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The history of Windows dates back to 1981 when Microsoft started work on a program called "Interface Manager". It was announced in November 1983 (after the Apple Lisa, but before the Macintosh) under the name "Windows", but Windows 1.0 was not released until November 1985.[17] Windows 1.0 was to compete with Apple's operating system, but achieved little popularity. Windows 1.0 is not a complete operating system; rather, it extends MS-DOS. The shell of Windows 1.0 is a program known as the MS-DOS Executive. Components included Calculator, Calendar, Cardfile, Clipboard Viewer, Clock, Control Panel, Notepad, Paint, Reversi, Terminal and Write. Windows 1.0 does not allow overlapping windows. Instead, all windows are tiled. Only modal dialog boxes may appear over other windows. Microsoft sold as included Windows Development libraries with the C development environment, which included numerous windows samples.[18]


Windows 2.0 was released in December 1987, and was more popular than its predecessor. It features several improvements to the user interface and memory management.[19] Windows 2.03 changed the OS from tiled windows to overlapping windows. The result of this change led to Apple Computer filing a suit against Microsoft alleging infringement on Apple's copyrights (eventually settled in court in Microsoft's favor in 1993).[20][21] Windows 2.0 also introduced more sophisticated keyboard shortcuts and could make use of expanded memory.


On September 30, 2014, Microsoft announced Windows 10 as the successor to Windows 8.1. It was released on July 29, 2015, and addresses shortcomings in the user interface first introduced with Windows 8. Changes on PC include the return of the Start Menu, a virtual desktop system, and the ability to run Windows Store apps within windows on the desktop rather than in full-screen mode. Windows 10 is said to be available to update from qualified Windows 7 with SP1, Windows 8.1 and Windows Phone 8.1 devices from the Get Windows 10 Application (for Windows 7, Windows 8.1) or Windows Update (Windows 7).[54]


When requested, a windows.Window contains an array of tabs.Tab objects. You must declare the "tabs" permission in your manifest if you need access to the url, pendingUrl, title, or favIconUrl properties of tabs.Tab. For example:


For example, say an extension creates a few tabs or windows from a single HTML file, and that the HTML file contains a call to tabs.query(). The current window is the window that contains the page that made the call, no matter what the topmost window is.


If true, the windows.Window object has a tabs property that contains a list of the tabs.Tab objects. The Tab objects only contain the url, pendingUrl, title, and favIconUrl properties if the extension's manifest file includes the "tabs" permission.


The ID of the window. Window IDs are unique within a browser session. In some circumstances a window may not be assigned an ID property; for example, when querying windows using the sessions API, in which case a session ID may be present.





The offset of the window from the left edge of the screen in pixels. In some circumstances a window may not be assigned a left property; for example, when querying closed windows from the sessions API.


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Body Double
 was released to theaters on October 26, 1984, the same day as 
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.[33] It opened at number three at the box office, earning $2.8 million in its opening weekend.[34] The film earned $8.2 million over its first three weeks, before being pulled in its fourth week.[2][1] The film earned $8.8 million on a $10 million budget, making it a box office bomb.[2][1]


Some also claimed the plot is ultimately given less importance than the film's visuals.[48][49] 
TV Guide
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Body Double
 is more an exercise in empty cinematic style than an engrossing thriller. Although cinematographer Burum executes some absolutely breathtaking camera moves, his effort goes for naught when pitted against director De Palma and cowriter Avrech's insipid narrative."[50] Rita Kempley of 
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There are a number of paint brush tutorials that were created back for the initial release of R17. While it is recommended to use the new Material View and Layer View, many of the workflows in these older tutorials are still valid for the current paint brush. To watch these videos head over to the tutorials for Paint Brush Tutorials (2016)


EJ Hassenfratz (00:00): UV unwrapping and cinema 4D used to be the bane to everyone's existence. But with the new UV workflow updates in cinema four D S 22, it's never been easier to learn this extremely useful skill. When you wrap your head around what a UV is and the whole process of UV and rapping, it's like you have this super power where you can finally accurately texture your models with ease, and I'm going to be walking you through the whole process of UVN wrapping, cover the basics of UVS and how you can apply it to your own models. Now, if you want to follow along with me, be sure to download the free project files in the video description below


EJ Hassenfratz (04:32): So they're actually more visually representing the actual polygon space. Like this is a very, you know, horizontal polygon here, and it's not represented like that in our 2d UV view. So that's why we need to adjust and play around with the UVS, the 2d representation of those polygons to make it match the actual physical 3d version of that polygon. Now in cinema 4d version as 22 and above, there's a whole bunch of new ways to automatically fix this problem. And this is done by new algorithms, new workflows and things like that. Now the easiest way to fix something like this is to utilize the automatic UV options, which try to automatically take the real 3d polygon space and actually have that represented in the 2d view. So to do that and to utilize the automatic UVS, I'm just going to make sure all of the polygons are selected.





EJ Hassenfratz (19:43): Okay. So if I select this bottom island here and I look at that grid texture, you can see, we have a lot of distortion here as well. Uh, especially at the bottom here, not looking too good. So what I can do to fix this distortion is number one, I can go and maybe make a, another cut here, because again, I know that I'll probably have a different texture from C if I do UL to make a loop selection here. So from this point to this point, this loop selection I

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El porqué de esta casuística reside en que esconde algunos beneficios que pueden pasar desapercibidos, pero que pueden resultar muy atractivos. En este artículo explicamos los 
pros y contras de comprar una casa okupada
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Si 
compras una casa okupada
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especializado para llevarlo a cabo de manera correcta.


"La impunidad de un okupa es enorme. Es una gran injusticia. El propietario siempre tiene que denunciarlos. En ese instante, el denunciante ya está reconociendo que tiene el domicilio ocupado. Los agentes entonces se personan e identifican a los okupas en el domicilio uno por uno. Abren un parte de intervención policial con los nombres de los usurpadores. Lo más grave es que
 ese mismo parte de 

denuncia les sirve a

 los okupas para empadronarse en el domicilio
. Es su justificante para demostrar que están viviendo allí y tienen derecho al uso del domicilio de otro. Es surrealista. En base a esto, si el propietario entrara en la casa sin violencia cuando ellos no están, el okupa automáticamente presenta la denuncia, que le vale como
 documento escrito que demuestra que reside

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Cuenta a Espejo Público que 
vio en redes sociales que sus inquilinos están de vacaciones
 en el norte de España en un 
hotel de 4 estrellas 
y están de maravilla. Decidió ir a su casa a ver qué pasaba. Justo al llegar a la vivienda
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el hombre se puso muy nervioso y le contestó que él se estaba quedando en una habitación
. María le dice que ella es la propietaria de la casa. "Yo entré cuando él me abrió la puerta y cuando le dije que yo era la propietaria. No nos tocamos ni yo a mí ni yo a él aunque es verdad que yo me puse muy nerviosa diciéndole que me diera las llaves que esta era mi casa.


"Esta persona llamó al inquilino,
 el inquilino llamó a la Policía
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 pasó 26 horas en el calabozo
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 Cuenta que vivió todo como en las películas
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Ahora mismo se encuentra 
esperando el juicio
. Su piso sigue okupado y 
sigue acumulando deuda día tras día
. "Este es el piso donde vivía yo con mi madre. Mi madre se quedó viuda a los 15 días de tenerme. Lo compramos porque tenía calefacción. Para mí tiene un valor muy importante y muy sentimental", señala. Posteriormente se casa y se va a otra zona, pone el piso en alquiler y al principio los inquilinos le empezaron pagándoles pero después, 
alegando que estaban en el paro
, comenzaron a acumular mensualidades de deuda.



En Fotocasa, contamos con un excelente equipo de profesionales dedicados a crear contenido relevante para nuestros lectores. Si te ha gustado este artículo, estaremos encantados de que lo publiques en tu web. En tal caso, no olvides que debes mencionar a Fotocasa como la fuente ori

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The next part of your training will take place in our 3D simulators. Here you will train on an exact laser scanned replica of our track, you will get comfortable with the controls of the car, the turns of the track and the commands of the instructor. The Simulators are an invaluable tool that helps you progress in your racing experience so your time out on track is more exciting.


The Ferrari brand consolidates all the emotions and performance supercars can give. Combined with being a real racing car, it makes our Ferrari GT just exhilarating to drive on track. However we also like the idea of offering some selected exotic street cars to our clients: Lamborghini is an iconic Italian brand widely appreciated in the US, Porsche has an unmatched history in GT racing, and McLaren has quickly become one of the most desired exotic supercars for its technology and performance. And obviously the Ferrari street cars which are still a reference for beauty, speed and handling.


Blake's love affair with cars and racing goes back to when he was a kid growing up in Wayland, Massachusetts, outside of Boston. In fact, in his office is a picture of him as a toddler with a pedal tractor tipped over next to a toolbox.


"My fascination with tools and mechanical things goes way way back to the beginning and I've always loved cars and trucks and race cars," Blake says. "I was introduced to racing through my older brother and my entire life I always wanted to be a mechanic. I always knew that I wanted to work on cars and trucks, and then as I grew and got interested in racing my desire to be involved in a race team really became my main dream."


However, after graduating from high school, Blake moved to Cape Cod and got a job as an auto technician, eventually getting married and having children. He essentially got out of racing, but remained a fan and maintained the dream of someday working on a race team.



However, Blake still wanted to join the upper echelon of drag racing and weighed the options of purchasing a nitromethane-powered Fuel Funny Car versus a Top Alcohol version. He found that with the initial investment and sponsorship dollars available, he could purchase an alcohol car and have some money left over, whereas with a nitro car, there would be none. However, the undertaking remained massive.






For many years, Blake has also maintained a relationship with Chevrolet within his racing program. He and his family have always been fans of the brand, going back to the days when a Small-Block Chevy engine powered his brother's first front-engine dragster. Blake's Super Comp cars were powered by Big-Block Chevrolet engines as well.



Once Blake bought the Funny Car, he worked closely with the Chevrolet team to add an Impala body. Later, he again worked alongside the Bowtie Brand to change over to the Monte Carlo, and did wind tunnel testing to help develop the Camaro body found on Funny Cars throughout a variety of drag racing disciplines today. Blake's car still runs the first modern Camaro body offered by Chevrolet.


"When I speak to young adults and students I try to tell them that if you believe in yourself and you get an education anything is possible," he says. "It's all about the five tools of your life toolbox. These five tools can get you to your goals and your dreams."


Dream Racing CEO Enrico Bertaggia is a former Formula 3 champion. He also competed in Formula 1 and was runner up in the '95 24 Hours of Le Mans in the GT2 class. His racing career includes director and coaching roles with the factory racing programs at Ferrari, Maserati, Alfa Romeo and others. So while the business of Dream Racing is to provide supercar experiences, the culture of the company is to train race car drivers. This is why Dream Racing offers GT race car experiences. These are the same machines that c

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The specialty of the publisher is that it has many other pre-published editions available in it. Like Newsletters, Brocher, Invitation Card, Greeting Cards, Mailing Label, Banner, Web Page, etc. all this is there in it. You can prepare all this within few minutes with the help of a wizard available on the Microsoft publisher.


In the publisher drawing toolbar, you can design unlimited images with various facilities you can even prepare an arrow which is also available in the PageMaker in the publisher you can enter the text directly on the text frame or with any different text just like the way it is in any formatting you can send it or export it on the word processor because it has the facility of format painter which is not available on any other DTP package. In this, all the fonts related to the windows are available automatically.


In present-day TMS publisher is used in a limited manner but it in the certain period of time it was used very much because MS Office is the part of it, so it is not been purchased separately, and it is easy to learn this software because most of its rules and orders are just like MS Office most importantly MS Word. People who know how to operate MS Word and I can work fluently on that they can easily learn MS publisher in their initial phase itself.


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From these known packages the other DTP packages are also there and each has its own specialty and importance even have a particular drawback in this article we have discussed the Microsoft publisher.


You also get to preview your resulting blog posts in real time to avoid after-the-fact tweaking. And if you have more than one blog, you can simply switch accounts right within the app. To sum up, MarsEdit is exactly the software web publisher have been waiting for.


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Look, I'm just gonna say it. Rip that band-aid right off. Come right out with it. No holding back. You ready? I really mean it this time. I'm going to say it. For real, now. Okay? No fooling. No way around it. Ugh. Okay, here goes - I like Chris Pratt's Mario voice. There, you happy?! I'm as surprised as the rest of you, really. I still think it's weird to not use Charles Martinet when he's right there and clearly wants to be involved in the movie, and I'm not Pratt's biggest fan either as a movie star or as a person. But it's... fine, right? Better than fine. I think it's quite good. Mama mia, I think Chris Pratt's a good Mario.


No, he's not doing an Italian accent. He's doing a Brooklyn accent, just like the Mario television show and the last Mario movie. I think, more broadly, it's an odd cultural quirk of the USA for people to say "I'm Italian" when they mean "my great great grandfather was Italian, but I was born in the USA and have never left my home state", but that's just me. Mario is as Italian as about 50,000 guys in New Yawk who swear they're Italian, so this is what we get. And it's not Pratt's normal voice. It's clearly a Brooklyn accent, which Pratt does not have. You may not like the voice, or not like Pratt and have that be enough to put you off, but I feel like it's a deliberate attempt to gaslight me specifically for you to say he's not even doing a voice.


None of this really matters for his Mario voice. It matters for how much you may wish to support him, or even see the movie at all, but I can't keep it bottled up any longer. Anya Taylor-Joy as Princess Peach gets me front row day one, or rather a few rows back because the front row hurts my neck. I thought Pratt was going to be something to endure in the movie, as he felt at times in the Jurassic trilogy. But he's a great Mario for the American-Italian direction the movie has gone in, is showing decent range in the few clips so far and is shaping up to be an excellent centrepiece of the movie while the rest of the cast shine around him. I like Chris Pratt's Mario. There, I said it.


The movie is a wonderful surprise, cleverly written and executed brick by brick with a visual panache. Filled with humor and action, the Warner Bros. movie pulls off an emotional finish that rivals some of Pixar's best work. You can argue - and not sound completely crazy - that this is a better film than a few recent Academy Awards best picture nominees.





But the first big-screen animated Lego movie has the feel of a passion project - where smart people were given a lot of resources and allowed to execute the craziest thoughts that came to their head. "The Lego Movie" is a PG film, but its closest comparison is the work of "South Park" creators Trey Parker and Matt Stone. The single musical number, "Everything Is Awesome," is so effective, you'll wonder why Lord and Miller didn't make more.


As the friends work to save the city from the schemes of conformist tyrant Lord Business, the movie settles into a nice blend of sly rapid-fire humor and over-the-top action sequences that all seem hatched from a 9-year-old's imagination. With plastic brick people instead of flesh and blood, the filmmakers and skilled animators at effects studio Animal Logic get a bit of a pass on the violent and racy content. If a real-life construction worker gets beheaded, it's unspeakably gory. A man photocopying his naked butt is lowbrow and obscene. When these things happen in the Lego world, it's kind of cute.


I felt a hint of worry about two-thirds of the way through the movie, realizing that the movie's high marks for style were not matched by its substance. For all its in-the-moment satire and entertainment, the lack of a human heart became harder and harder to ignore.


This charming French-Belgium animated film and Oscar contender is about a

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Samsung's Pentile matrix technology is a sub-pixel design architecture family. The basic PenTile structure is the RGBG matrix. In RGBG PenTile displays there are only two subpixels per pixel, with twice as many green pixels than red and blue ones. You can see a PenTile matrix vs a Real-Stripe one on the images below (the PenTile is on the right):


The Pentile technology was commercialized by Clairvoyante. In March 2008, Samsung bought the company's PenTile related IP and technology, and formed a new company called Nuovoyance to continue development of this display technology. Here's an image from Nuovoyance showing Pentile vs RGB matrix (which they call a 'legacy' matrix):


PenTile relies on the human eye design - if you reduce the number of blue subpixels, you barely reduce the image quality. There are other advantages to PenTile displays (for example longer liftime, which will be explained below). But even Samsung admits that a real-stripe RGB matrix is better than Pentile, for example here's some marketing image from Samsung showing how a non-Pentile display (the Super AMOLED Plus) is better than the pentile Super AMOLED:


Samsung's latest Super AMOLED displays adopt a new subpixel arrangement called Diamond Pixel. The first phone to use this pentile type was the Galaxy S4 (later phones adopted a slightly different Diamond pattern). In a Diamond Pixel display, there are twice as many green subpixels as there are blue and red ones, and the green subpixels are oval and small while the red and blue ones are diamond-shaped and larger (the blue subpixel is slightly larger than the red one). The diamond shapes were chosen to maximize the sub-pixel packing and achieve the highest possible PPI. The greens are oval because they are squeezed between the larger red and blue ones.





Tianma also demonstrated several flexible OLEDs in many configurations which we will list below. Almost all of the panels were based on the same basic display - a flexible 5.99" WQHD 1440x2280 (537.5 PPI) AMOLED produced on a polyimide substrate. Tianma showed this panel in a regular design, and also in a notch-type design.


Samsung told DisplayMate that the improvement mostly came from more efficient OLED materials. They also incorporated new display electronics and optics and that helped as well. But now Chipworks posted a teardown of the GS5, and they published a macro image of the display's sub pixels. It turns out that it's a different architecture than the GS4, and this may explains some of the performance boost, too.


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Combine any pixel quantity, matrix size and configuration in the same project. Each matrix can be placed anywhere in the work space. Visual effects play on the currently selected pixels, even if the selection includes multiple matrices, enabling visualization of the entire project across all zones.


The Pixel Art Converter tool aims to make it easier to show pixel art on a LED matrix panel, by converting any image to 2D pixel art and sending it to the WLED device. The file types PNG, JPG, WEBP and GIF have been tested to work with the tool.


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Born in Milan to a noble family, Boltraffio entered the school of Leonardo da Vinci in 1491 and remained with him until around 1498 or 1499. This work, once erroneously attributed to Leonardo, reveals an aristocratic refinement that derives as much from Boltraffio's own artistic gifts as from Leonardo's influences. The sitter may be Girolamo Casio, a well-known Bolognese poet who was a close friend of the artist. He is shown wearing a narrow headband, called a fillet, intertwined with laurel leaves and holding an arrow - both symbols of Apollo, the patron of poetry and leader of the Muses.


G. F. Waagen, Galleries and Cabinets of Art in Great Britain (supplement to his 1854 Treasures of Art in Great Britain), 4 vols. (London,1857), 4:444; Bernard Berenson, North Italian Painters of the Renaissance (New York, 1907), p. 172; Gardner Teall, "Giovanni Antonio Boltraffio," International Studio 85 (October 1926): 25; Wilhelm Suida, Leonardo und sein Kreis (Munich, 1929), p. 287, as a half-figure of a youth; Italian Art: An Illustrated Souvenir of the Exhibition of Italian Art at Burlington House London (London, 1930), p. 54, no. 91, ill.; Enrico Mauceri, "Dipinti di raccolte inglese alla mostra d'arte italiana a Londra," Dedalo 10 (May 1930): 755,758, ill.; Agnes Mongan and Elizabeth Mongan, European Paintings in the Timken Art Gallery (San Diego, 1969), pp. 28, 29,109-10, no. 6, ill.; Burton Fredericksen and Federico Zeri, Census of Pre-Nineteenth­ Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 30, 524, 632; Martin E. Petersen, "Three Centuries of European Paintings, 1300-16oo," Apollo 115 (June 1982): 447, fig.11; Timken Art Gallery: European and American Works of Art in the Putnam Foundation Collection (San Diego, 1983), pp.16-1.y, 1.15, no. 1, ill.


Set of four wrought iron surrealist arrow motif chairs by Tomaso Buzzi, made in Italy circa 1940. Enameled with gilt ornamented arrows. A draped form crest and apron with a pierced seat, raised on tubular legs.


According to legend, while on their travels together, Hercules and Dejanira, who was the daughter of the river god Oenus, came to the river Evenus, where the centaur Nessus was the ferryman. As Nessus carried Dejanira across the water, he tried to ravish her, whereupon Hercules, still left on th

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