Name: Seth Frightening - Rain In April by SonorousCircle in sallow walls
Duration: 5 min 18 s
Description: The first single from a forth-coming album later 2017. BTW, now based in Europe & looking for labels!

sallow walls

Techy grime/grimy techno from Manchester producer @Acre in this 100% original productions mix, released ahead of his appearance at Emerald City this Friday.

Read more (including interview): http://www.dummymag.com/mixes/dummy-mix-230-acre-interview

Dummy Mix 230 // Acre

Herrnhut

NTS x PAN w/ Bill Kouligas & Loke Rahbek - 23th May 2016
www.p-a-n.org
www.nts.live
——————————
Mechatok - LSD dreams
Yves Tumor - Perdition 
Field Recordings Kyoto
Sussan Deyhim & Richard Horowitz - Jum Jum
Sam Kidel - Disruptive Muzak (DIY)
Navua Nights | 1
Navua Nights | 2
n/a
Hvad - saai baabba (edit)
serpent ~|~ taiko
Richard Burmer - Ave Pladaelio
T-EA - Protocol
Shanti - broke in ft. oxhy
M.E.S.H. - Victim Lord 
æ - Spaces How V
SKY H1 - Night/Fall/Dream 
Coil - Triple Sun
n/a
———
Loke Rahbek mix (1:06-2:00)

Body Sculptures – Turning Field
Body Sculptures – Turning Field II Sunflower
IRM – Closure IV
Olymphia – A Carpet of Crushed Seashells Covering Parts of the Floor
Berceuse Grecque  - Hesperion XXI - Montserrat Fig
Felicia Atkinson - The Book is the Territory
Mats Erlandsson – Glances
Vanessa Amara - 03/04/2016
Nico - Le Petit Chevalier
Burial – Song from Mary Ann Hobbs Radio Show
Yen Towers - SV22.33+V1 
Gilli ft. MellemFingaMuzik – Ung Entrepanør
Coil – Ended
Fennesz – Liminality
God yu tekem laef blong mi – Thin Red Line OST
Khalil -  Untitled

NTS x PAN w/ Bill Kouligas & Loke Rahbek - 23 May 2016

Just celebrated Lucia's first birthday last week and decided to put together a little mix of some mellow tunes that helped accompany many early mornings / late nights over the last year. She is a true light and I feel so lucky to have her in my life. @zhjuliazh and I recorded the cover of the Emerson's classic 'Baby' in anticipation of her arrival and it quickly became her personal lullaby. Mix up at soundcloud.com/crbear/loosh_one_mix

LOOSH_ONE_MIX

Live track taken from Delaney Davidsons "Devil In The Parlour" Documentary. Performed in the Wunderbar Lyttelton.

"Windy City" live at Wunderbar

Delaney Davidson, live in Lytteltons Wunderbar. "So Long" the last farewell to the little pal. The feet leave the ground in the current, across to the other side. I am going where I belong.

"So Long" live at Wunderbar

The first single from a forth-coming album later 2017. BTW, now based in Europe & looking for labels!

Seth Frightening - Rain In April

N E W S O U N D U N W O U N D is a podcast where we interview sound artists about their latest projects. Special thanks goes to Magnet Melbourne, the coolest creative hub two podcasters could wish for. 

In this episode: Will and Pip interview Matt and Erin of 'The Convoy,' a project described as 'an atmosphere which is able to be created using our instruments. 'Heh' - the track featured in the podcast - can be found right here https://theconvoy.bandcamp.com/album/heh

Find out more about The Convoy: insidetheconvoy.com
Find out more about Magnet: magnetmelbourne.com.au

New Sound Unwound; Episode 01

New Sound Unwound: Episode 01 - The Convoy ( Matt Faisandier & Erin K Taylor )

Tokyo Rose

From the album The Kid out October 6, 2017 on Western Vinyl

Pre-Order The Kid
BLEEP https://bleep.com/release/86790-kaitlyn-aurelia-smith-the-kid
Norman Records https://www.normanrecords.com/records/166212
Bandcamp https://kaitlynaureliasmith.bandcamp.com/album/the-kid
iTunes hyperurl.co/8n4qa5
WV http://westernvinyl.com/shop/wv170

In 2017, the musical term “electronic” is nearly obsolete given the ubiquity of computerized processes in producing music.  Even so, the prevailing assumption is that musicians working under this broad umbrella must be inspired by concepts equally as electrified as their equipment.  Kaitlyn Aurelia Smith has demonstrated in her still-blooming discography that this notion couldn’t be further from the truth, and that more often than not, rich worlds of synthesized sound are born from deep reverence of the natural world.  Smith (who by no coincidence, cites naturalist David Attenborough as a contemporary muse) has embodied such an appreciation on The Kid in as direct and sincere a way as possible by sonically charting the phases of life itself.  The album, which punctually follows up her 2016 breakthrough EARS, chronicles four defining cognitive and emotional stages of the human lifespan across four sides of a double LP.

The first side takes us through the confused astonishment of a newborn, unaware of itself, existing in an unwitting nirvana.  Smith’s music has always woven a youthful thread befitting of the aforementioned subject. Here she articulates it in signature fashion on the track “An Intention,” which serves not only as a soaring spire on The Kid, but on her entire output.  There is playfulness here, but it's elevated by an undertone of gravity into something compelling and majestic that is fast becoming Smith’s watermark.  The emotional focus of side two is the vital but underreported moment in early youth when we cross the threshold into self awareness.  The subject is profound enough to fill an entire album, but rarely makes its way into a single track, indicating Smith’s ambition to broach subtler and deeper subjects than the average composer.  This side offers up another highlight in the form of “In The World But Not Of The World” which serves its subject well with epiphanic, climbing strings and decidedly noisy textures over a near-Bollywood low end pulse.

Side three emphasizes a feeling of being confirmed enough in one’s own identity to begin giving back to the formative forces of one’s upbringing, which is arguably the duty that all great artists aim to fulfill.  This side ends with the exploratory album cut “Who I Am & Why I Am Where I Am” recorded in a single take without overdubs on the rare EMS Synthi 100 synthesizer. This humble piece of sound design serves as a contrast to side four’s verdant orchestral moments, all written and arranged for the EU-based Stargaze quartet by Smith herself.  This final side represents a return to pure being, the kind of wisdom and peace that eludes most of us until the autumn of life.  On “To Feel Your Best” this concept is voiced in the bittersweet refrain “one day I’ll wake up and you won’t be there” which Smith intended to be a grateful acknowledgement of life rather than a melancholy resentment of loss. The song has both effects depending on the mood of the listener, and both interpretations are equally moving.

Kaitlyn Aurelia Smith belongs to an ilk of modern musicians who are defined by their commitment to creating experiential albums despite the singles-oriented habits of modern listeners, and here she represents her kind proudly.  The subjects on The Kid are not simple to convey, and yet through both emotional tone and lyrical content, Smith does just that. There is a similar gravity to both birth and death, and rarely is that correlation as accurately and enthusiastically mapped as it is here.  As Kaitlyn Aurelia Smith explores her existence through music, she guides us in gleefully contemplating our own.

Kaitlyn Aurelia Smith - "To Follow and Lead"

Download this from http://chaptermusic.bandcamp.com/album/beaches-she-beats

From second album She Beats, out on Chapter Music 3 May 2013.

www.facebook.com/beachesband
www.twitter.com/beachesband
www.chaptermusic.com.au
Itunes Link: https://itunes.apple.com/au/album/distance/id610715433?i=610715933&uo=4

Seth Frightening - Rain In April

SonorousCircle

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