Fallout

MK. II

Mafioso's Ultimatum

James Horner - Futile Escape - From Aliens Live

Hearts of Iron IV - By Blood Alone (Original Game Soundtrack)

Italy - La Marcia Die Soldati

Moribund World (world map) (Fallout OST)

Khans of New California (Khan Base) (Fallout OST)

All Clear Signal (Vault City) (Fallout 2 OST)

C21FX is proud to announce the release of their seventh album, “Equinox.” Representing that rare occurrence where light and dark exist in perfect balance, this collection is a blending of uplifting, inspiring tracks coexisting beside the more melancholy, sometimes ominous pieces. “Equinox” will guide you on a journey through feelings of inspiration and confidence, moments of uncertainty and doubt and deliver you right to brink of heartbreak and ruin. Like a satisfying tale, the album concludes with the embattled hero’s triumphant return. This collection embodies the emotional highs and lows of life, featuring tracks composed by Marcus Warner and Arn Andersson.

Annihilation

Cries Of A Dead World (Wasteland 2 Credits Song Version) By Miracle Of Sound

This is a new version of my track "Annihilation", that I did for fun a few weeks ago. This one is bigger, more epic, and more pointed towards the epic trailer music industry. I personally still prefer the magical and haunting atmosphere and feel of the original one, but I still had a great time making this! I hope you enjoy it too! 

Buy the album "The Second Era" here: http://arnandersson.bandcamp.com

A Complete Guide To Making Epic Music:
http://www.fromideatofinishedrecording.com

Keep in touch at:
Website:  https://www.arnandersson.com
Facebook: https://www.facebook.com/arnofficial?fref=ts
Soundcloud: https://soundcloud.com/arn-andersson

Learn How To Compose Epic Music: http://www.composingsecrets.com

Annihilated

Fracture

Ruferbloom

Graave - Ruferbloom

The Field Between: Music and Anti-Music

This artistic manifesto explores sound in the liminal space between music and anti-music—a generative field where the "unheard" insists on being felt rather than understood.
Music as Architecture: Music is framed as humanity's system for creating order and meaning from sonic chaos. It organizes, names, and classifies sound, offering maps and directions through auditory experience. Music builds bridges of meaning, structures time into comprehensible sequences, and domesticates temporal flow so it "makes sense." Fundamentally, music expresses gratitude for the recognizable, providing belonging and comfort through shared patterns and familiar structures.

Anti-Music as Invitation: Contrary to negation or rupture, anti-music is a profound expansion of sonic possibility. It doesn't destroy—it invites. This is an invitation to perceive differently, to embrace the unmapped and un-coded as valid artistic territory. Anti-music offers "foreignness not as exile, but as adventure"—a chance to be a stranger in one's own sensory experience. It presents the sublime: beauty in what escapes comprehension, abysses that aren't empty but full of strange possibilities "without baptism." Where music domesticates time, anti-music offers time without domestication. It expresses gratitude for mystery itself.

The Fertile In-Between: The work's core focus is the vibrant field existing between these poles—not a void but a charged space of becoming where the "inaudito" (unheard) insists, overflows, conspires, and expands. This recognition acknowledges that understanding is also limitation; every definition closes secret doors. Each act of comprehension loses infinite other readings.
Intuitive Reconnection: The practice seeks to reconnect with pre-lingual perception—sensing vibrations the body intuits without understanding. "In this not-understanding, I reconnect." This return to the un-codified is the core artistic act.

Unified Philosophy: Music and anti-music aren't opposing forces but symbiotic partners coexisting in the same sonic space. The work celebrates both the understood and its beyond, residing in what anti-music reveals: a "fenda linda"—a beautiful fissure in the fabric of the known, from which new ways of hearing and being emerge.

Ignoto (140 BPM)

A sonic descent into the frost.
First track from the cinematic sci-fi journey: HIPOTERMIA – BLOODFROST.
Pulsing textures, glacial atmospheres, and deep electronic tension.
Not just techno. A soundtrack for a forgotten future.Support my music here ☕
👉 https://www.buymeacoffee.com/STODONIC_AG
Your support helps me create more deep, cinematic, emotional techno with soul.
No genres. Just STODONIC_A


#SciFiMusic #CinematicTechno #ElectronicScore #DarkAtmosphere 
#STODONIC_AG #Hipotermia #Bloodfrost #Polska 
#FilmMusic #FutureSound #SoundtrackVibes #IndependentMusic

Hipotermia_BloodFrost.mp3

For Science

Carmen Miranda's Ghost 01 - Carmen Miranda's Ghost - D5p8YhhaVlA

Fallout Enclave Radio 4 Songs

All Clear Signal (Vault City) (Fallout 2 OST)

Sound from Games

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