Gorgeous style. Reminds me a little of the music of the tree music by Traubeck you might enjoy.... x

from 'Skeylja' [CD|LP|DIGITAL]
Denovali Records · den184
available on all formats at [http://denovali.com/thealvaretensemble]

--- "Skeylja" An invented word combining the Frisian word for Terschelling, "Skylge", and the Icelandic word for island, "Eyjan" ---

Skeylja is an international multimedia project, based around the ideas of improvisational music and the coming together of musicians from different countries and musical backgrounds to create a spontaneous sonic landscape. The project started when The Alvaret Ensemble (Greg Haines, Jan & Romke Kleefstra, and Sytze Pruiksma), who you may know from their eponymous debut on Denovali in 2012, travelled to Iceland to try to find a shared music language with the Icelandic musicians Ingi Garðar Erlendsson, Kira Kira, Borgar Magnason and Eiríkur Orri Ólafsson . They were joined by the 33 1/3 Collective, a group of visual artists from the Netherlands, who began to collect footage that would later be used as source material for the visual side of the performance.

Some months later, after a successful week of traveling to beautiful locations and playing music together, the group met again, this time during the Oerol festival on the island of Terschelling in the Netherlands, for a series of nine sold-out shows in an old church, all of which were being recorded. Each artist "curated" a rough plan for one evening, which could be anything from hand-drawn images to be interpreted musically to more precise plans of structures and combinations of musicians to be explored. Never were the notes, or the content of the music itself, discussed - this was instead left up to chance and developed through listening intently to each-other, trying to create an atmosphere where each player was vital, but where everyone always worked towards the whole.

After ten intense days on the island, all that was left were the memories of the audience and, luckily, a hard-drive with over ten hours of recorded music. After everyone had had a chance to listen back to rough mixes of each night and make comments, the material was taken to Greg Haines' Electricity Works studio in Berlin, where the long process of selecting, editing and mixing began. Finally, almost two years after that first initial meeting in Reykjavik, the album is complete and ready to be released into the world. We hope you enjoy it.

Participating musicians (in alphabetical order):

Ingi Garðar Erlendsson (Tuba, Trombone, Thranophone)
Greg Haines (Piano)
Kira Kira (Voice, Electronics)
Jan Kleefstra (Voice, Poems)
Romke Kleefstra (Guitar)
Borgar Magnason (Contrabass)
Eiríkur Orri Ólafsson (Trumpet, Electronics)
Sytze Pruiksma (Percussion)





Skeylja

Preorder / Buy

The Alvaret Ensemble, Kira Kira, E. O. Ólafsson, I. G. Erlendsson, B. Magnason - Borgarvatn

from 'Walizka' [CD|LP|DIGITAL]
Denovali Records · den201
available on all formats at [http://denovali.com/johnlemke]

Working across a variety of media John Lemke explores all things sonic through live performance, sound design and his work as a documentary film composer. The Walizka EP is his latest solo release on Denovali Records.

Three items in a suitcase, a clarinet, a looper and a microphone - is how it all started. 

A free improvisation with friend & collaborator Łukasz Bernacki (on clarinet) sparked John’s desire to bring his compositional and production approach back down to the most basic elements. Creating simple, yet distinctive rhythms only through tapping contact microphones run into noisy guitar amps became the base for the EP’s three tracks, consequently inspiring its live, lo-fi feel. Written and recorded between John’s native Berlin and his adopted home of Glasgow, Walizka (Polish for ‘suitcase’) somehow absorbs the defining atmospheres of both cities in its core.

Previously released digitally as a teaser for John’s debut album, the Walizka EP actually presents newer material, progressing the electro-acoustic nature of ‘People Do’ towards more dub drenched territories. Refining John’s blend of prepared piano and field recordings with hand crafted beats and swampy bass lines, this deeply moody and danceable release bends genres with refreshing ease.

The EP is furthermore enhanced by a second half of remixes by fellow Denovali artists Piano Interrupted, SaffronKeira and Petrels and the ever elusive Everyday Dust. Far from conventional remixes, these pieces fall more in the category of re-imaginations, complementing the EP’s first, more rhythm anchored half with a coherent ambient counterpart.

Written, performed, recorded & produced by John Lemke in 2013
Mastered by Alex Gámez at Störung Studio
Artwork by Łukasz Bernacki

Walizka

John Lemke - Walizka (Piano Interrupted Remix)

Alexis Gelinas performs "Prelude in C Major" by JS Bach (written 1707) from the Well Tempered Clavier (published 1722). This piece would originally have been performed on a Harpsichord or Clavichord

JS Bach - Prelude In C Major (BWV 846) arranged for Glass Marimba

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ is set for a November 2015 release, and – alongside Dmitry Evgrafov’s debut for the imprint - marks an invigorating injection of fresh blood for 130701, introducing a striking new voice to the genre.

Like Water Through The Sand

Emilie Levienaise-Farrouch

Preorder

Emilie Levienaise-Farrouch - 'Scale Of Volatility'

written and recorded by janek sprachta at einraum studio

abysse

My personal contribution in Celebration of a declared annual holiday by Nils Frahm.  "Piano Day".
The 88th day of this year 28th March 2016
You can also enjoy the fitting visuals created for the piece here - https://www.youtube.com/watch?v=Ujg4YXWaAT4&feature=youtu.be

Enjoy x

'In The Wake' - Piano Day 2016

My father died on 16 March 2011.  His body had battled emphysema for years.  After complications caused by a bout of pneumonia he finally succumbed.  In the aftermath of these events I turned to my piano for solace and escape.  The resulting record attempts to address the emotions experienced during the 7 days between his death and funeral.  In collaboration with Ed Hamilton, who brilliantly tapped in to my experience and emotion, and with contributions from Christoph Berg, this record is about, and in memory of, my father. - Euan

............

Glacis is Euan Alexander Millar-McMeeken with Ed Hamilton

All pieces written and performed by Euan Alexander Millar-McMeeken and Ed Hamilton

Violins on tracks 1, 5 & 7 performed and arranged by Christoph Berg

Violins on track 6 performed by Christoph Berg, arranged by Ed Hamilton

Piano recordings by Ana Roman and Alex Galler at the University of Edinburgh

Produced and mixed by Ed Hamilton

Mastered by James Plotkin

Art by Todd Umhoefer
www.oldearthcontact.bandcamp.com

Writing by Ali Millar 
www.readthesupplement.com

Released through Fluid Audio (May 2016)
www.fluidaudio.bigcartel.com

............

Thanks, and thanks, and ever thanks
 
In memory of Euan's father, Sandy McMeeken 6 November 1937- 16 March 2011

............



Glacis - From One Room To Another (So You Leave Me Now)

We are delighted to share with you two tracks from Sjors Mans' forthcoming EP, Noord.

Pre-order on Bandcamp: http://bit.ly/2VJ8Sw5
Listen on Spotify: https://spoti.fi/2D8BSpO

Big Ballad, comprised of soft pads and a contrasting synth sequence - recently premiered on KEXP - and Without You, one of Sjors' characteristic melancholic piano pieces.

Sjors Mans - Big Ballad

The original Re is such a beautiful piece just the way it is. I was a little apprehensive attempting a rework of it, but found it irresistible. I had to do it. I feel I've created a delicate rework, as melancholic as the original with just a touch of what I love best; strings and soundscapes.

Re; Nils Frahm - a rework

Yes, I know that I had just had an exclusive track premiere a day ago, but I've got another one for you, kids, and this one is worth celebrating! As you have already read in the title of this writeup, today, I am sharing a track by Sebastian Plano and Maarten Vos who have paired for a self-release they simply titled "&." Although I can already see how the title will bring the duo unforeseen trouble [electronic media unfriendly to ampersands or HTML escape codes will struggle with the name!], the music will bring trouble to your unprotected heart, piercing its walls with the emotive, sensitive, and poignant. Argentinian cellist, composer, and producer, Sebastian Plano, is, of course, no stranger to my ears. I was very much impressed with his collaboration on Everything (Erased Tapes, 2017) with Ben Lukas Boysen; and mesmerized with his Merkury KX release of Verve in 2019. Dutch Maarten Vos is also a cellist, composer, and producer, whom I have only heard of via his collaboration with Michel Banabila on Home (Tapu, 2017). For their collaborative debut, the duo put together seven pieces after a week-long recording session, "which transcends from cello duos to counterposed piano melodies, synthesizers, and electronics." This beautifully stammering piece resolves into a liquid bliss.

Dense & Density

TRACK PREMIERE : Sebastian Plano & Maarten Vos - Dense & Density

Find the solace between the sounds with German pianist and composer Sophia Jani. In her latest piece - entitled 'summer and summer and winter again' - her gentle touch of the keys creates a velvety tone that breathes with the natural resonances of the instrument. ..

Listen to the track on your favorite platform : orcd.co/sophiajani

@sophiajani

summer and summer and winter again

Download

Sophia Jani - summer and summer and winter again

Compared with the likes of Max Richter, Dustin O'halloran, Nils Frahm and other like minded composers, Hutching's has prompted much critical praise worldwide, with MOJO Magazine declaring her work as ‘stirring, vigorous, [and] grandly melodic”. Hutchings debut album was listed in that magazine’s Top 5 Independent releases and has continued to endure and impress since. Hutchings is subtly playful within the direct and emotive candour of her style, making for an open and surprising journey throughout. Balancing the beautiful fragility in her work with a deeper sense of urgency creates a striking charge to her performance with a compelling pulse that also encompasses a lightness of touch in parts making for many shades set within Hutchings’ beguiling vision.
Her compositions move from disarmingly spare and elegant beginnings to curl out with a tingling edge, propelling its austerity into urgent and epic realms. Violin, cello, heighten the flight these pieces can take as well as dip and swell within the more dimly lit moods of gentler nuance, casting a particular spell across the range of feeling captured in Sophie’s playing. Both unfussed and exquisite though constantly evolving....

'In The Wake' - Piano Day 2016

Sophie Hutchings

Recent comments

DREAM

Davide Zappettini

Anibal Seminara

Thierry Alexandre

Related tracks