classical

This is my Melody for Pianoday 2021
Recorded on my Kawai
#pianoday2021

The Return (sketch)

A very beautiful track from the album Stadsbilder, to be released on Time Released Sound on August 6th, 2021.

Stadsbilder

Jakob Lindhagen & Dag Rosenqvist, "Stadsbilder"... Östersjön

Claude Debussy’s Clair de Lune (French for "Moonlight") is one of the most beloved and recognizable pieces in the classical piano repertoire. Composed as the third movement of his Suite Bergamasque, it was completed in 1890 and later revised before its publication in 1905.

This impressionistic masterpiece is known for its delicate, flowing melodies and rich harmonic textures, evoking the serene beauty of a moonlit night. The piece begins with a soft, almost whisper-like entrance, gradually unfolding into a lyrical, expressive theme that shimmers with emotional depth. Its gentle arpeggios and dreamlike phrasing create a sense of weightlessness, as if floating in a tranquil nocturnal landscape.

Clair de Lune is often associated with introspection, romance, and a quiet sense of wonder. Its timeless appeal has led to its inclusion in countless films, TV shows, and cultural moments, making it a universal symbol of beauty and nostalgia. Whether listened to for relaxation, inspiration, or sheer admiration of Debussy’s artistry, this piece remains an enduring testament to the power of impressionist music.

Classical Music - The Essential Collection

Clair de Lune

ᯤ Spotify

Clair de Lune - Claude Debussy

The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie.

The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Audius Classical Music
https://audius.co/classicalmusic

Best of Satie
https://music.apple.com/gb/album/gymnopedie-no-1-single/847714522

Satie on Spotify
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Satie Album on Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Erik Satie - The Essential Collection

Erik Satie - Gymnopédie No.1

Meditate on Life (part 3)

CVLRFCKSU ~ WAVES 

PRODUCED BY 
CVLRFCKSU 
Luka The SIN
v 

GUEST PARTS
Emanuelle Dult
CAVALIER 

COVER BY
 GOTH PRINCE
Jewel junkie

NOT FOR SALE 

SYNTHETIC 2025

PACIFIC

Sophie's Magic Oasis

Sonata schizophrenia

Manchineel

Touch (Piano Version)

A new track mixing real and virtual instruments.

Sun Prints

Available here:
https://thesisproject.us/projects/thesis-17
&
https://thesisproject.bandcamp.com/album/thesis-17-ceeys-constant-presence

To be released on the conceptual collaborative-minded, boutique label Thesis, is the new joint project by the two neo-classical and contemporary ambient acts of CEEYS, and CONSTANT PRESENCE, the new outing between Peter Broderick [Erased Tapes, Type, Efterklang], and Daniel O’Sullivan [Grumbling Fur, Guapo]. Released during Q3AMBIENTFEST, a sterling three-day event of avant-garde, experimental pop and ambient-classical taking place in Potsdam, Germany during the first weekend of April, the limited edition 10inch EP, enriched with Zen ideology, comes replete with bespoke artwork, exclusive handmade packaging, and laser-etched designs.



CONSTANT PRESENCE, the new mesmerizing project by soundsmith Peter Broderick and multidimensional songwriter Daniel O'Sullivan, has been sporadically performing across the globe since coming together in 2019. This new, recorded body of music will see their release alongside the cello-piano brothers, Sebastian and Daniel Selke aka. CEEYS, who also happen to be the founding partners and curators behind Q3AMBIENTFEST. Looking to celebrate the notions of duology, unity and harmony, the EP features two ambient tracks that are enshrined in the teachings Shunryu Suzuki, a twentieth-century Soto Zen monk who gained popularity in the Western world for his teaching of Zen Buddhism outside of Japan. This nature of dualism becomes ever more pertinent when factoring in the 30th anniversary of the fall of the Berlin Wall, the bringing together of new and old worlds, and the pairing of Potsdam and Berlin. The East-West divide is something also very admissible to the works of the Selke brother’s, who imbue various elements of their East German upbringing within their recordings and philosophical approaches. Now celebrating its fourth year, Q3AMBIENTFEST is CEEYS’ labour of love, and it was a great honor, love and respect that they can now release something together with the multitalented and accomplished minds that are Broderick and O'Sullivan.



The Thesis Project, now on its 17th release, has set about on uniting two different artists together to create limited, custom designed bodies of music. Uniquely crafted and designed by Gregory Euclide, each 10” jacket for THESIS 17 consists of laser cut-etched designs portraying brutalist architecture and atomic structures glued on top of airbrushed designs that use the homemade Black Walnut Ink that Euclide made himself from the trees on his property, then letter pressed with the THESIS logo. Each record is hand numbered in an edition of 300, and will be made available on the second day Q3AMBIENTFEST, where it is also possible to get the record hand-signed by the artists. During the second day of the festival CONSTANT PRESENCE will share the stage with CEEYS, for a unique performance that juxtaposes the notion of duality and harmony yet further, in a show that will combine professionalism with liveliness, method with lightness of touch, and efficacy with flexibility.

THESIS 17

Nothing Special

Listen / Purchase: https://lnk.to/veilonveil

Veil on Veil (out November 20th on Lost Tribe Sound) is the fourth album from experimental act, Several Wives. Veil on Veil continues the deeply cathartic explorations into doom, electro-acoustic, and outsider classical that have become synonymous with their work.

Several Wives is undoubtedly the most enigmatic artist Lost Tribe Sound has attempted to pair words with. The more one struggles to describe it, the more it evades. Words like dark, sinister, disturbing only seem to address a surface understanding of the dynamics at play, as with each listen new emotions are revealed like half-remembered days of a haunted childhood.

Veil on Veil presents an amorphous sound, somewhere between a solid and liquid. Depending on your mood going in, it can take you down various pathways (like when your friend told you, stay positive and this trip won’t turn sour). This is music that heavily invites a narrative without being beholden to it. It finds just as much satisfaction bathing in its own filth as it does bringing its believers to the light. It’s music made of dungeonous booms and clatter exquisitely paired with sepia-toned strings and other cloaked sonics.

Here at Lost Tribe Sound, Several Wives have made a huge impact on our musical taste since first discovering the release, Göldi Fell. It has led us down the rabbit hole to all sorts of ritual music, minimal rhythmic ambient, cult film soundtracks, and various other lost compositions. Having now spent days listening to works of Several Wives, what remains is perhaps the music’s most curious property. For all the exchange between the darkness and the light brought on by these mood-heavy formations, the line between the two now feels more blurred than ever, and that may be its best illusion of all.

Fearful Void Series

Several Wives - Mai Swarmer (from Veil on Veil)

Purchase / Stream: https://lnk.to/sailcloth

'Woodcut' is the debut album from Sailcloth, the project name upright bassist/multi-instrumentalist Alex Luquet records under. 'Woodcut' released July 2nd, 2021 with US label, Lost Tribe Sound.

The Pennsylvania native caught the attention of Lost Tribe Sound with the 2019 EP 'Close Keeping'. Its strong lean towards a highly textural and bass-forward sound connected it to LTS immediately.

Original discussions about the debut record centered on creating an album that pushed the often background role of the upright bass to the foreground, letting the rich, sturdy tones that the instrument is capable of be the star of the show.  With the thirteen songs of 'Woodcut', Sailcloth has well surpassed this original outline, undoubtedly giving this massive wooden instrument center stage while also delivering an album that is unexpected yet comfortable simultaneously. It delivers on those rumbling cathartic lows, though it equally gives way to some of the most satisfying big-hearted highs.

'Woodcut' contains this wide-eyed sense of wonder, warming us with its nostalgic melodies and deep earthy undertones that point towards a strong commune with nature and all that breathes around us. At times, it is refreshing, joyful, undeniably playful. Further still its gritty, awkward, elusive, contemplative. Never fully pledging its allegiance to just one spectrum on the color wheel, ‘Woodcut' evades easy classification and the stereotypical jazz-like outcomes one typically expects from the instrument. Best we can figure, it's electro-acoustic music with a longing for travel, adventure, and real connection. It's music that is eager to share its colorful experiences with all who will listen and reward them with sure-handed nuance not often heard in debut albums.

Built Upon A Fearful Void Series (New Masters Formatted)

Sailcloth - Woodcut (from Woodcut)

River Styx

River Styx (Piano Solo)

Liam Mour - Dreaming Of A Better Place

Composed, Produced, Mixed by Liam Mour
Mastered by Zino Mikorey

© ℗ 2021 Ode To Youth

www.odetoyouth.net
www.odetoyouth.bandcamp.com
www.instagram.com/liammour_

contact: info@odetoyouth.net

Dreaming Of A Better Place

“Some of it reminds me of minimal music, the repetitions, the different layers that build up little by little, but she doesn’t hide behind them, she uses these techniques to express her own ideas. I find it wonderful how carefully she goes about it. When she’s onto an idea, she doesn’t just grab it, but approaches it carefully and gives the idea time to blossom.” – Tuula Simon, WDR 3, “3 von jetzt” (“3 of now”)

Sophia Jani is a German composer of contemporary classical music who takes a poetically minimalist approach to composition. She is the current Composer in Residence of the Dallas Symphony for the 2023/24 and 2024/25 seasons, as well as the 2023 Musical Artist in Residence of the Arvo Pärt Center and recipient of the APC Fellowship.

Her music has recently been performed by the New Jersey Symphony, the Munich Symphony, Bang on a Can, musicians of the Dallas Symphony, the Goldmund Quartet, vocal sextet Sjaella, and pianist Eunbi Kim, among others. She has also contributed music to successful film, theater, dance and album projects.

In 2021, Jani was awarded the prestigious Scholarship for Music by the City of Munich for her solo violin piece III. Her debut album of chamber works, 2022’s Music as a mirror, received a nomination for the German Classical Music Prize “Opus Klassik.” In June 2022, she co-composed and produced “Tulips” with violinist Darian Donovan Thomas, which was featured on !K7’s String Layers Vol. II. And in July 2022, she participated in the Edward T. Cone Composition Institute at Princeton University, where her composition “What Do Flowers Do at Night?” was performed by the New Jersey Symphony under conductor David Robertson.

In addition to her work as a composer, Jani is passionate about building a diverse and international community of artists that open-mindedly addresses the challenges notated music faces in the 21st century. To that end, she is one of the founders and artistic directors of “Feet Become Ears”, which is a platform that commissions, presents, and celebrates contemporary chamber music.

Jani holds degrees from the University of Augsburg, the University of Music and Performing Arts Munich and the Yale University School of Music where she studied with Martin Bresnick and David Lang, made possible through the generous support of the Fulbright foundation.

Manchineel

Sophia Jani

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