La Marfée

Qui vivra verra

The track of this lyric dives into the unsettling feeling of being manipulated by perception, exploring the tension between reality and the tricks of the mind. It’s haunting yet empowering, capturing the human struggle to regain clarity and control. 

Illusion’s Labyrinth #RnB Soul

The essence of this speaks to the immense emotional weight of hatred and the courage it takes to choose a different path. It carries the essence of resilience and a profound understanding that hate ultimately diminishes the one who holds it. Here I use the lyrical beauty of Hip hop and jazz to bring an anthem of celebration, bringing everybody together to enjoy the beauty of togetherness and just  say no Hate as an awful burden to bear.

Hate is a burden to bear, I wouldn't touch it with a barge pole

This track was inspired by a birthday card of Young lady to her fiancée when she presented him with his birthday present after they had dinner one evening, to show her affection and love for him. The message, I presume is self explanatory.

Key to My Heart(6) #R&B Soul

This track is a gripping exploration of human fragility, resilience, and the challenge of authenticity.

Bitter Pill #Soul Radio Edit

The same Track "Hate is a burden to bear, I wouldn't touch it with barge pole" Hip Hop Jazz Fusion version offers a different sound flavour perceptive; It equally captures a firm rejection of hatred, with a different vibe, yet portraying it as a heavy, unnecessary weight that drains and burdens. The metaphorical "barge pole" symbolizes maintaining a safe, intentional distance from such negativity. It highlights the emotional toll hatred imposes, urging avoidance in favour of lighter, more constructive emotions. It conveys wisdom, resilience, and a commitment to fostering positivity.

Hate is a burden to bear, I wouldn't touch it with a barge pole (Dynamic Fusion 2)

Same message different layback captivating vibe

Hate is a burden to bear, I wouldn't touch it with a barge pole(3) #Hip Hop

🎵 I don’t see my children, I’m broken - (Official Lyric Video by Brady Kent) 😢💔🎶 

“I don’t see my children, I’m broken” is a raw, heartbreaking ballad. This is the story of a woman torn apart by the pain of not seeing her children, a pain that has left her shattered. 

We don’t know exactly what happened. She says she’s “only 20% guilty” for the breakup, but the weight of separation is more than she can bear. She ends with haunting final words: “He’s like a dead man to me. I soak up the pain. the party is over. More rain on the way.” 

💔 Some things are never said. Sometimes we run out of time. And sometimes, love slips away before we truly understand what we’ve lost. This song is for anyone who has lived with regret, silence, and longing. With stripped-back production and deeply personal lyrics, “I don’t see my children, I’m broken” is a powerful emotional release.

Have you ever lost access to your children?

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I don’t see my children, I’m broken

I put this track together with a soundscape loop and delayed snare drum pattern I found on LoopCloud. I then added the the kick drum via midi sequencing, a synth bass line, and synth strings. It was a fun little project on my way to learning more about the possibilities of my DAW. I hope you like it. It definitely chills me out.

Just Chill

“Surveillance Blues”

Surveillance Blues is a lyrical cry from within the digital web—tracing the loss of privacy, emotional unrest, and the quiet rebellion beneath the surface. It paints a world where even silence has a shadow, and every moment is documented by faceless systems. The narrator isn't paranoid—they're perceptive, navigating emotional voltage while under constant watch.
Key themes:
Digital oversight and emotional erosion
Loss of autonomy in hyperconnected environments
The quiet defiance of those never truly alone

Surveillance Blues(3)  #Hip-Hop EV-RS

Lyric Summary: “Moving in Between High Brackets @3.0”
This suite moves through estate blocks, cracked ladders, and smoky studios, refusing every imposed metric. It’s a lyrical climb through systems designed to sort and silence — but the speaker moves like breath, not to escape, but to decode and expose.
Intro sets the tone: brackets built to price breath, but the speaker moves like rhythm through concrete.
Verse 1 roots the cipher in lived experience — Croydon estate life, missing ladders, and bars written in the margins of debt.
The hook flips the frame: silence speaks, truth unpacks, and the rise is manufactured, not mapped.
Verse 2 confronts exclusion — wealth in borrowed skin, truth locked out — but the speaker moves cinematically, flexing like cipher and burning like fire.
The bridge reframes movement as exposure: not climbing for approval, but decoding the architecture.
Verse 3 is pure rupture — bending brackets, ending titles, and carving worth in ciphered silence. The rise is ancestral and celestial, not institutional.
The final hook seals the suite: the speaker fractures frames, manufactures ascent, and moves like jazz — off-grid, off-script, and off-frame.

Moving in Between High Brackets 3.0  #Hip-Hop Cipher

Joseph Alla AKA "SOS Sound Of Starlings "is a visionary artist whose work bridges sonic innovation and emotional depth. Blending Dancehall, Afrobeat, and R&B with bilingual lyricism, his music explores the tension between silence and sound, public grace and private grit. With a keen eye for symbolism and a commitment to amplifying overlooked voices, Alla crafts immersive experiences that resonate across cultures. His latest project, Behind Closed Doors / Detrás de Puertas Cerradas, is a testament to his ability to turn vulnerability into power and storytelling into resistance.

Moving in Between High Brackets 3.0 #Hip-Hop Cipher

SOS (Sound Of Starlings)

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