If I ever perform a heist this will be on repeat

fuck yeeah mate! i need this remix, where is the way?

Welcome to a new era: onerpm.link/Surges

We still remember what it was like. Do you?

To dance. To move. To come together with a sprinkle of dust and a surge of lightning to celebrate our unique community.

Now we’ve grown and made new sounds. We learned from being apart. From spending time alone. Without our community. Without dancing together. Without playing together. And it felt like an eternity…

And now we’ve never been so ready to dance together again. To embrace and celebrate our uniqueness just like when we met. We tip our hats to the past. And raise our glass to the future. Welcome to a new era.

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Surges

MORiLLO x KR3TURE - Electric Dust
Mastered by The Lions Den Mastering

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Electric Dust

SOOHAN's Debut Album, "Made in Baltimore" Released on 12.13.14.

Free Download

No Problems In November

Instrumental / Rearrange edit from the PEGA5U5 album "The Flock".

PEGA5U5 - Get Low (Mr. Rogers Edit)

This is the second single from the forthcoming album “Prism In the Dark.
Pre-Order The Album now

Prism in the Dark 

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Make it Through

Fresh off a year of extensive coast-to-coast touring, SOOHAN returns with COLLECTIVE EFFERVESCENCE, a new album of found and remixed material that showcases his most receptive tracks from the year prior. Collective Effervescence is named for the sociological concept coined by Èmile Durkheim, which generally states that when people come together as communities, they retain the ability to act as one.

Such is the truth of how your bodies all over North America responded to this visceral selection of Soohan's newest remixes and edits, often meant directly for festival crowds. Worldly rhythms abound as Soohan introduces you to the likes of Adèle & Zalem, A-WA, Sukhwinder Singh & Vijay Prakash, and Ana Tijoux through 808-tinged lenses. Interspersed are moments of re-interpreted pop genius. A supercut of Missy Elliot's hardest lines runs atop a selection of Timbaland's best cuts, while elsewhere, Weezer meets Passion Pit and bass-heavy beat patterns straight from the Bay area. 

Equal parts a must-have for the day-ones and the perfect entry port into Soohan's world of remixed art from around the world, a continued journey of musical discovery.

Mixdown: Michael Klicos
Mastering: Subvert Central Mastering
Artwork: Mugwort Design

<a href="https://theartistunion.com/tracks/e23ee9" rel="nofollow">Download for free on The Artist Union</a>

Missy Tribute

Fresh off a year of extensive coast-to-coast touring, SOOHAN returns with COLLECTIVE EFFERVESCENCE, a new album of found and remixed material that showcases his most receptive tracks from the year prior. Collective Effervescence is named for the sociological concept coined by Èmile Durkheim, which generally states that when people come together as communities, they retain the ability to act as one.

Such is the truth of how your bodies all over North America responded to this visceral selection of Soohan's newest remixes and edits, often meant directly for festival crowds. Worldly rhythms abound as Soohan introduces you to the likes of Adèle & Zalem, A-WA, Sukhwinder Singh & Vijay Prakash, and Ana Tijoux through 808-tinged lenses. Interspersed are moments of re-interpreted pop genius. A supercut of Missy Elliot's hardest lines runs atop a selection of Timbaland's best cuts, while elsewhere, Weezer meets Passion Pit and bass-heavy beat patterns straight from the Bay area. 

Equal parts a must-have for the day-ones and the perfect entry port into Soohan's world of remixed art from around the world, a continued journey of musical discovery.

Mixdown: Michael Klicos
Mastering: Subvert Central Mastering
Artwork: Mugwort Design

<a href="https://theartistunion.com/tracks/bd417c" rel="nofollow">Download for free on The Artist Union</a>

Im Crazy Over You

I have a dream, and in that dream we're all shaking our asses to the shared beat of fire producers and live orchestras. Until then I'm going to keep on musing. 

“And those who were seen dancing were thought to be insane by those who could not hear the music.”
― Friedrich Nietzsche

rework and additional samples compiled by me, All rights and deep respect reserved to https://soundcloud.com/atliens, https://soundcloud.com/musicality-beats and Square Enix

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AppleCat x Atliens x Musicality - King's Fantasy

Experimentation is nothing new to SOOHAN, and yet, the borders to his musical journey seemingly have no boundary.

Touching down with his sixth full-length project, SOO SOO STUDIO, Soohan further erases walls between genre and blurs lines between original compositions and sampled material, all while diving into new musical territory. Sounds from classic American pop music, house, Baltimore club, and drum and bass blend with Soohan's distinct affinity for regional folk and dance music styles from around the world - a rededication to his mission of drawing the path from foreign to familiar.

At 13 tracks and just over an hour in running time, SOO SOO STUDIO marks Soohan's most diversely-sourced work to date. Unfolding as a journey through an array of seemingly incongruous influences, the sounds come together with effortless style, leading the listener through a meandering rush of sounds, culminating in a euphoric finish. A must-hear experience for fans of polyrhythmic dance, club music, and rhythms from beyond the western world.

Mixing: David Szuchan, Michael Klicos
Mastering: Subvert Central Mastering
Artwork: Larry Cohen and Nate Gonzalez of The Moon Life

<a href="https://theartistunion.com/tracks/98f827" rel="nofollow">Download for free on The Artist Union</a>

This song is part of the Nomura compilation out now on Psychedelic Jelly! Link on the track <3

Banga Sketch

Mixing: David Shuhandz
Mastering: Subvert Central
Artwork: Jeremiah Christo

www.soohansoohan.com
www.soundcloud.com/soohan

Vague and Familiar

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Laisse Tomber Les Filles - France Gall (1964) (SOOHAN Edit)

FOR ALL BOOKING INQUIRIES: soohanbooking@gmail.com
INSTAGRAM: https://www.instagram.com/soohansoohan

Laisse Tomber Les Filles - France Gall (1964) (SOOHAN Edit)

SOOHAN

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