How do you find this band?  I love them?  Linksy?

Volantis, brain of Milan-based label Alzaya and lover of nostalgic balearic and electronica vibes. This is exactly what he came up with on Foule Contact. An uncompromising and escalating piece, with an awesome 4x4 club-dedicated rhythm.

Foule Contact is about freeing ourselves from barriers and finding ourselves together, through music in its more profound way. Going from the virtual world to real-life and connect all together in each and every one of those tracks. Foule Contact is the idea that the current atmosphere won’t last forever, and that we already expect our reunion, cradled with tenderness and all the energy accumulated over the last few months.
This compilation is about 15 eclectic and danceable tracks. Gathering a broad spectrum of genres that animate us, from House to Italo-Disco, Afro cosmic or Leftfield.

https://soundcloud.com/carnevaliakavolantis
https://soundcloud.com/pompelope

Foule Contact Vol.1

Premiere : Volantis - Vega [Pompelope]

cake

RIZZOLO DJ - WATERWORLD (Balearic Blah Blah Vol 13)

ARTIST: 		Mushrooms Project
TITLE:		Galattica	
REMIX:		Chicago Damn
CAT#:		JJ009

Release date: 	April 2012


Italian production duo, Mushrooms Project, make their debut on Jansen Jardin with the wonderful, ‘Galattica’. Releases for labels like Under The Shade and Is It Balearic? and remixes for the likes of Tirk, Lipservice and Nang have introduced their blissed-out, Mediterranean sound to fans around the world.

Galattica is 11 minutes and 45 seconds of high plains drifting, dream disco for late night drives and sunset sessions. A lush combination of Euro disco arpeggios and West Coast guitars spill out across a landscape of live percussion, bass and dub acrobatics. This is the soundtrack to a Spaghetti Western set in Ibiza. A Fistful of Cervezas.

The remix comes courtesy of the mighty Chicago Damn who has been responsible for some extraordinary music from his debut on Mark E’s Merc label to releases on Claremont 56 and his own eponymous imprint. Here he re-imagines the original track in the image of Model 500, stripping away the music to a raw machine groove. Dark, atmospheric and undeniably aimed at the floor.



Mushrooms Project GALATTICA (Original Mix)

Paul Jextra aka Caravan dives deep down the sinkhole to deliver the Riviera EP, the first release on Planet Trip Records. The diverse four track EP explores everything from dubbed out slow burners, cosmic dance floor cuts, hypnotic zouk influenced melters and smoothed out lofi boogie jams, all seamlessly translating to dance floors, lounge chairs or seaside locales.

Early support and hype from the likes of John Gomez, Raphael Top Secret, Lauren Hansom, Millos Kaiser, Esa, CC:DISCO! and Bayete.

Worldwide distribution via Rush Hour - rushhour.nl/record/vinyl/riviera-ep

All tracks written, produced and mixed by Paul Jextra aka Caravan for Planet Trip Records - Mastered by Nick Arks

Riviera EP

PT001 - A1 République

Graf Hadik - Sambaman

A Rajan - Time

Guillaume Des Bois - Saveur Du Mali (CAMP COSMIC EDIT - 2018)

For this second opus, we are hosting @plasticbamboo a chill edit of a french rare record.
Plastic Bamboo is not really a stranger to us, we’ve already invited him to record a podcast on our channel and we also played together last year with Guillaume des Bois from Macadam Mambo.


MTT: Hello Camille, how are you? I hope that you are holding on in Paris, few days to go.

PB: Hi MTT! I'm doing great thank you. There's worse than staying home for long periods of time. I'm kind of used to it anyway because I work in the film industry. These days it's just different because it's necessary. I mostly occupy my time watching movies, listening to music and working on some ongoing projects. I have a first EP of edits coming out on wax next year on a new label from Manchester. My friend Patrick Ryder from Piccadilly Records and Talking Drums is behind it but hush hush. I've also been working on my own label project for a year and a half now. All I can say for now is that the first release is an LP, and that it should be out sometime in 2020.


MTT: I know that you’ve been part of Les Yeux Orange, can you tell us how you get involved in the collective and what benefit you took from this ?

PB: I first met Antoine aka LeonxLeon back in 2014. We both had tracks released through Manchester label Red Laser and instantly got on. He then introduced me to his friends Raphael and Stanislas from Les Yeux Orange and I joined the collective shortly after. At that time I was mostly producing music as Alan Dente (my italo alias), and I didn't know much about digging, the club culture and managing a label. From 2014 to 2017, I learned a lot in those fields while having a great time with my friends. Digging old records became kind of obsessive so I decided to follow my own path as Plastic Bamboo. I haven't given up production but it takes time and dedication.

MTT: You’ve started publishing edits last year, what led you to this ? What’s your objective behind it ?


I first became aware of disco edits through Eric Duncan (COMBI Edits), DJ Harvey (Black Cock Edits) and Theo Parrish (Ugly Edits). That was back in the late noughties when my friend Patrick Ryder used to rave about them. Inspired by them, I naturally started editing tracks just for fun, and hoping to get noticed. Most of them are now lost somewhere in the black hole of my computer. Years later, Plastic Bamboo started with a youtube channel and a series of podcasts on soundcloud, but after a while I decided to pick up where I'd left off with edits. Editing tracks is a way for me to make the most of records that would otherwise gather dust at the back of my collection, and to share them with friends and through social medias.

[...]

Read the full interview here: http://mister-t-records.com/paradise-edits-plastic-bamboo/

Follow Plastic Bamboo:
www.facebook.com/plasticbamboomusic
https://soundcloud.com/plasticbamboo

Read interview

Plastic Bamboo - Mon P'tit Bateau (Edit)

Angelo & Eighteen - Flight 12 (Master Phil Club Edit)

Periodica Records dives into the heart of the Napoli underground with a scorching two track single from Danger Boys called ‘Danger Zone’, which sees Milord and Whodamanny paying tribute to the their cult party of the same name, which was hosted at the Boudoir Club. In the title track, perilous premonitions of tribal disco intertwine with shadowy strains of post-punk, as propulsive beats pound beneath heady fuzz licks, ringing harmonics, and sheets of solar distortion. Basslines cut the difference between frenetic funk and cosmic rock, galactic winds carry sparkles of deep space detritus, and above it all, a high priest chants in ecstasy, with his mystical musings, echoing affirmations, and messages of defiance pulling the body deeper into the dance. Then in “Haunted Zone,” the Danger Boys slow it down and stretch everything out, while giving further space to computronic sequences, laser-generated birdsong, and weirdo whooshes of interstellar noise. Low-slung drums smack through cavernous reverb, cymbals tick nervously, and the bass reduces to a minimalistic dub throb as guitars converse with alien electronics, sometimes slashing the air with red hot riffs and acid rock leads, other times reducing to a psychedelic slop of scrapes and slides. And here, the vocals are even more dynamic, moving between druidic disco incantations and zany flourishes of outsider pop.

PRD1019 • Danger Boys - "Danger Zone"

For DJ bookings:  Nemo + Castro (Sound Metaphors, H.A.N.D.) 
booking@soundmetaphors (dot) com (EUROPE)
samy@mihn (dot) hk (ASIA)
ruggero@embassy-artists (DOT) com (ITALY)

A Rajan - Time

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