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Sims announces the release of Field Notes, a collection of 7 new tracks set for release on September 2nd through Doomtree Records. Following 2011’s critically acclaimed Bad Time Zoo LP, Field Notes finds the Minneapolis rapper in fine form, spitting poignant, razor-sharp lyrics over larger than life productions from Doomtree’s own Cecil Otter and Paper Tiger, as well as newcomers ICETEP and Plain Ole Arson (Ryan Olson x Plain Ole Bill). 

Field Notes is available for pre-order today on the Doomtree webstore and digitally via iTunes and Bandcamp. All pre-orders include the first single “Uh Huh” as an instant grat track.

Pre-order Sims' Field Notes today!
CD/Deluxe: http://store.doomtree.net
iTunes: http://smarturl.it/fieldnotes
Bandcamp: http://sims.bandcamp.com

Sims plays a hometown show at First Avenue on August 23rd with Astronautalis (who pops up for a guest appearance on the Field Notes track “This Is The Place”). Tickets to #AstroSims2 can be purchased here: http://bit.ly/AstroSims2

Sims hits the road for a month-long run with Australian hip-hop group Hilltop Hoods. The North American tour starts in San Francisco on August 28th and wraps up September 28th in Cambridge, MA. Full tour dates are listed below and tickets are on sale now. 
Sims 2014 Tour Dates / http://doomtree.net/events
8.16.14 – Omaha, NE – MAHA Music Festival^
8.30.14 – St. Paul, MN – Minnesota State Fair Grandstand^
8.23.14 - Minneapolis, MN - First Avenue*
8.28.14 - San Francisco, CA - The Independent
8.29.14 - Madison, WI - Majestic Theatre
9.03.14 - Kansas City, MO - Riot Room
9.04.14 - Boulder, CO - Fox Theatre
9.05.14 - Denver, CO - Bluebird Theater
9.06.14 - Fort Collins, CO - Aggie Theater
9.07.14 - Park City, UT - Park City Live
9.09.14 - West Hollywood, CA - The Roxy Theatre
9.11.14 - Seattle, WA - The Crocodile
9.12.14 - Vancouver, BC - Commodore Ballroom
9.13.14 - Victoria, BC - Rifflandia Festival
9.15.14 - Whistler, BC - Garfinkel's
9.17.14 - Banff, AB - Wild Bill's Legendary Saloon
9.18.14 - Edmonton, AB - Dinwoodie
9.19.14 - Calgary, AB - The Gateway - SAIT Campus
9.20.14 - Saskatoon, SK - O'Brians Event Centre
9.24.14 - Montreal, QC - Cabaret Underworld
9.25.14 - Toronto, ON - The Hoxton
9.27.14 - Brooklyn, NY - Brooklyn Bowl
9.28.14 - Cambridge, MA - Middle East Upstairs

Lyrics:
Well I stepped up my cleats on 
and that chin music is my theme song
that brush off, that write off, I just use that as a deduction
that mean mugging don’t mean nothing
hold the line, I play the whole 9 
I steal second, I scrape for mine
you can take the signs or you can pay no mind
I’m on the verge, hold the sermon
like I told the purists, if I played it safe I would’ve sold insurance
so I kill it ’til it’s dead, till it ’til it grows
get it on the road then tour it ’til it’s old
like any good crow I never tip toe around a motherfucking straw man
make me like amen, or god damn, or something 
like money for nothing 
in common
I came up on ramen
nine of us and we’re lining up 
and you must be high on that diamond dust
now I’m grinding out until my time is up

I didn’t come to play games, I came to win
I get it in then I’m in the wind and I ain’t no average citizen
I ain’t living in that bitter end 
I come to stack my dividends and then bounce

I am the chem trail in your easy mac
Sims Jong Il to all you Tumbl’ing amnesiacs
faking funk and celiacs 
got me out here feeling old on my Holden Caulfield calling phony
I’m from the land of Uncle Ole’s yelling fuck the police
Axel Foley your magic kingdom, leave a mess on your linoleum
In the kitchen with a downgraded Pluto enriching Plutonium
these molly poppers went too based, looking Rob Ford
that ain’t flavor that’s Kool Aid, you’re skating on a long board 
I’m taking shots singing C-Murder until I wind up on the floor
then I’m Hasselhoffing this cheeseburger, call you up around four
I’m Nick Caging this Vegas, I’m lighting up these stages
they say baseless shit to get famous, they're Jim Rome, they’re Skip Bayless
sunglasses and bail money, my cunning and my homies
we’re running, we’re hungry, you stay praying on some pony
stay blue Lonely Boy, southsider, outlier, the gasoline to your house fire
and I ride this shit ’til there are no tires

I didn’t come to play games, I came to win
I get it in then I’m in the wind and I ain’t no average citizen
I ain’t living in that bitter end
I come to stack my dividends and then bounce

iTunes

Sims "SIMS JONG IL"

From the new album ALL HANDS out now on Doomtree Records! 
CD/LP: Doomtree.net/allhands
iTunes: smarturl.it/allhands

GRAY DUCK
Produced by Cecil Otter, Lazerbeak, and Paper Tiger
Guitar by Jake Hanson

(Mike)
Ride on Blue Boy dipped in a Uni / dickin on a squad car, vickin on a fully / sick as a Sunni, strapped with a bobby / pullin on the pin, he Tutankhamun / Boots to the ceiling, boostin the serum / so sincere, brutes new to the feeling / Ridin on the old scene, buck if you hear me / bucks for the fabric of your fiber / bricked, dips, blicks, big, brighter / Bees in a trap? No, bees in a hive / Gee is for Geezus, Gs and a nine / Oh is for O.G.s, grease in the eyes / crease in the khakis, piece to the side / Forgotten youth when older mutants played Magneto / we believed the strip and never plagiarized their credo / Fashion cutter for the fascist, dirty-lipped and truly goony / Looney Tune Schooly Ds come off cartoony / No King Cloak and Dagger, Lavabanger Legacy / No anonymity, no forced validity / False Hopes, we got close, man, we got ghost / tough shows and rough roads until every sign said, GO!

(Dessa) 
Take the skins / hang em on the walls / not trophies, just reminders / what is left here when we fall

(Stef)
Ay, I’m pushing up on your tempo / she too stoned Nintendo / I’m Vint Cerf, she Pink Floyd / I’m jumpin out the window / Sike, I’m fly, I float aight right by / cut my own moat / get by with my chose fam / dismantle thrones / All the fuck in your station / all up in your dark / awkward in ya Marc Maron conversations / call em out the park / hangin out then Van Halen cabs in your city / all up on your block opposite the cops / y’all should all fuck with me / style like a Cadillac / crash with a battle axe handy / Gucci store fire on the couture / then planes, trains, and automobiles, I’m John Candy / Y’all just can’t stand me / I make em feel ridiculous / pickin apart they postures put together meticulously awful / in the air, hostile / the fingernails, watch em / sit and stare, box em if I gotta / Panic is the fashion / I arrow to the action / Pied Piper through all types a shit / types like me y’all ain’t fuckin with

(Hook)
Go get it / or go without / You going nowhere / run that shit into the ground / Go get it / or go without / We go for broke / and run that shit into the ground

(Dessa)
Struck by lightning / with a hand in the sand / came to with a fist fused in glass / Closed the circuit skull full of white light, mouthful of ash / Sparks on the pavement / dragging the chain / anchor’s off, man, lost it again / steady on gotta push through the rain / weather in the veins, came for this / train for this, fuck / made for this, pray they miss, duck / duck gray duck gets up and running / rest fall back like a bridge in London / brand new brakes I never touch em

(Sims)
You’re all spin move, you’re doing too much / rental car, trick cigar / I’m just laughing while that whole thing blows up / looking like I’m Joakim Noah / black mask, take your gas money / my name is Sims but call me David Lynch, I make em act funny / I ain’t afraid to change lines, state, date, or face / I’m option two when you skate or die but still survive on basslines / at least for the next eight months / then I change up like it ain’t much / you do the Roger Rabbit in Shape Ups / still blabbing bout some frame up vision / MN living gray duck risen / nay fucks given, way subliminal / class-war criminal trying to make my stance more pivotal / see what is left is suspect / the Pepsi Gen went crystal meth / and punk rock dads scream rap is dead / I laughed until I lost my chill / I’m really real, half Built to Spill half Kill at Will / half shark alligator and my Philly filled / Mill City kid in the field / gritty is in the blood, proof is in the track / fifty in the tank, on you like a Mac Truck / roll with a ton on my back / better back up fast

(Hook)

DOOMTREE "Gray Duck"

FINAL BOSS
Produced by Lazerbeak
Guitar by Jake Hanson
Additional bass by Adam Hurlburt and Ben Clark

From the new album ALL HANDS out 01.27.15. Pre-order today at Doomtree.net

CD PRE-ORDER: store.doomtree.net/product/all-hands-doomtree

LP PRE-ORDER: store.doomtree.net/product/all-hands-lp-doomtree

DELUXE CD PRE-ORDER: store.doomtree.net/product/all-han…-order-doomtree

DELUXE LP PRE-ORDER: store.doomtree.net/product/all-han…-order-doomtree

(Sims) 
There goes Johnny sweeping the leg / There goes Jake cuffing the hands / There are things that I’ll never understand / They’re just looking for a buyer / easy meat, cheap prey supplier / situation looking dire / shot back at the devil I was heavy under fire / It’s okay I’m reloaded / they can’t rap along but Goddamn they quote it / Goddamn it’s frozen / My heart is Minnesota, this boulder / If you didn’t notice, something inside of me is slowly exploding / I feel like Kobe on the sideline / Sidewinder missile, I am cyanide / inert for the last time, land mine / I am out of my Goddamn skull / pedal to the floor board I am all pulse / I don’t play fault, I just dust off / walk over them coals, iron out later / I ain’t waiting on an elevator / Each mark is a caption / Each line on my face shows exactly what happened 
(Hook) 
You’ll know what you need when it slips by / but I’m not looking back for the rest of my / Get up like I never fucking got up before / and I get it like I never fucking got it before / You’ll see how dark once they hit the light / know what I’ve made from the marks on my hands / Get up like I never fucking got up before / and I get it like I never fucking got it before 
(Dessa) 
Simon says / Miranda’s right / but William Tells it different / says Gideon / brought a rifle / was looking for a fight / The Housewives of Gomorrah / all boarded up from here to the border, sordid / falling on our own swords or standing still / heartbreak hill / I’ma make a fortune in small bills / to show that I can, give it back in my will / like the back of my hands I know hard work / my back, my hands / yeah both still hurt / Like a catamaran, two skins / one for the water / one for the wind / Like a battering ram, I get it in / lemme at it again and when the juniper blooms / we get a river of gin 
(Stef) 
Get up, let’s go, move homie right now / shut em up, they make it hard to keep the food down / Ninety-nine lives, livin by the Konami code / fold em all origami mode / Let the drama slow, never ever ever / I’m an adventure, keep em on they toes / Drippy-nose fucks flake, I dip past no breaks / skippin y’all, flipping y’alls hot cakes, eating / I’ma man the damn Weber / Stand aside, handle mine, add the cheddar / Kiss the chef / nah gut, skin, and eat the chef before he eats the rest / I’m here to keep the nest safe and sound the alarm / ride the earthquakes and hang ten harm / Y’all get tame, I’ma non-stopper / y’all flip the frame, we pull the copper

(Hook) 
(Mike) 
Python wings, viper claws / I been breaking all types of laws / diamond teeth, steel cut jaws / got raised by fightin dogs / Been around the block so many times, can’t find my house / wanna fit the earth in the palm of my hand but it keeps on bustin out / Father figure, figure 8, motherland turned motherboard / Satellite-ville fly the flag of the HD SMPTE color bars / Plasticine, whole world building outward / Second Life, no cheats for the first / Warp Whistle level up out the gutter, all hunger no thirst 
(Wait for it...Hook) 



Doomtree started as a mess of friends, fooling around after school, trying to make music without reading the manual. The group had varied tastes—rap, punk, indie rock, pop—so the music they made together often bore the toolmarks of several styles. When they had enough songs, they booked some shows. They made friends with the dudes at Kinkos to print up flyers. They burned some CDs to sell. The shows got bigger. Of necessity, Doomtree's seven members (Cecil Otter, Dessa, Lazerbeak, Mike Mictlan, P.O.S, Paper Tiger, and Sims) figured out how to run a small business. Lazerbeak's garage became the merchandise warehouse; P.O.S' mom's basement became the webstore. A decade and fifty releases later, it's all properly official—Doomtree is now a real, live label with international distribution—but not too much has changed. Doomtree still partners with people who aren't jerks. If they can't find something they need, they make it themselves. Although each member has a career as a solo artist, every so often the whole crew convenes to make a collaborative record as a group. The most recent Doomtree record was called No Kings. A lot of people liked it. Happily, some of those people were writers at places like Vice, NPR, Rolling Stone, etc. According to the Village Voice, Doomtree is "one of the most talented and dedicated rap groups working today." VH1 says the crew has "the aggressive energy of a punk act with just the right amount of hip-hop swagger." In support of No Kings, Doomtree made laps around the US and hit Europe a couple times too. They played at festivals like Lollapalooza, SXSW, and Belgium's Dour Festival.

The newest Doomtree record is called All Hands, due January 27th 2015. The title nods to the nautical rally cry, "All hands on deck," and the album stands as the most collaborative and cohesive project the crew has yet produced. The production from Cecil Otter, Lazerbeak, Paper Tiger, and P.O.S twists through 13 booming tracks, building the raw and epic soundscapes that the group has become well known for, while adding more of-the-moment musical elements and techniques for a genre-spanning effect. This is the sound of old friends fine-tuning their craft, both together and individually, for over a decade, and it shows. Lyrically, All Hands sounds hungry as all hell. The three-year gap between Doomtree albums has given each of the five emcees substantial time to grow as solo artists, and the group's return finds everyone tour-tested with plenty to prove. Sims, P.O.S, Mike Mictlan, Dessa, and Cecil Otter drive home razor-sharp cadences, hard-hitting punchlines, and monstrous choruses, passing the spotlight back and forth until the house lights come up.

To write All Hands, crew members sequestered themselves in a cabin with no cell reception to distract from the task at hand and no neighbors to be bothered by the music playing through the night. The process informed the product: the record creates and operates within its own sphere—a particular mix of menace, humor, beauty, and adrenaline. Though the Minneapolis sound is present on All Hands, the record is as much a product of seven friends, relying only on each other, working in international waters.

Both the catchiest and densest album in the group's catalog, All Hands adeptly walks a tightrope of immediately memorable hooks and in-depth lyricism that rewards repeated listens. The result is equally worthy of up-to-11 trunk-rattling drives as it is late-night headphone sessions.

Buy on iTunes

DOOMTREE "Final Boss"

Sims "15 Blocks" (Lazerbeak Remix)

Sims "15 Blocks" (Original Album Version)

special beat for the 1000 followers!               

im releasing an EP soon, stay stuned on bandcamp! might not upload through soundcloud because I don't have enough minutes for more upload!

free download:

https://dominantmusic.bandcamp.com/track/resolve

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SirSoren