Depth

New Sincerity - Cultured Meat releases on the 27th of May
@newsincerity

Produced and mixed by Eero Pulkkinen and Mikko Virtala
Mastered by Noah Kin
Cover art by Gabriel Boicel

New Sincerity - In Vitro

From @sabiwa 's new EP "PINK" out now!

Stream, download & cassette: https://push.fm/fl/pink

Produced by @sabiwa @ queimada77 @l_nathan
Flute by @lorenzo-colocci-891437181
Mixed by @ queimada77
Photos by IG: Sufu.life
Art direction by @sabiwa
Mastering by @dj_ghepard

Stream, DL & Cassette

Sabiwa - Feels Like Worlds Broke Away From My Eyes

Sabiwa - Praise Of Escape

HYPR096 @ccaaddeeuu "LANGUAGE" out now
https://band.link/language

Mastering by @annafruit
Concept/design by Ilya Perevedentsev
https://instagram.com/perevedentsev_ilya

Language as an artistic tool has been widely explored in conceptual and particularly in sound art for more than a century: from the phonetic poems of Dada, to Stockhausen’s experiments with text and voice, to contemporary electro-acoustic works in this day and age. 

Relations between languages and their sonic characteristics was the main focus of cadeu's Master’s degree and the result of a three-year-research and experimentation. Why do languages sounds just like they do? What does constitute a linguistic soundscape? In 2021’s ambient mix UI cadeu examined several languages in a deconstructed mode. The words were torn apart into particles that are deliberately devoid of any meaning, but still retaining the character of a language. Conceptually the approach was based on the idea of l’objet sonore introduced by P. Schaeffer, by means of which he regarded sounds as independent acoustic events, detached from their sources, deprived of the original meaning and intended for listening, charged with acousmatic experience. 

cadeu said:
LANGUAGE EP and the forthcoming album EX became my playground to explore this idea in the realm of club music. Throughout the record, language is interchangeably revealed in both deconstructed and habitual ways, letting the meaning in and leaving it out, attempting to spell a message and suddenly losing it only to become another instrument in a track.

LANGUAGE

cadeu - WAH

cadeu - LANGUAGE

Bride - Mausolea

minimix: 0.111mg

London based singer /songwriter @costi_0 makes her debut on TT with ‘As above so below’. 6 tracks, bearing raw emotional composition, lyricism & sound.

She draws heavy inspiration from her background in poetry, reworking her writings into lyrics. Looking up to the musings of Kurt Cobain and William Blake alongside the study of dark and light, heaven and hell. coming through in the consistent shadow of grunginess throughout contrasted by escaping moments of light.

features from Crimson Chaos, Yayoyanoh & Wisteria

As above, so below

c0sti - Fuse

Astral Life

Buy "Gothic /​/​/ Artificial": https://bio-future-lab.bandcamp.com/album/gothic-artificial

Composed by fashion sound designer Thomas Ripley (@thomasripleyecdysis) under the alias of Ecdysis, «Gothic /// Artificial» is a project that aims to reconcile mechanical, artificial and synthetic sounds with ecclesial aurae, built upon arie and voices meant to dilute the final lines of ecstasy, understood as both ascension and lust.



Thomas Ripley previously collaborated with: Adidas Originals, Louis Vuitton, Valentino, Times Magazine Singapore, Weill Paris, Carlotta Mainago, etc.
vimeo.com/user85130460

Artwork by Federico Variola & Marcello Jacopo Biffi.
Personal site: https://thomasripley.eu

Buy EP

Ecdysis - Metamorphosis

written and produced by @comechelet
artwork by texture404

© 2019 Comechelet
℗ 2019 re.core

Comechelet - Good Shape

Two Moscow producers collaborate on an experimental EP inspired by drumming, and — surprise — there are no beats here. Zurkas, a master of anxiety-inducing, quasi-political nightmare ambiance makes his perhaps most club-influenced track and his first remix here, and Moa Pillar (who often crafts smart dancefloor-ready weapons) is at his most abstract. “Drumming” is a beautiful example of friendship, collaboration, and most importantly, communicating ideas across.

The project started from Zurkas’ obsession with the moment when live drummers go wonky while still keeping the groove — and that could be one of the main differences between electronic and live music, really. This original track, aptly titled “To Grab a Stick”, sparked Moa Pillar’s interest who just like his comrade had started out playing in rock bands (yes, his instrument of choice was drums). But unlike the slightly jungle-tinged Zurkas Tepla original, Moa Pillar’s original “Drumming” is an exercise in his own brand of deconstructed club music: staccato hits and hiccups that modulate into oblivion.

And then we have the ping-pong remixes: Zurkas edits Moa’s slick production is his trademark sound vérité approach spiced up with existential horror, while Moa Pillar does the opposite. 

Clocking at around 10 minutes, this EP boasts a lot of good ideas and brilliant musical coin-flipping.

Moa Pillar - Drumming

Zurkas Tepla - To Grab A Stick

@orbr feat. @bilejkluk - Heartscape
Emanuele Rossi aka Oroboro is a producer from Cesena, Italy. His project combines timbrical and rhythmic explorations with the act of pouring out emotions, drawing inspiration from drum and bass and bass music. Among the founders of the Prague-based multimedia platform, netlabel, and artistic collective BCAA System, Michael Plodek aka BilejKluk specializes in hybrid productions of cloud rap and sound art that meet his processed voice and dreamy, moving atmospheres.

Buy / Donate

Oroboro ft. Bilej Kluk - Heartscape

@alza-54

cime001
Mastering - Christoff Riedel
Artwork - Tom Fischer, Hannes Fendrich, Alexander Turovsky

Alza54 - $ sudo compilation

FROM CLAM005 | K MAJIK 23

https://clam-pressure.bandcamp.com/album/clam005-k-majik-23

@kuthijin

KUTHI JIN - MAJIK 23

Collective and open platform devoted to underground electronic music in search of new paths to empower artists.
About us: https://soulfeederweb.com/info/
Demos: demo@soulfeederweb.com

Sabiwa - Praise Of Escape

Soul Feeder

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