A busy and beloved presence in the NYC underground, Meilgaarden (@meilgaarden) arrives on Sorry Records with her debut single release -- a riotous acid house party rocker complete with a lean, DJ friendly acid remix from Chicago rave superstar Ariel Zetina (@arielzetina) (Local Action, Smartbar).

We met Andrea a few summers back when we both played Stream Informer's Good Room / Glen Falls weekender upstate. She runs two stellar club nights here in NYC - Sound Gymnastics and Mister Sister - and is constantly playing great parties all over NYC and beyond at places like Nowadays, Basement, Bossa Nova, Good Room, Public Records as well as yuyu in Mexico, Video Club in Bogotá, Body Language in Berlin, and venues in Copenhagen, Amsterdam, and Stockholm. Although this release is formally her debut single, Andrea is a seasoned DJ, appearing alongside everyone from Timmy Regisford to DJ Holographic, Ben Klock to AceMo.

Our eternal NYC DJ favorite / the father of our entire style Ron Like Hell has had Meilgaarden as a guest on both his The Space Between Spaces residency on The Lot Radio and at his Plexus party at Paragon in Brooklyn. She also recently played Sunday evening at Nowadays Nonstop sandwiched between Byron Yeates and Ron, and made an appearance at Wire Festival.

Released on July 25, 2024
Written and Produced by Meilgaarden
Mastered by Mike Millrain
Artwork by Lua Lloyd
SR59 - Sorry Records 2024

Stream/Download

[SR59] Meilgaarden - Not Giving Up with Ariel Zetina's Giving Acid Mix

Introducing Gong Disco Senior -  four tracks of rock solid House Music from Chinotto Records founder and Rinse France resident Whitney Weiss (@whitneyweiss) out everywhere via Sorry Records on November 21st 2024🍴 🎼 🍝 

Whitney's got lots of roots in the queer underground all over the globe. Her long running Rinse France show has hosted an incredible array of super talented friends and inspirations of ours. She's previously put out some killer music on her own label Chinotto Records as well as via Justin Cudmore, The Carry Nation, and Mike Servito's Major Records, and contributed to The Carry Nation's instant classic Full Tilt Carry Vol. 2 compilation for Nervous Records.

Going to borrow a bit from the Sewanee Review here because its too good to not share:

"In addition to bartending, Whitney Weiss has picked tobacco, run sound for a Paris cabaret, played banjo in a punk band, harvested grapes, DJed around the world, and worn a raccoon suit to sell chairs. Raised in the South, they came of age in Buenos Aires before relocating to Europe a decade ago."

Gong Disco Senior’s opening track “I’m Not Gonna Apologize (I'm Right) (Sorry)” also features guest vocals and lyrics from Milan-based, Italian-Nigerian singer-songwriter David Blank!

Written and produced by Whitney Weiss (@whitneyweiss)
Additional vocals and writing on track 1 by David Blank
Mastered by Ali Berger (@aliberger) for Trackland
Artwork by Whitney Weiss, Nick Boyd, & Jean Pierre Consuegra

https://sorry.ffm.to/sr60
Download via Bandcamp: https://bit.ly/sr60bc

Download

[SR60] Whitney Weiss - Gong Disco Senior EP

Revisiting events that altered the composer’s life drastically, C Powers (@cpowers) creates in Unlawful Assembly a swirling introspective space burrowed within the chaos, danger, and noise of a fascist and collapsing Amerikkka.

For over half a decade, Cecilia Powers has been active in anti-displacement organizing. When she moved to LA in 2019, Cecilia joined the Los Angeles Tenants Union, helping working class and undocumented families organize against unethical landlords and gentrification in North Hollywood. Upon moving to Portland a year later, she became a co-founding member of Don’t Evict Portland, a tenant-lead organization that is working to build tenant power and delay, reduce, or eliminate the harm and violence of evictions.

Cecilia has spent years attempting to inform her music with the lessons and experiences she gained from participating in abolition movements and tenant organizing. Her objective as a composer has been to capture or create moments where action and disruption are injected with rhythm, noise, and bodily movement. At times, C Powers has experimented with “injection” by creating compositions specific to direct actions. “Weaponizing” these compositions or “injections” meant tailoring them to be played from amplifiers or systems specific to action plans or conditions (tracks for car stereos and boomboxes at protests utilizing large car caravans, or hacks and modifications for megaphones as examples). Unlawful Assembly is the cumulative result of Cecilia’s efforts to explore the intersection of direct action and music.

While mainly driven by a focus on historical documentation for future movements, Cecilia also created a space of art-self-therapy in re-imagining the soundscapes, pressure, emotional impact and of events she experienced alongside countless others. The works collected in Unlawful send the listener into collision with sonic violence without warning. Throughout the album, Cecilia develops a unique language within her sonic realism and begins to re-animate thematic elements of the real conditions experienced. As scores of innocent bystanders were assaulted by sudden bursts of aggression and projectile fire, the listener is pummeled with noise and field recordings of brutality on tracks like “Munitions”, and “If We Don't Get It (IWDGI)”. 

Cecilia re-animates the War-Drumming and Chanting of multi-hour marches on tracks like “I Will Not Live In A Fascist State”, and the joyous call and response found on “Lombard”. One can feel the panic of evading riot police violence oozing out of the swirling rhythms of “Resignation Dance” and “Failure To Comply.” The infamous “LRAD” sonic suppression device can be heard on the title track and others, as can the howling responses from anti-racist protesters.

The dread of neoliberalism, and the rage it inspires, permeate the entire album while immersing the listener in the atmospheric details of the gritty urban Pacific Northwest. C Powers’ re-capture of so many chaotic nights will demand the listener keep their “head on a swivel” while also offering a space to heal. Perhaps this album has a backward gaze fixed in a time not too long ago—Cecilia hopes it can help those who are ready to regroup in order to move onward.

All source material recorded on stolen Chinook lands (also known as Portland, OR) from May 2020 - Dec 2020. The field recordings in this work were made under extreme conditions in which equipment was sometimes damaged while recording, or the recordist experienced or narrowly escaped bodily harm.

Download/Stream: https://sorry.ffm.to/sr61

[SR61] C Powers - Unlawful Assembly

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There is no overpass but there is an Underpass…..
🚗˚ ༘ ೀ⋆｡˚ You are now entering the Underpass. 
—————————————————————————————

A brand new vision of passionate groove, dialed-in deep house, and chord-laden beauty from our old friends John Barera and Byld.

One of the first friends I made on a dancefloor in New York City, Byld (a.k.a. James Preston) is bound to be a familiar face to anyone who has been to any good parties in Brooklyn over the last decade. Dedicated dancer, superbly talented instrumentalist, and consistent ray of light beaming down on all the best dance floors in New York City and beyond, James makes the dancefloor feel like home.

James is also a superbly talented multi-instrumentalist who brings decades of experience as a working musician to his first formal foray into dance music production on this release. While still relatively new to DJing, James can already be seen playing regularly at beloved new NYC clubs like ANIMAL and Earthly Delights where he throws the HIGH SEAS party alongside his Underpass partner John Barera. 

"Veteran” and "mainstay," "firm disciple of the House and Techno world," and "NYC scene stalwart…” What more can be said about JB? As far as we’re concerned, John Barera has more than earned his jersey’s place in the Myrtle Ave rafters. You may know John from his lengthy resume spanning 2 decades and countless disparate nooks and crannies within the East Coast dance music underground. 

He is the co-founder of JACK DEPT, the techno/acid label and OG era Bossa Nova Civic Club party he ran alongside Volvox, member of B-Tracks, and behind the scenes at Supply Records and Cross Street Music. A beloved figure in Boston before making the move to New York City, John was a resident DJ at Middlesex Lounge’s long running weekly party Make It New and an early collaborator of Sorry fav (and engineer of this EP!) Ali Berger. John’s released records on labels like 2MR, Basement Floor, Allergy Season, toucan sounds, and Fortune Signal.

He’s played everywhere too — Hot Mass, Fabric, Smart Bar, Razzmatazz, Fourth World, BASEMENT, Nowadays, Tangent Gallery Detroit, Tresor Berlin, Public Works & Space Miami's Floyd.  A real mensch (and new dad to beautiful baby Veda Rosemary Barera), we’re so happy to have Barera as a friend and Sorry regular (can’t forget him and Brian Abelson’s beautiful collab Myrtle Ave Wetlands EP with Malik Alston & Malik Hendricks remixes from 2022!). 

Blue Emerald is as bright, jubilant, deep, and purposeful as John and James themselves. Lovely music made by people who love music. Infused with love from the Underpass studio to you...   with beautiful assistance from longtime Barera collaborator Will Martin, hand frozen hand scanned hard as nails artwork via NYC legend Ganem Haiek, and masterful masters from Ali Berger of Trackland. Four tracks for summer from our house to yours 💎

[SR62] Underpass - Blue Emerald

Bandcamp

Sorry Records on The Lot Radio

Follow @basside-1 // Follow @sorry-records
Listen on all major streaming services -- https://sorry.ffm.to/fuckitupsingle

Sorry Records is happy to present the long-anticipated new EP from Miami Bass duo Basside (@basside-1) produced by SOPHIE (@msmsmsm).

Basside are childhood BFFs Que Linda and Caro Loka who have been local Miami legends for a minute now, blasting booty-rattling bass for the masses since their inception and sharing stages with Miami Bass icons like L’Trimm and 2 Live Crew. United under a credo of “New York to Miami, no bras no panties,” BASSIDE is here to bring the message of Miami Bass to a new generation – one ass at a time.

After seeing the duo perform at Miami’s iii Points Festival in 2016, SOPHIE invited them to her studio in LA and the three quickly made the six tracks that comprise the Fuck It Up EP. In line with her watershed production on Charli XCX’s Vroom Vroom EP which was released shortly before these sessions, SOPHIE’s work on Fuck It Up EP provides a beautiful snapshot at a fruitful yet transitionary time for the massively influential producer in between her debut singles collection PRODUCT and the brave new world to come with her full-length Oil of Every Pearl's Un-Insides.

Despite not seeing a proper release until 2021, these tracks have long been fan favorites; carefully cultivated through wildly coveted live bootlegs and mix rips from sets from PC Music founder A. G. Cook, Charli XCX, Jimmy Edgar, and Machinedrum. SOPHIE herself played the tracks in DJ sets everywhere from Primavera Sound to Miami’s Ultra Music Festival.

In the wake of SOPHIE’s passing, Basside and Sorry Records have decided to finally share these tracks; starting with “NYC2MIA (SOPHIE Remix)” — a long time staple of the producer's DJ sets that was shared via Bandcamp last month with all proceeds ($650 and counting) going to Sylvia Rivera Law Project; a collective organization that works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence.

Fuck It Up EP out April 2nd 2021 - http://bit.ly/SR43BC
Art by Luis Pinto of Strangeways Magazine
Master by Drummy

FUCK IT UP EP

FUCK IT UP

BASSIDE - FUCK IT UP [PROD. SOPHIE]

Basside - ME & MY BOO (BEST FRIEND 2) [Prod. SOPHIE]

Basside - SWIPE [Prod. SOPHIE]

GIRL

Basside - GIRL [Prod. SOPHIE]

The first single from WTCHCRFT (I Love Acid/Balkan Vinyl) on Sorry Records featuring the debut remix from JADALAREIGN (Haus of Altr, Nowadays)!

Download via https://bit.ly/SR46BC

Written, produced, mixed by @wtcrft-2
Remix by @jadalareign
Art by @wtcrft-2
Mastered by Mike Millrain (@soulr3volution)

The Callers

WTCHCRFT -  The Callers

Sorry Records is happy to present the new single from The Black Hole resident and ALKHEMY/Whirlwind Trax cofounder @xiorro featuring a remix. from Tennessee producer @maxwatts (ESP, Limited Network, Haus of Altr, BANK).

Perreo En Los Raves is a late summer Reggaeton Techno floor filler from one of the best hard techno producers currently working alongside a classic Max Watts highway 909 techno workout (our third remix from one of our favorite techno producers in the US right now).

A note from Xiorro...

Perreo Hasta Los Raves is a sample-heavy broken beat techno track fused with Reggaeton’s iconic Dembow. Puerto Rico was rocked by Reggaeton’s underground in the 90s with producers like DJ Playero paving the way for a genre that no one ever imagined would be heard worldwide the way it is. With its gritty beats and raunchy lyrics, the genre was once illegal on the island, which helped push it further underground due to it being painted for “the streets”.

The track and artwork are not only meant to pay homage to those that once sonically moved our asses at our friend’s basement parties, but also meant to help introduce it to a new audience, so that they can also experience the Latin sensation. Simply put, this is a track meant to turn out all Reggaeton lovers at the rave and to convert those who were not aware of its banging drums.

Produced/mixed by Xiorro
Remix by Max Watts
Art by Xiorro + Sorry Records

DOWNLOAD: https://bit.ly/SR47BC

Xiorro - Perreo Hasta En Los Raves

Made at a time when NYC was just getting back into the swing of things (RIP) The Ooga Booga EP is A fun collection of high octane tracks optimal for blending optimal for looping, optimal for fun! Just a couple of Tools ⚒️   - WTCHCRFT


Brooklyn’s favorite party rocker / prince of acid / crop-top enthusiast WTCHCRFT returns to Sorry Records with four brand new tracks jam-packed with speed groovin’ acid, uniquely functional rump shaker techno, 160 bpm breakbeat freak-outs, and powerhouse arena rave weaponry! The Ooga Booga EP [SR50] — our fiftieth catalog release and our last release of this long, hard, and wacky year.


Kind of got a bit of an American rave underground supergroup in the mix as well ! 😇 First off — our prolific and peerless friend Bored Lord is back for her fourth (!!) Sorry Records remix of 2021 following her insane contributions to our records from Tony G and PowerPlay (PlayPlay & C. Powers). She’s fresh off the release of her debut 12” The Last Illusion — the first signee to Octo Octa and Eris Drew’s T4T LUV NRG label. Her 100% originals set at Nowadays Nonstop this last July was one of the best dance floor experiences I’ve had all reopening. And of course we are so happy to have the great Nikki Nair on a Sorry project for the first time. The Atlanta-via-Tennessee producer and DJ has been a consistent benevolent force for the American underground for years and his raw power has been evident via records for Scuffed Recordings, Banoffee Pies, Lobster Theremin, Dirtybird, and TRAM Planet. Nikki’s the first out-of-town DJ we’ve ever been lucky enough to bring to NYC for a party, destroying Bossa Nova Civic Club last summer for our Bossa Radio collaboration with Worst Behavior. He’s a lovely person and we’re so glad to have his absolute kitchen sink 160 breaks rollercoaster “Nikki Nair’s Shook Mix” for this release. 

Sorry Records - SR50
Release Date: December 21st 2021
Written, produced, mixed by WTCHCRFT (@wtchcrft2)
Remixes by Bored Lord (@boredlord) & NIkki Nair (@nikki-nair)
Art by Nic Pham
Mastered by Mike Millrain (@soulr3volution)

WTCHCRFT - SHAKE IT (Nikki Nair's Shook Mix)

WTCHCRFT - TEMPER FUSE

WTCHCRFT - SHAKE IT

Download/Stream: https://sorry.ffm.to/sr52

Sorry Records presents Push It (Remixes) — the brand new remix collection from Brooklyn- raised multi-genre artist XHOSA, with production from Riviera Records head X-Coast.

Created in the image of the classic major label club remix records of the 80s and 90s, Push It (Remixes) is a joyous smorgasbord of vocal club bliss aiming to bring the current NYC underground back to the days of Red Zone and Def Mix.

Xhosa (née Amhara Xhosa Rein-Burrowes) has spent the last few years making waves as an up-and-coming rapper, producer and singer-songwriter known for blending the boundaries of genre in order to form her own wholly unique strain of pop that has garnered the attention of publications such as The FADER, VOGUE, and Paper Magazine. VIBE Magazine dubbed her one of the women "running New York City’s underground music scene” and Vogue called her style “equal parts Jamaican dancehall queen meets Japanese anime heroine.” She’s recently collaborated with Colombian artist Manchado on his new experimental reggaeton single “Mona Lisa” which Remezcla called “otherworldly,” noting Xhosa’s “fiery flow.”

Built around an original mix produced by X-Coast (Steel City Dance Discs, Big Beat), Push It (Remixes) touches on a wide assortment of sounds from pop to hip house, r&b to breaks, Jersey club to UK Garage with both Xhosa and X-Coast contributing VIP mixes alongside perpetually rising heavy hitters UNIIQU3 (Local Action), and Interplanetary Criminal (Sneaker Social Club, Timeisnow, Kalahari Oyster Cult).

Mastered by DJ SWISHA with artwork by Julian Duron (Earth Boys, Bossa Nova Civic Club) and Jean Pierre Consuegra (Somersault Records)

More

Xhosa - Push It (X-Coast VIP)

Sorry Records is happy to reunite with our friend and overall powerhouse east coast dj/producer vet PlayPlay for their latest release -- Maneuvers EP featuring an array of club-ready remixes from a global survey of bass excellence including Scuffed Recordings vets Farsight and An Avrin, Sorry Records' not-so-secret-weapon / Kindergarten fam Drummy, and Parisian producer, vocalist, remixer and dj Jaymie Silk (Shall Not Fade, Pelican Fly) !

"This EP speaks to the journey of learning how to maneuver emotions while staying true to oneself, staying rooted amidst chaotic emotions and yet embracing emotions as a catalyst for creative inspiration. Using emotions strategically without being swallowed up by them. I created Maneuvers while channeling strong emotions into something creative and club-ready." - PlayPlay

This is PlayPlay's second record for Sorry Records following last year's collaborative release PowerPlay with C Powers featuring Bored Lord and Escaflowne remixes.

Sorry Records - SR53
Release Date July 8th 2022
Written, produced, mixed by PlayPlay (@dj-playplay)
Remixes by Jaymie Silk (@jaymiesilk), Farsight (@djfarsight), Drummy (@drvmmy), & An Avrin (@4navr1n)

Art by Kylie Ting, Jean Pierre Consuegra
Mastered by Mike Millrain (@soulr3volution)

Maneuvers EP

Blue (An Avrin Remix)

PlayPlay -  Blue (An Avrin Remix)

Our latest SORRYMIX comes via transdisciplinary performance artist, curator, and educator MIRA MIRA (@mirasamira ) 🎶  

Although we only met fairly recently at Honcho Campout, Samira and I are both from the same hometown of Winston-Salem, North Carolina!! Currently based in Brooklyn, she's also spent a good amount of time in the Pittsburgh underground; co-founding collectives like @dyspheric-x alongside XC-17 (@stephanie-alona-helen) and @yessimusic and Uhaul Disco alongside @johnnyzoloft. Her deejaying is a joy to behold - psychedelic intimacy, passionate + personal, sublimely jacked out improvisational genre-soup flow that I just can't get enough of. 

SORRYMIX29 finds her opening up the first party of our 2024 residency at techno living room @bossanovacivicclub in Brooklyn before sets from @mxblaire and myself. There's some words from Samira below on the recording ✨ Make sure to catch Nowadays debut at our label night this Friday alongside Hits Only (@davisgalvin + @aliberger) and myself! - @nickboydnyc

𝙎𝙤𝙢𝙚 𝙩𝙝𝙤𝙪𝙜𝙝𝙩𝙨 𝙤𝙣 𝙩𝙝𝙚 𝙧𝙚𝙘𝙤𝙧𝙙𝙞𝙣𝙜 𝙛𝙧𝙤𝙢 𝙈𝙄𝙍𝘼 𝙈𝙄𝙍𝘼...
"It was my first time playing at Bossa and I was kinda nervous but also feeling a lot of feelings from the week. I was pulled by cops twice that week, the day before four cops stopped me supposedly for hopping a turnstile, stopped for $2.90... The day of I came in fresh off of a shift at Trans Pecos where I worked a benefit show for Gaza. It featured some powerful performances and a teach-in by DegrowNYC.

Usually, when I'm given opening duties I like to warm things up and keep things a little lighter but I had too much on my heart. I decided that it was more important to speak to what's happening in Gaza, Puerto Rico, and the U.S. I think the mix ended up being a chaotic reflection of what I was feeling. Hopefully it made people reflect with me and wiggle a little bit too."

SORRYMIX ARCHIVE

SORRYMIX29: MIRA MIRA - Live At Bossa Nova Civic Club

Tokyo-based producer/dj SEIMEI makes his Sorry Records debut with four slamming tracks touching on techno, breaks, robot vocal electro, and party rocking house. Only the second Sorry Records release from a non-US based artist in our nearly ten years of existence, Seimei's Tokyo Funky Breaks EP features a slammin remix from Seimei's brother and fellow young Japanese legend Carpainter in addition to a bonkers Florida Breaks remix from our friend and Baltimore-born, Brooklyn-based club music star JIALING (a.k.a. BIG J).

Co-founder of seminal Japanese dance music collective/label TREKKIE TRAX, Seimei has been a tireless force in the Japanese dance underground for over a decade now. TREKKIE TRAX's catalog is absolutely massive -- 190 releases and counting, over 800 tracks of all shapes and sizes released with DIY care and love over the last 10 years. Seimei's productions have been released on superb labels like Moveltraxx, WET TRAX, Midnight Cult, Top Billin Music, Akihabara Heavy Industry Inc. He's remixed Japanese techno legend Ken Ishii, done guest mixes for both Hessle Audio, LUCKYME® on Rinse FM, and Mix Up Exclusives on triple J presented by Nina Las Vegas.

Seimei also runs a monthly radio program ‘TREKKIE TRAX RADIO’ on the Japanese biggest dance music radio station ‘Block.fm’ and has a residency on Gilles Peterson’s Worldwide FM.

Release date: June 26, 2024
Link: https://sorry.ffm.to/sr58
Written and produced by Seimei
Mastered by Oyubi
Artwork by Jean Pierre Consuegra / Working Title Studios

Download/Stream

Seimei - Freaks Come Out

Seimei - The Robot Restaurant

Seimei - Tokyo Funky Breaks (JIALING's Florida Fatality Breaks)

Meilgaarden - Not Giving Up (Ariel Zetina's Giving Acid Mix)

Meilgaarden - Not Giving Up (Original Mix)

Our latest SORRYMIX finds our old friend and Sorry alum Darian (@darianmusic) absolutely demolishing an extended opening set at our party this month at Bossa Nova Civic Club with Oklahoma City DIY label Fixed Rhythms 🎶

Hearing Darian play this set is a real highlight of our Bossa residency so far. Track after track they were just giving it to us… pure techno/house music love was on display and they got the party up and dancing quickly. Wngdu was unfortunately late due to flight issues but Darian just kept killing it… Everyone from friends to strangers to Ed who manages Bossa were asking “who is this DJ??" "They are killing it!!!"

So happy to share this recording with y'all -- book Darian! 

Artwork by Setareh Jalali - https://www.instagram.com/set.jal/?__d=11

Follow Darian - https://linktr.ee/darianmusic 

𝙎𝙤𝙢𝙚 𝙩𝙝𝙤𝙪𝙜𝙝𝙩𝙨 𝙤𝙣 𝙩𝙝𝙞𝙨 𝙨𝙚𝙩 𝙛𝙧𝙤𝙢 𝘿𝙖𝙧𝙞𝙖𝙣...

Since i haven’t been djing as much in 2024, my sets have often become compilations of all my favorite tracks i have on my USB. This recording is very much one of those as i played a total of like 7 Thomas bangalter/daft punk tracks throughout the night lol (some were played before started recording). I also haven’t been djing solo much at all this year so it took a lil bit to clean off the rust and get comfortable again behind the decks. Luckily as time passed i really got into a zone and you can hear it through the mix with how fast i start blowing through tracks lolll. The night was a ton of fun and im always grateful to be able to play at Bossa. One of the easiest places to let loose and really have fun with the tracks! - @darianmusic

—

A NYC-based DJ/producer we’ve loved for years, Darian is an immensely talented, multi-faceted artist who is no stranger to rocking Bossa. You might know them through their work with TRANSITION — the immediate techno crew they formed alongside Linda and Julien Passajou who have appeared at parties from Lifesavers, LA party crew Gyration Station for their NYC debut, as well as at Nowadays’ Focus: Techno Origins night alongside 1morning and Detroit’s Limited Network crew. Maybe you’ve come across their collaborations with Tomu DJ or productions on V/As from Rare Frequency Transmissions, Juke Bounce Werk, or on the DJ Manny and SUCIA! curated FML Mixtape Vol. 1. Darian’s debut Surprised Emoji EP came out on Sorry Records back in 2020 and they’ve got a hotly anticipated 12” coming soon from Fixed Rhythms as well!

Recorded live at Bossa Nova Civic Club in Brooklyn from 10:10pm to 2:20am or something on August 4th 2024

SORRYMIX ARCHIVE: bit.ly/SORRYMIX

SORRYMIX ARCHIVES

SORRYMIX34: Darian @ Bossa Nova Civic Club for Fixed Rhythms + Sorry Records

Couldn't be happier to kick off a six week run of weekly SORRYMIX releases with this fantastic set from our friend Razrbark (@razrbark) playing peak time for her Bossa Nova Civic Club debut 🎶

Stealing some copy here cause its too good --> "Part of the multidisciplinary Boof Sis squad, Razrbark bled into existence following an encounter with a sharp piece of wood during a pool party at a certain upstate music festival. Edge with her on the whimsy of evil."   🩸 🪵 🔪 

We've been fortunate enough to know Cleo for a minute now and her sets never fail to lock us in and bonk us out. Highly recommend listening to her set from the DJ Voices curated Hemlock Nights stage at last summer's Honcho Campout where she masterfully mixed everything from deep dub grooves to an unreleased Sobolik edit of Ray Baretto's "Acid" and The Brian Jonestown Massacre for what was a legit "A Star Is Born" moment for everyone lucky enough to be present!!

𝙎𝙤𝙢𝙚 𝙩𝙝𝙤𝙪𝙜𝙝𝙩𝙨 𝙤𝙣 𝙩𝙝𝙞𝙨 𝙨𝙚𝙩 𝙛𝙧𝙤𝙢 𝙍𝙖𝙯𝙧𝙗𝙖𝙧𝙠...

"Nick told everyone I was gonna play downtempo so to subvert expectations and do something that’s never been done before at bossa I proceeded to play fast. Faces melted. Patrons began vomiting. Blood poured from my eyes. The toilets exploded and shit filled the floors."  🧜‍♀️
- @razrbark

-------------
We're throwing a party every month at Bossa Nova Civic Club on first Sundays! If you're in the NYC area, please come on down 🤲 🪇 ✌️

Follow Razrbark - https://www.instagram.com/razrbark/
Artwork by @nickboydnyc

SORRYMIX ARCHIVE: bit.ly/SORRYMIX

MORE SORRYMIXES

SORRYMIX33: Razrbark - Live at Bossa Nova Civic Club

Our six week run of weekly SORRYMIXs continues with an incredible closing set from one of our favorite DJs in New York —  Doula (@ddoula).

Recorded live at our last Bossa Nova Civic Club monthly, Doula delivered what I’d consider to be easily one of the best sets we’ve ever had at a Sorry party. Bossa can be a chaotic room and its rare that you see a crowd there as stunned silent and deeply locked as folks were hearing Doula play that night. So happy to share this recording with y’all. ---> Book Doula.

𝗦𝗼𝗺𝗲 𝘁𝗵𝗼𝘂𝗴𝗵𝘁𝘀 𝗼𝗻 𝘁𝗵𝗶𝘀 𝘀𝗲𝘁 𝗳𝗿𝗼𝗺 𝗗𝗼𝘂𝗹𝗮...

“Most know by now that I love a bit of drama in my sets and that night was no exception. I played with energy, instilling a sense of security and disrupting that to my liking. I take pleasure in showing dominance over the crowd that way.”
- @ddoula

——

One of our favorite new DJs in New York, Doula is an incredibly kind person and an absolute killer DJ who we’re super excited to have close out the evening. She’s made appearances at great parties like Rare Frequency Transmissions, tossd, TOWER, Palm Wine, recently played b2b with DJ Voices for Drama Pride, and has a hotly anticipated new resident party called ESSENCE starting soon at the freshly opened Earthly Delights in Ridgewood. Borrowing some words from HYPNOSIS’s event she played because they are too good to not share… “Doula is a Bronx-born, Brooklyn based DJ unbound by genre known for inducing tantric mania through sensual and intricate sonic experiences. She is a mother to her crowd - with her you will receive what you didn’t know you needed.”

Recorded live at Bossa Nova Civic Club in Brooklyn from 2am to 4am on September 1st 2024

Mastered by @blvksite
Follow Doula - https://linktr.ee/dddoula
SORRYMIX ARCHIVE: bit.ly/SORRYMIX

SORRYMIX37: Doula - Live at Bossa Nova Civic Club

Our latest SORRYMIX comes via one of of favorite figures in the American underground Mx. Blaire (@mxblaire). Blaire is a wealth of passion, enthusiasm, and killer tracks. A real cornerstone of the Boston scene and beyond - Blaire is a resident of both Boston’s queer rave collective Boudoir and the breaks-focused Breakfast Collective. SORRYMIX38 finds them performing at Chicago's Smart Bar for the first time for mutual friend Club Chow's monthly party Club Gauche on Thursday August 8th, 2024. Mixed with 2 turntables, 2 CDJs, a mixer, and plenty of scratch records!

𝘼 𝙗𝙞𝙩 𝙖𝙗𝙤𝙪𝙩 𝙩𝙝𝙞𝙨 𝙧𝙚𝙘𝙤𝙧𝙙𝙞𝙣𝙜 𝙛𝙧𝙤𝙢 𝙈𝙭. 𝘽𝙡𝙖𝙞𝙧𝙚...

This set was incredibly special for me as it was my first time playing in the Midwest - the birthplace of so much music I hold near and dear. I wanted to come into this set with high energy that paced the dancers and a sense of forward motion that would compel them to stay until the last song played. The crowd's energy & reception was unparalleled with people hoopin n hollerin' at every turn. I spent the summer upping my scratch n drop game so to see that hard work pay off during the set felt like a big "fuck yeah!" I felt really free to explore the freakier side of my record bag for this set and I'm thrilled with how it all came out.

Follow Mx. Blaire - https://linktr.ee/beets.bi.blaire
SORRYMIX ARCHIVE: bit.ly/SORRYMIX

SORRYMIX SERIES

SORRYMIX38: Mx. Blaire - Live At Smart Bar

Introducing Gong Disco Senior -  four tracks of rock solid House Music from Chinotto Records founder and Rinse France resident Whitney Weiss (@whitneyweiss) out everywhere via Sorry Records on November 21st 2024🍴 🎼 🍝 

Whitney's got lots of roots in the queer underground all over the globe. Her long running Rinse France show has hosted an incredible array of super talented friends and inspirations of ours. She's previously put out some killer music on her own label Chinotto Records as well as via Justin Cudmore, The Carry Nation, and Mike Servito's Major Records, and contributed to The Carry Nation's instant classic Full Tilt Carry Vol. 2 compilation for Nervous Records.

Going to borrow a bit from the Sewanee Review here because its too good to not share:

"In addition to bartending, Whitney Weiss has picked tobacco, run sound for a Paris cabaret, played banjo in a punk band, harvested grapes, DJed around the world, and worn a raccoon suit to sell chairs. Raised in the South, they came of age in Buenos Aires before relocating to Europe a decade ago."

Written and produced by Whitney Weiss
Additional vocals and writing on track 1 by David Blank
Mastered by Ali Berger (@aliberger) for Trackland
Artwork by Whitney Weiss, Nick Boyd, & Jean Pierre Consuegra

https://sorry.ffm.to/sr60
Download via Bandcamp: https://bit.ly/sr60bc

Whitney Weiss - 3 Demons in a Trenchcoat

Whitney Weiss - I’m Not Gonna Apologize (I’m Right) (Sorry) feat. David Blank

Whitney Weiss - Rue

Whitney Weiss - Gong Disco Senior

Sorry Records welcome 8 Ball Radio fixture and terminal music enjoyer timebandit for his Lot Radio debut! The How to Be Both host will be joined by Sorry founder Nick Boyd for a late night b2b to christen the new Sorry Records residency time slot.

https://instagram.com/sorry_records
https://www.instagram.com/timebandit___

@tiiimebandit @nickboydnyc

Sorry Records with timebandit b2b Nick Boyd @ The Lot Radio 01-19-2025

Sorry Records welcomes Sasha & Ann for 2 hours of nonstop music 

https://www.instagram.com/sorry_records https://www.instagram.com/lolnewmedia https://www.instagram.com/tired_and_hot http://soundcloud.com/sorry-records
http://soundcloud.com/seancemichael

Sorry Records with Sasha & Ann @ The Lot Radio 02-16-2025

Our dear friend and absolutely wonderful Louisville, Kentucky based DJ sddp (@sddp-dj) delivers a minor masterpiece for SORRYMIX39. Multiple years in the making and featuring artwork by the great Allison Hoffman, Sorry Records presents sddp's 100% Brandy: An Exploration of Bootleg & Edit Culture!

A note from @sddp-dj...

Bootleg, edit, remix, re-edit, re-fix, all are essential tools in any DJ's toolkit. There's one singer in particular you're more likely to see on those white label 12" records or haphazardly named .mp3 files though, Brandy Norwood. So much so that it's basically turned into a running joke, with ScratchaDVA proposing the truly terrifying idea of her waking up one day and coming for the royalties she'd be owed from so many UK producers. It's not just the United Kingdom though, a combination of her once in a lifetime vocal prowess, as well as a major record company that was very liberally pressing up acapella mixes for DJs in the mid to late 1990s, leads to her being sampled by producers all around the world.

This mix highlights three decades worth of unofficial remixes from the singer, spanning a myriad of styles and sounds, collected over the course of about 4 years. I ended up sifting through a good 300 or so tracks, as well as created some of my own edits in the process. Needless to say, the task of trying to highlight as many scenes and sounds as possible was incredibly daunting. In the end, at least one song from her 7 main solo albums, as well as bits from Moesha & other TV/Film appearances were sampled in my 93 minute long tribute to the vocal bible.

SORRYMIX39: sddp's 100% Brandy: An Exploration of Bootleg & Edit Culture

Revisiting events that altered the composer’s life drastically, C Powers (@cpowers) creates in Unlawful Assembly a swirling introspective space burrowed within the chaos, danger, and noise of a fascist and collapsing Amerikkka.

For over half a decade, Cecilia Powers has been active in anti-displacement organizing. When she moved to LA in 2019, Cecilia joined the Los Angeles Tenants Union, helping working class and undocumented families organize against unethical landlords and gentrification in North Hollywood. Upon moving to Portland a year later, she became a co-founding member of Don’t Evict Portland, a tenant-lead organization that is working to build tenant power and delay, reduce, or eliminate the harm and violence of evictions.

Cecilia has spent years attempting to inform her music with the lessons and experiences she gained from participating in abolition movements and tenant organizing. Her objective as a composer has been to capture or create moments where action and disruption are injected with rhythm, noise, and bodily movement. At times, C Powers has experimented with “injection” by creating compositions specific to direct actions. “Weaponizing” these compositions or “injections” meant tailoring them to be played from amplifiers or systems specific to action plans or conditions (tracks for car stereos and boomboxes at protests utilizing large car caravans, or hacks and modifications for megaphones as examples). Unlawful Assembly is the cumulative result of Cecilia’s efforts to explore the intersection of direct action and music.

While mainly driven by a focus on historical documentation for future movements, Cecilia also created a space of art-self-therapy in re-imagining the soundscapes, pressure, emotional impact and of events she experienced alongside countless others. The works collected in Unlawful send the listener into collision with sonic violence without warning. Throughout the album, Cecilia develops a unique language within her sonic realism and begins to re-animate thematic elements of the real conditions experienced. As scores of innocent bystanders were assaulted by sudden bursts of aggression and projectile fire, the listener is pummeled with noise and field recordings of brutality on tracks like “Munitions”, and “If We Don't Get It (IWDGI)”. 

Cecilia re-animates the War-Drumming and Chanting of multi-hour marches on tracks like “I Will Not Live In A Fascist State”, and the joyous call and response found on “Lombard”. One can feel the panic of evading riot police violence oozing out of the swirling rhythms of “Resignation Dance” and “Failure To Comply.” The infamous “LRAD” sonic suppression device can be heard on the title track and others, as can the howling responses from anti-racist protesters.

The dread of neoliberalism, and the rage it inspires, permeate the entire album while immersing the listener in the atmospheric details of the gritty urban Pacific Northwest. C Powers’ re-capture of so many chaotic nights will demand the listener keep their “head on a swivel” while also offering a space to heal. Perhaps this album has a backward gaze fixed in a time not too long ago—Cecilia hopes it can help those who are ready to regroup in order to move onward.

All source material recorded on stolen Chinook lands (also known as Portland, OR) from May 2020 - Dec 2020. The field recordings in this work were made under extreme conditions in which equipment was sometimes damaged while recording, or the recordist experienced or narrowly escaped bodily harm.

Download/Stream: https://sorry.ffm.to/sr61


C Powers - Munitions

Sorry Records welcomes our friends Hunter Starkings (Earthlings) and Antron (8 Ball Radio) 

http://instagram.com/sorry_records
https://www.soundcloud.com/sorry_records

Sorry Records with Hunter Starkings and Antron @ The Lot Radio 03-16-2025

C Powers - Defund and Abolish

C Powers - Lombard

C Powers - Failure To Comply

C Powers - Resignation Dance

Return of the box on Sorry Records monthly show 

https://www.instagram.com/sorry_records 
https://www.soundcloud.com/sorry-records 

Sorry Records with boxofbox and Nick Boyd @ The Lot Radio 04-13-2025

Sorry Records welcomes international superstars DJ Bus Replacement Service and Nikki Nair alongside label head Nick Boyd.

https://www.instagram.com/deejaybrs 
https://www.instagram.com/nikki__nair

https://www.soundcloud.com/sorry_records


Sorry Records with DJ Bus Replacement Service, Nikki Nair, and Nick Boyd @ The Lot Radio 05-17-2025

Underpass - Blue Emerald

Underpass - Stranded (featuring Will Martin)

Underpass - Soul Wings

Underpass - Liquid

A brand new SORRYMIX from Byld and John Barera recorded live at Earthly Delights in Ridgewood Queens!

SORRYMIX40 finds The Underpass in full effect as Barera and Byld build out a beautiful opening set at their HIGH-SEAS party back in March; shortly before a set from mutual friend and Sorry fav Mx. Blaire <3 

Follow @byld + @johnbarera and check out their debut Blue Emerald EP -- out now on Sorry Records! 💎 💎 💎 🚗˚ ༘ ೀ⋆｡˚  https://sorry.ffm.to/sr62

Underpass EP out now

SORRYMIX40: Underpass - Live at Earthly Delights

(ROUGH TWITCH ARCHIVE AUDIO EDIT) comprised of a handful of auto generated portions with unknown drop outs and missing pieces. 

@nickboydnyc

BIRTHDAY BOYDZONE

SR07: @jachary-beats - Simulation

The seventh release in the Sorry Records singles series.

Free Download: https://theartistunion.com/tracks/433360

Written and composed by Jachary and Jonah Reider.
Jachary - Vocals, Bass, Guitar, Synth, Percussion/Drums, Production/Mixing
Seth Peat Van Genabeek - Organ, Synth
Patrick Walsh - Synth

Simulation

Free Download

Jachary - Simulation

Happy New Year from @txny-g and the Sorry Records family! Here's a haus-ified remix of one of our favourite tracks of the year. 

Download enabled :~)

Tierra Whack - Black Nails (Tony G's Album Of The Year Bootleg)

SORRYMIX004 - DJ SWISHA'S BALTIMORE CLUB MEGAMIX
Follow @dj-swisha @sorry-records

"At the start of quarantine I had the idea to make a quick mix of nostalgic sample based Baltimore Club for personal use. B-More is home listening for me, usually more for inspiration/research to apply on my own productions but I wanted to just make something straight to the point and fun to listen to. Once I was digging into folders on my USB I realized that my B-More vinyl collection had only been played out in clubs so I had to throw some in the mix. Preparing the tracks was unexpectedly smooth and I immediately regretted not recording the first take. After the recording was done I kept hearing a host/hypeman over it so I hit up local NYC club legend Guarionex to add some of his energy. I hope you enjoy the mix as much as I did making it!"

@dj-swisha

Artwork by Danny Ische-Knoblauch

SORRYMIX004: DJ SWISHA'S BALTIMORE CLUB MEGAMIX

"Just wanted to add a note that these are sophie songs i collected over the years <3 <3 <3 bipp changed my life <3 <3 <3 would never include so many youtube rips but we just have to hear some of these tracks together! i recorded this on january 30th and it has been my personal soundtrack for healing.

If you have known my music for a while, you know how influenced I am by SOPHIE! This photo is from a 2016 party I deejayed at Berlin Nightclub, LUCID, still the most packed I've ever seen the club, and a celebration of club kids."
- @arielzetina

🎈🎈TRACKLIST 🎈🎈
Brooke Candy - Cum (SOPHIE Remix)
SOPHIE - Lemonade
SOPHIE - L.O.V.E. (FLUID REMIX)
Le1f - Koi (prod. SOPHIE)
GFOTY - Friday Night (SOPHIE Remix) bootleg
SOPHIE - Hard (Supraman's Happy Hardcore Remix)
Charli XCX - Vroom Vroom (prod. SOPHIE)
SOPHIE - Ponyboy (megadog)
Charli XCX - Out of My Head (prod. SOPHIE & A. G. Cook)
Sylvia Striplin - Give Me Your Love (SOPHIE Remix)
SOPHIE - Nothing More To Say
SOPHIE - OOH
SOPHIE - Somebody Like You
SOPHIE - Just Like We Never Said Goodbye
Basside- NYC2MIA (SOPHIE REMIX) 
SOPHIE - BIPP
SOPHIE -  BIPP (Tielsie Remix)
Ariel Zetina -  Lemonade Candy Girl Bootleg (2014)

SORRYMIX006: Ariel Zetina's Club SOPHIE Mix

SORRYMIX Archive

Sorry Records founder Nick Boyd (@nickboydnyc) tribute to SOPHIE recorded live on Newtown Radio on February 6th 2021

https://srlp.org/donate/

🎈🎈🎈🎈🎈🎈🎈🎈🎈🎈
Gene Wilder - Pure Imagination
SOPHIE - NOT OKAY
Analemma - Plunging Asymptote [SOPHIE & Juliana Huxtable]
SOPHIE - NOT OKAY
Green Velvet - La La Land (Dave Clarke Remix)
Yelle - Moteur Action (SOPHIE & A. G. Cook remix)
SOPHIE - WHOLE NEW WORLD (DOSS AND SOPHIE REMIX)
Life Sim - Lighting Lipgloss Life
Charli XCX - Roll With Me
Bow Wow Wow - W.O.R.K. (N.O. Nah No! No! My Daddy Don't [Extended Version]
Big Freedia - Blaze That Ass [Prod. SOPHIE] leak
SOPHIE - PONYBOY (FAAST BOY REMIX)
The Knife -  Full of Fire
Paris Suit Yourself - WONT K (SOPHIE Remix)
McDonalds Ad - Lemonades
SOPHIE - L.O.V.E.
Basside - Fuck It Up forthcoming Sorry Records
QT - Baby Bubbles [Prod. SOPHIE/A. G. Cook) live bootleg
Scritti Politti - Absolute (Version)
Hayden Dunham & SOPHIE - Makeover leak
Charli XCX - Good Girls [Prod. SOPHIE] leak
SOPHIE - “Elephant” [Pony Boy Demo] leak
A. G. Cook - GP 3 (Growing Pains Fall/Winter 2017.18 - Fashion Week Tokyo)
Let’s Eat Grandma - Hot Pink [Prod. SOPHIE]
Basside - Girl forthcoming Sorry Records
Malcolm McLaren - Madam Butterfly (Un Bel Di Vedremo)
Sfire - Sfire3 [Vocals: SOPHIE]
David Bowie - Warszawa
Abyss X - Animosity (SOPHIE Remix)
SOPHIE - Transnation leak
Motherland - Pump the Rhythm on the Floor (Original)
SOPHIE - PUSH EMISSION (wHor3 moans)
LSDXOXO - Hateshopping
Green Velvet - Shake & Pop (Original Mix)
SOPHIE - BIPP

Nick Boyd Mixes

SOPHIE - A Celebration of Life // Nick Boyd

A note from Basside:
"We’ve waited way too long to let this song out. We had a few road bumps that made it difficult for us, and we kind of just felt like we had all the time in the world. The tragic passing of SOPHIE has made us realize that time is precious, and waiting for a hypothetical future we know nothing about is the wrong way to live. All we have is the present.

NYC2MIA started out as a fun chant, we lived in separate cities and when we were together it was what we would use to hype up parties, or scream at the world when we would ride our bikes around town. It was the first song we made with SOPHIE and the popularity it gained was unimaginable. Being able to say “New York to Miami” and having strangers know the next part really makes us feel special.
We dedicate this track to SOPHIE. Thank you for seeing us and believing in us.

We’re donating 100% of profits from this track to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence.”

released February 8, 2021
Sorry Records 2021

Written by Basside
Remix by SOPHIE
Artwork by Luis Pinto

Basside - NYC2MIA (SOPHIE REMIX)

Brooklyn based DIY record label putting out dance music of all shapes and sizes since 2015 🥸 🥸 🥸 🥸 🥸

Monthly on @thelotradio! Past parties at places like Nowadays, Bossa Nova Civic Club, Good Room, IRL etc.

Previous releases from @t_o_n_y_g @escaflowne-iii @wtchcrft2 @nikki-nair @basside-1 @msmsmsm  @panoocmusic @hueypmnemonic @djwawabk @djdelish @dullafteruse @dj-swisha @sharu @lechugazafiro @cpowers @djgearofficial @basside-1 @stickfigure36 @drvmmy @artdlrco @cranklincroons @malikhendricks @johnlauchicago @lanlordlance @the_phantom_menace @ama_l @panooc_music @mvaughanmusic @djfinetouch @deejaydylan @skulptormusica @sstress @donis-bk @moma_ready

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