Pretend

JK, another new track, unreleased... looking for new management and a new label.

Blam

My new techno track, unreleased..... looking for a new label and new management. "If there's nothing in it, don't hit it."

Smash

My new house track, unreleased.....  looking for a new label and new management. 

Clap On

My new dubstep track, unreleased...... looking for new management and a new label.

Enough About You

Sound Space

This is a track i made and jeremiah sang on. It was a lot of fun, hope to see him again soon. The vocal was recorded live.

Jeremiah

#Update APRIL 2015 | New 'PREVIEW' → bit.ly/SAYMYNAME-PRE

Ground Zero :) A Preview mix of our debut ' EP 1 ' → http://bit.ly/LBF_EP1

1 • Manslaugter
2 • Best In The West
3 • Allow It
4 • Pull Up Your Finger
5 • Intimidation
6 • The Creator

We almost threw the tracks away as none of the labels we sent to contacted us back and in the last min we released on our label ' UnWanted '… Lets hope we made the right choice :p

Big love from the start all..

<a href="http://facebook.com/letsbefriendsuk" rel="nofollow" target="_blank">LBF FACEBOOK </a> • <a href="http://twitter.com/letsbefriendsuk" rel="nofollow" target="_blank">LBF TWITTER </a> • <a href="http://youtube.com/letsbefriendsuk" rel="nofollow" target="_blank">LBF YOUTUBE </a>


Beatport

Huh.. Anon

[esc]ape VS trmnl.freq is my expression via  vibrationial manipulation. All music is designed / engineered / programed by D. Ventura and/or co-produced w/ D. Rogers or K. McCarthy
Audio art design has been a passion of mine for some time. We combine abstract elements with a unified sound structure. The very nature of human existence is experience and creation. 
Starteing in ‘99 as a fan of electronica and promoters of underground events in Chicago. In the early 2000′s spent numerous hours among DJs and producers watching, listening, and contributing to mixes and performances. In 2004 Bruce M. provided Reason 2.5 and after experimenting with the program Reason, where sound artist began for me and i started to utilize nontraditional sound manipulation techniques and automating the rate structure of sounds; blending styles to explore a wide range of audible creation and sound destruction.

Sound Space

[esc]ape VS trmnl.freq

Recent comments

Jd. Strange

escape

Pete Richardson

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