La Marfée

Qui vivra verra

Rihanna's 'Man Down' mashup with Gregory Isaacs' 'Night Nurse'. Produced by Mashup King, hope you enjoy!

Rihanna, Gregory Isaacs - Night Nurse, There's a Man Down (Mashup)

Runaway

The track of this lyric dives into the unsettling feeling of being manipulated by perception, exploring the tension between reality and the tricks of the mind. It’s haunting yet empowering, capturing the human struggle to regain clarity and control. 

Illusion’s Labyrinth #RnB Soul

The essence of this speaks to the immense emotional weight of hatred and the courage it takes to choose a different path. It carries the essence of resilience and a profound understanding that hate ultimately diminishes the one who holds it. Here I use the lyrical beauty of Hip hop and jazz to bring an anthem of celebration, bringing everybody together to enjoy the beauty of togetherness and just  say no Hate as an awful burden to bear.

Hate is a burden to bear, I wouldn't touch it with a barge pole

This track was inspired by a birthday card of Young lady to her fiancée when she presented him with his birthday present after they had dinner one evening, to show her affection and love for him. The message, I presume is self explanatory.

Key to My Heart(6) #R&B Soul

This track is a gripping exploration of human fragility, resilience, and the challenge of authenticity.

Bitter Pill #Soul Radio Edit

🎵 I don’t see my children, I’m broken - (Official Lyric Video by Brady Kent) 😢💔🎶 

“I don’t see my children, I’m broken” is a raw, heartbreaking ballad. This is the story of a woman torn apart by the pain of not seeing her children, a pain that has left her shattered. 

We don’t know exactly what happened. She says she’s “only 20% guilty” for the breakup, but the weight of separation is more than she can bear. She ends with haunting final words: “He’s like a dead man to me. I soak up the pain. the party is over. More rain on the way.” 

💔 Some things are never said. Sometimes we run out of time. And sometimes, love slips away before we truly understand what we’ve lost. This song is for anyone who has lived with regret, silence, and longing. With stripped-back production and deeply personal lyrics, “I don’t see my children, I’m broken” is a powerful emotional release.

Have you ever lost access to your children?

💡 Support Brady Kent’s Music Journey: If this song resonates with you, don’t forget to: ✅ Like this video to support new innovative music. 💬 Comment below with your thoughts or interpretations of the song’s


🔗 Connect with Brady Kent: 

🌎YouTube: [https://www.youtube.com/@Bradykent-d5w] 
🌎 Instagram: [https://www.instagram.com/bradykentpoet/] 
🌎 TikTok: [https://www.tiktok.com/@bradykent] 
🌎 Facebook: [https://www.facebook.com/BradyKentPoet/] 
🌎 Twitter: [https://x.com/BradykentPoet] 

🎵 Stream & Follow Brady Kent: 

📌 Spotify 
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📌 SoundCloud

I don’t see my children, I’m broken

I put this track together with a soundscape loop and delayed snare drum pattern I found on LoopCloud. I then added the the kick drum via midi sequencing, a synth bass line, and synth strings. It was a fun little project on my way to learning more about the possibilities of my DAW. I hope you like it. It definitely chills me out.

Just Chill

“Surveillance Blues”

Surveillance Blues is a lyrical cry from within the digital web—tracing the loss of privacy, emotional unrest, and the quiet rebellion beneath the surface. It paints a world where even silence has a shadow, and every moment is documented by faceless systems. The narrator isn't paranoid—they're perceptive, navigating emotional voltage while under constant watch.
Key themes:
Digital oversight and emotional erosion
Loss of autonomy in hyperconnected environments
The quiet defiance of those never truly alone

Surveillance Blues(3)  #Hip-Hop EV-RS

“Mar-A-Gaza Is Not an Option” is a ciphered refusal—a strategic indictment of the grotesque fantasy to erase Gaza’s people and rebrand the ruins as a luxury Riviera. The lyric exposes the optics war: gated opulence versus generational siege, beachfront renderings versus blood-soaked soil.
Here’s the core:
🏖️ Mar-A-Gaza: A portmanteau that fuses Mar-a-Lago with Gaza, mocking the idea of elite retreat built on displacement. It’s not just satire—it’s a rejection of imperial rebranding.
🧨 The Fantasy: The lyric confronts leaked proposals and speculative visions that imagine Gaza as a post-cleansing resort zone. It names the mechanism: forced removal masked as redevelopment.
🎙️ The Voice: The speaker spits from the breach, not the villa. Every bar is a refusal to let trauma be paved over, every hook a counter-document to the mirage.
🧠 Philosophical Undercurrent: Beneath the indictment lies a meditation on optics, silence, and symbolic violence. It’s a "P. Ricoeur" meets cipher rap- Reggae version—hermeneutics carved into rhythm.

Mar-A-Gaza is Not an Option #Dancehall -Reggae-dub fusion

Joseph Alla AKA "SOS Sound Of Starlings "is a visionary artist whose work bridges sonic innovation and emotional depth. Blending Dancehall, Afrobeat, and R&B with bilingual lyricism, his music explores the tension between silence and sound, public grace and private grit. With a keen eye for symbolism and a commitment to amplifying overlooked voices, Alla crafts immersive experiences that resonate across cultures. His latest project, Behind Closed Doors / Detrás de Puertas Cerradas, is a testament to his ability to turn vulnerability into power and storytelling into resistance.

Mar-A-Gaza is Not an Option #Dancehall -Reggae-dub fusion

SOS (Sound Of Starlings)

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