A ping pong mixed mix by the French experimental duo Jean Marie Mercimek from Marseille to Brest and back, with some of their unreleased stuff;

Jean - Marie Mercimek [Je Ne Veux Plus Voir Le Ciel] [06.10.2021]

Ceremonial County Series Vol.VI - Cornwall | South Yorkshire

A little is a lot

7 minutes

Wait by light

"Living Dust", 1995 solo track recorded for Tony Thorpe compilation - Miscellaneous- released on his Language label in the same year. Engineered with creative tweaking by Mark Lusardi at Mark Angelo Recording.

Living Dust

Zoom F8
DPA 4060 x2 spaced omni's [Jez's]

Recorded March 2017 at Saltend Chemicals Park, Hull, UK with Jez riley French, during my Regional Arts Fellowship. This Regional Arts Fellowship is supported by the NSW Government through Create NSW.

Thanks to Jez riley French.

SALTEND CHEMICALS PARK [Excerpt]

Fairlight CMI Series 1
MANIAC cellular automata sequencer
Zoom F8
MOTU Microbook II
MacBook Pro

Recorded February 2017 during my Regional Arts Fellowship. This Regional Arts Fellowship is supported by the NSW Government through Create NSW.

Thanks to Richard D James for use of the Fairlight.

RAINWIRE [Processed] AFXs Fairlight #40 [Excerpt]

When John Chowning discovered FM synthesis it was seen as the promised land. Anything and everything could be synthesized, it was said, by use of this brilliant, simple idea: sine waves modulating other sine waves in any number of patch matrices, producing complex combinations of sidebands. And as such; almost infinite spectral potentiality for composers and performers alike! In other words - spectrum splitting potential, which is exactly how NYZ approaches it in this collection of mad and utterly unpredictable pieces. 

Seemingly held together by the determination (or lack thereof) of a chaotic system in a clinical, synthetic sound environment, these pieces are raw and made up of ploddy notes strolling through timbral in-between places from infamous synthesizer presets. Imitating organs, bass guitars and percussive instruments mutating seamlessly into alien non-referential sounds, some notes intensely are sustained and some strung together in vibrant and organic, breathing sequences by Burraston’s MANIAC Cellular Automata Sequencer. 

‘NTE GDN’ is a thoroughly eccentric and expressive musical experience containing melodic interval jumps of what seems to be an algorithm impersonating Schönberg, only stopping to descend into a dronal stasis.

NTW GDN

NTE GDN

NYZ - NTE GDN (from 'NTE GDN', CON018)

https://boomkat.com/products/shftr-frq

+ [Special note for track A9 - SHFTR_CA#BB1] => A huge shout of thanks to Richard D James for gifting me a Sequentix Cirklon sequencer and PreenFM2 synth during my Regional Arts Fellowship in 2017! This was the first track I made using this gear. You can also read up more about my open source Farey Sequence FM programming tool for the PreenFM here => 
https://github.com/noyzelab/FareyPreenFM2

++ Folks interested in using cellular automata can also check out my open source Arduino based synth module here => 
https://github.com/noyzelab/uMANIAC

SHFTR FRQ

NYZ SHFTR FRQ 09_SHFTR_CA#BB1

"Teaser" for the upcoming Ōgon Batto LP / DL 'Browse'. Out on January 11, 2021!

Ōgon Batto : CRYING TIGER

Soopbonesmusic is influenced by Can, TV on the Radio, Shuggie Otis, Brian Eno, Bjork, Howlin Wolf, Wes Montgomery, Arthur Verocai, The Velvet Underground, Elmore James, Boards of Canada, Grant Green, Charles Mingus, Herbie Hancock, Aretha Franklin, Ride, Reverend Horton Heat, The Breeders, Talking Heads, Miles Davis, Aphex Twin, Fugazi, Sonic Youth, Stereolab, Public Enemy, Missy Elliot, Slowdive, Sun Ra, Kraftwerk, Yo la Tango, Daft Punk

As well as genres such as, Electronic, Punk, Dub, Post-punk, Hip Hop, Jazz, Blues, Psychedelia

Bandcamp: https://soopbones.bandcamp.com/

7 minutes

Soopbonesmusic

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