separate civilization – one that has broken away from our own, in effect, a breakaway civilization. Still interacting with our own, its members probably move back and forth between the official reality of what we are supposed to believe, and the other reality which encompasses new truths and challenges. 

Excerpt from the book “A.D. After Disclosure” written by Richard Dolan and Bryce Zabel 

For a serious introduction to the conspiracy theory, and the Breakaway Civilization, here's a link to an excerpt from the book “A.D. After Disclosure” written by Richard Dolan and Bryce Zabel 
www.afterdisclosure.com/2011/04/breakaway.html

Singularity

track from "Silencers - the conspiracy theory dossiers" release.
sonologyst.bandcamp.com/album/silence…eory-dossiers

Sonologyst: electric guitar, dronin, electronics, sound processing.

Edited by Unexplained Sounds Group 
Mastering: Sonologyst 
Cover image by Absolute Plank

Given the mixture of a treasure chest of governments money, and private connections, the likelihood exists that six decades later there is a clandestine group that possesses:

- Technology that is vastly superior to that of the “mainstream” world. 
- The ability to explore areas of our world and surroundings presently unavailable to the rest of us. 
- Scientific and cosmological understandings that give them greater insights into the nature of our world 
- A significant “built off the grid” infrastructure, partially underground, that affords them a high degree of secrecy and independence of action. 
This might well qualify them as a separate civilization – one that has broken away from our own, in effect, a breakaway civilization. Still interacting with our own, its members probably move back and forth between the official reality of what we are supposed to believe, and the other reality which encompasses new truths and challenges.

Excerpt from the book “A.D. After Disclosure” written by Richard Dolan and Bryce Zabel

For a serious introduction to the conspiracy theory, and the Breakaway Civilization, here's a link to an excerpt from the book “A.D. After Disclosure” written by Richard Dolan and Bryce Zabel 
www.afterdisclosure.com/2011/04/breakaway.html

Nocturnal Anomalies

NASA Secret Tapes

https://unexplainedsoundsgroup.bandcamp.com/album/electrons-a-scientific-essay
Sonologyst: synthesizers, processing, mastering. 
Cover: electro-magnetic fields. 
Edited by Unexplained Sounds Group 
All rights reserved 


As the theory of the atom, quantum mechanics is perhaps the most successful theory in the history of science. It enables physicists, chemists, and technicians to calculate and predict the outcome of a vast number of experiments and to create new and advanced technology based on the insight into the behavior of atomic objects. But it is also a theory that challenges our imagination. It seems to violate some fundamental principles of classical physics, principles that eventually have become a part of western common sense since the rise of the modern worldview in the Renaissance. The aim of any metaphysical interpretation of quantum mechanics is to account for these violations. 

In this theory, the electron had maintained some measure of identity as an independent physical system. Even this was lost as the electron continued to mutate into forms ever more remote from Thomson’s corpuscles. In Jordan and Wigner’s (1928) theory, under second quantization of the singleparticle electron wave function, the electron became a mere excitation of a fermionic field. Wigner’s (1939) analysis of group properties of elementary particles relegated the electron to a spin-1/2 irreducible representation of the Poincaré group. In the 1967-68 Glashow-Salam-Weinberg theory of electroweak interactions, the electron is an even stranger beast: it has massless left-handed and right-handed parts that unite to form a massive particle through interactions with a scalar Higgs field. Finally, in the current Standard Model of fundamental interactions, the electron is a member of the first of three generations of similar 
leptonic particles that are related in a non-trivial way to three generations of hadronic quarks. With its public person displaying more aliases than a master confidence trickster, we may well doubt that we have or ever will unmask the identity of the real electron in our theorizing. Do we not learn the lesson of history if we cease to take our theories of the electron as credible reports of physical reality? 
Such concerns have long been a subject of analysis in philosophy of science. They have been given precise form in the “pessimistic meta-induction”: Every theory we can name in the history of science is, in retrospect, erroneous in some respect. 
At the moment the question remains: do electron exist or not? 

Excerpt from "What Should Philosophers of Science Learn 
From the History of the Electron?". Jonathan Bain and John D. Norton. 
Department of History and Philosophy of Science University of Pittsburgh.

Electrons - A scientific essay

Anti - Commutators

https://unexplainedsoundsgroup.bandcamp.com/album/electrons-a-scientific-essay
Sonologyst: synthesizers, processing, mastering. 
Cover: electro-magnetic fields. 
Edited by Unexplained Sounds Group 
All rights reserved

As the theory of the atom, quantum mechanics is perhaps the most successful theory in the history of science. It enables physicists, chemists, and technicians to calculate and predict the outcome of a vast number of experiments and to create new and advanced technology based on the insight into the behavior of atomic objects. But it is also a theory that challenges our imagination. It seems to violate some fundamental principles of classical physics, principles that eventually have become a part of western common sense since the rise of the modern worldview in the Renaissance. The aim of any metaphysical interpretation of quantum mechanics is to account for these violations.

In this theory, the electron had maintained some measure of identity as an independent physical system. Even this was lost as the electron continued to mutate into forms ever more remote from Thomson’s corpuscles. In Jordan and Wigner’s (1928) theory, under second quantization of the singleparticle electron wave function, the electron became a mere excitation of a fermionic field. Wigner’s (1939) analysis of group properties of elementary particles relegated the electron to a spin-1/2 irreducible representation of the Poincaré group. In the 1967-68 Glashow-Salam-Weinberg theory of electroweak interactions, the electron is an even stranger beast: it has massless left-handed and right-handed parts that unite to form a massive particle through interactions with a scalar Higgs field. Finally, in the current Standard Model of fundamental interactions, the electron is a member of the first of three generations of similar 
leptonic particles that are related in a non-trivial way to three generations of hadronic quarks. With its public person displaying more aliases than a master confidence trickster, we may well doubt that we have or ever will unmask the identity of the real electron in our theorizing. Do we not learn the lesson of history if we cease to take our theories of the electron as credible reports of physical reality? 
Such concerns have long been a subject of analysis in philosophy of science. They have been given precise form in the “pessimistic meta-induction”: Every theory we can name in the history of science is, in retrospect, erroneous in some respect. 
At the moment the question remains: do electron exist or not?

Excerpt from "What Should Philosophers of Science Learn 
From the History of the Electron?". Jonathan Bain and John D. Norton. 
Department of History and Philosophy of Science University of Pittsburgh.

Electrons. A scientific essay

H = (p − EA)22m + Eφ

Sonologyst track from Labyrinth, compilation released by Eighth Tower Records: https://eighthtowerrecords.bandcamp.com/album/labyrinth .

 
Mastering: Sonologyst 
Artwork: cEsar Naves, jaime rguez 
© All rights reserved

Labyrinth

system: maze of control

track taken from Apocalypse, album released by Eighth Tower Records.
https://eighthtowerrecords.bandcamp.com/album/apocalypse

Everyone predicted it would someday arrive, but so few believed in the inevitable; for within the deepest recesses of people’s hearts and minds, the world's destruction was little more than a foolish and faraway myth. Nonetheless, the insinuations…the ghastly omens…were always there, whether in the way nature’s wrath surfaced through disasters or in the manner in which tyrants continued to rise tall and proud, with no apparent consequence to their shackling actions. However, when Earth’s cataclysmic conclusion finally hit, it manifested not so much through the rumblings of some inner, core force; tumultuous storms; famine; economic collapse; mind control...nuclear devastation. It came predominately from out the darkness of our soiled souls. We caused the end of the world by not caring, by letting charity, good will and compassion die. It was ironically our selfish obsessions for heartless conformity, for sadistic self-preservation that spawned our demise. 
This album’s tracks represent and punctuate the ultimate end to all ends, with all the melodious sorrow and impetuous anguish that humankind’s collective sins could ever dare conjure—and (bet your bottom dollar) will. Listen close. Listen hard. Learn and prophetically see and prepare, as each segment drags you deeper into the fetid, despairing annals of...the Apocalypse!

Music: Sonologyst 
Mastering: Sonologyst 
Samples on 8th track, courtesy by Andrey Zhirnov 
Artwork: Daniele Pezzana 
Edited by © Eighth Tower Records 
© All rights reserved

Apocalypse

Abandoned City

track taken from Apocalypse, album released by Eighth Tower Records.
eighthtowerrecords.bandcamp.com/album/apocalypse

Everyone predicted it would someday arrive, but so few believed in the inevitable; for within the deepest recesses of people’s hearts and minds, the world's destruction was little more than a foolish and faraway myth. Nonetheless, the insinuations…the ghastly omens…were always there, whether in the way nature’s wrath surfaced through disasters or in the manner in which tyrants continued to rise tall and proud, with no apparent consequence to their shackling actions. However, when Earth’s cataclysmic conclusion finally hit, it manifested not so much through the rumblings of some inner, core force; tumultuous storms; famine; economic collapse; mind control...nuclear devastation. It came predominately from out the darkness of our soiled souls. We caused the end of the world by not caring, by letting charity, good will and compassion die. It was ironically our selfish obsessions for heartless conformity, for sadistic self-preservation that spawned our demise. 
This album’s tracks represent and punctuate the ultimate end to all ends, with all the melodious sorrow and impetuous anguish that humankind’s collective sins could ever dare conjure—and (bet your bottom dollar) will. Listen close. Listen hard. Learn and prophetically see and prepare, as each segment drags you deeper into the fetid, despairing annals of...the Apocalypse!

Music: Sonologyst 
Mastering: Sonologyst 
Samples on 8th track, courtesy by Andrey Zhirnov 
Artwork: Daniele Pezzana 
Edited by © Eighth Tower Records 
© All rights reserved

Hypnosis

Track included in "Decay, Death and Darkness - Aural visions of Beksiński's art", compilation tribute to the master of macabre surrealism and dystopian art Zdzislaw Beksinski (limited edition CD edited by Eighth Tower Records).
https://eighthtowerrecords.bandcamp.com/album/decay-death-and-darkness-aural-visions-of-beksi-skis-art

Decay, Death and Darkness - Aural visions of Beksiński's art

Noumeno

SONOLOGYST's track from "Drone Islands" compilation published by Eighth Tower Records. https://eighthtowerrecords.bandcamp.com/album/drone-islands-land-raising 
May 2019. Music and Mastering by Sonologyst.

Drone islands - Land Rising

Indostan

Track from the SONOLOGYST album "Phantoms".
https://sonologyst.bandcamp.com/album/phantoms

Recordings by SONOLOGYST 
Sound Design, Turntables, Trumpet, Azzax, Voice.

Edited by ©Unexplained Sounds Group 
Mastering: Sonologyst 
Design: Francesco Di Stasio / Raffaele Pezzella 
©2019. All rights reserved

Phantoms

Orient out of tune

Orient Out Of Tune

Track from the SONOLOGYST album "Phantoms".
sonologyst.bandcamp.com/album/phantoms

Recordings by SONOLOGYST 
Sound Design, Turntables, Trumpet, Azzax, Voice.

Edited by ©Unexplained Sounds Group 
Mastering: Sonologyst 
Design: Francesco Di Stasio / Raffaele Pezzella 
©2019. All rights reserved

Primeval Science

At nearly 14,000 years old, the ruins of Puma Punku are the oldest and most baffling on the face of the Earth. No one knows who designed and built this complex of sophisticated inter-locking blocks, and then vanished. Researchers investigate the ruins on-location in Peru and present new computer analyses. Forensic evidence  on the ground, together with local myths and legends, suggest this site may have been designed and even once inhabited by a species of extraterrestrials.

Album reviewed by Paul Paradis on : http://mvremix.com/rock_blogs/2013/03/sonolgyst-dariusz-michalak-bandcamp-review/

Mastering: Sonologyst
Cover art: Fabio Magara

Pumapunku - Sonologyst & Dariusz Michalak

Many people all around the world hear strange sounds emanating from the sky, or from the depths of the ocean, or from deep underground. In many cases these sounds remain unidentified while science still can't provide an explanation for this phenomenon. This album lies somewhere between musical fiction and the reality of field recordings. It runs from unidentified sounds heard in Finland and Canada, to possible sounds of deep water mermaids, and the sounds broadcast by the Andromeda galaxy.

Unknown Sound In Finland

Sonologyst: synth, processing, editing and mastering.
Dariusz Michalak: synth, percussions.

One sample use permission courtesy by Hans Timmermans, Composer of Electroacoustic music, Netherlands. 

Album reviewed by Paul Paradis on : http://mvremix.com/rock_blogs/2013/03/sonolgyst-dariusz-michalak-bandcamp-review/

Mastering: Sonologyst
Cover art: Fabio Magara

Forgotten rituals - Sonologyst & Dariusz Michalak

Quocunque adspicias, nihil est nisi mortis imago.
Publio Ovidio Nasone

Track from the album "Dust Of Human Race" edited by Eighth Tower Records.

Music and sound design: Raffaele Pezzella (Sonologyst)
Organ on "Teatro Grottesco": Michael Bonaventure
Voice and bowed psaltery on "Maléfice": Ellen Southern
Double Bass (processed by Sonologyst) on Chiangimuerti: Alvaro Rosso

Concept and mastering: R.Pezzella (Sonologyst)
Cd Design: Black Space Industry
2021 © Eighth Tower Records

Dust Of Human Race

SONOLOGYST is the solo project of Raffaele Pezzella. With a primary focus on the interplay between music and contemporary mythologies, Sonologyst's music traverses a spectrum between Fortean documentary-style soundscapes and the sculpting of post-industrial auditory experiences. Since 2014, Pezzella has been serving as the curator of Unexplained Sounds, a 'Global Network of Aural Disorientation.' The network's primary label, Unexplained Sounds Group, was established in 2015. Currently, the network encompasses subsidiaries such as Eighth Tower Records, ZeroK, and Reverse Alignment. In 2021, Eighth Tower label expanded its offerings to include book publications and an online magazine (Eighth Tower). Additionally, Pezzella hosts a streaming radio program titled 'The Recognition Test.' Sonologyst's recordings have been released by notable labels including Cold Spring Records, Unexplained Sounds Group, Eighth Tower Records, Gravity's Rainbow Tapes, and Attenuation Circuit.                                                                                  
Please consider to make a donation to support: PayPal.Me/UnexplainedSounds

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