💪💪💪💪🧡🤍🧡🤍🧡🤍🧡

I remember seeing Zecky immaculate bag with no record covers. Just mini colorful stickers

what edit of Ned Doheny - Get It Up For Love is this please @sound-metaphors ?

Track id here ? Amazing !! Tahnk you in advance :)

Zecky influenced me so much :) Rest in peace🪽

3 hours of late, late night vibes for the hardcore dancers who are willing to see things through post-peak. It's part of a series I've been doing, archiving a ton of my favorite tracks from 20+ years dj'ing/collecting in mixes. - @j-a-z-1

B.P.T. Radio 089: J.A.Z.

"Music suuuuuuuucks! This mix sucks. Cooked cassettes, compact disc, rare recor, and Deezbot rips that sound like actual diarrhea coming out of your speakers because fuck it, who cares? Does anybody give a shit ? Dickie V get better soon :( “Unbelievable Baby!” Modern Art™️ - @modernartmusic

B.P.T. Radio 092: Cal-C

Residency show broadcasted live at Radio Tempo Não Pára (20.09.2024)

Artists: @memorabiliarecords & @kiernandj

Faking Jazz Together w/ Norm & Kiernan Abbott @ Radio TNP 20.09.2024

FRIENDLY MIXTAPE - SANCTUARY

@freddygardens @proto-exotica

https://undertheapricottree.net/freddy-gardens-proto-exotica/

Lately there’s been a lot of old DJ Harvey and Daniele Baldelli mixes in my ears, so naturally I’ve been digging for that lush, spacey Balearic sound. From there I’ve zig zagged between late 80s NYC, early 90s Ibiza, and the cosmic birthplace that was mid 70s Italy. 

When I’m not digging, I geek out hard and read, watch docos, and listen to podcasts on music history. The stories behind the Loft, Studio 54, and iconic beachside clubs like
“Baia Degli Angeli” (Bay of Angels) are pure gold and they helped pave the way for the cosmic wave we’re still riding today. This mix is my salute to that era, along with some more recent releases for good measure. Enjoy!

Apricot 66: Freddy Gardens (Proto Exotica)

A series featuring mixes by the Hum Records crew and friends.
Compiled from store records and the dj's private collection.
@kejeblos

Tracklist:
Kevin McCormick - Passing Clouds
Total Blue - Chaparral
Lau Ro - Assim
Melting Steine  - Wings
Jessica Pratt - By Hook Or By Crook
Ural Thomas - Smile
JJ Whitefield* / Forced Meditation - Nothingness
Jo - Flying (Instrumental)
John Stammers - Idle I'm (Colorama Coloured In Remix)
Cho Co Pa Co Cho Co Quin Quin - Cuba = キューバ
Christine McNabb - Combination
Marcos Valle - Bicho No Cio
Collettivo Immaginario - Luna Gioia
Borrowed CS - Mystic Dream
Junior Tucker - Take A Message (Part 2)
Risco Connection - Ain't No Stopping Us Now (Version)

Hum Radio 027 (mixed by Kejeblos)

🚗💨Roll down your windows and slip on your shades 😎🌞

Our friend  Bojan is spinning the CHILL vibe in this one, going all the way from everything that smooths to everything that grooves 😮‍💨

ID Requests -> @musicsoulcase
To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖 www.buymeacoffee.com/balearicbanana

Soul Case

One of the truest stylists in DJing.

Although leaving behind only a small repertoire, sadly cut short by an early and unexpected passing, what we have left as evidence of his deep dedication to the pleasures of music is so unique and designed with such charming consistency, that when listened to, can only be Zecky’s selection.


Since the late 2000’s we studied the few mixes we could get our hands on obsessively, to the point where for example: we will never be able to hear Pats and Pat “Tobago” without the expectation of “City Lights” to be mixed in next, courtesy of the 2008 Ebisu Bar Jam recording. To us, Zecky became a sub genre of music — "Zecky style tracks" — something in the realms of what we might consider as Balearic, but still somehow blurring the borders of acceptable Italo-disco, and then coming way out of left field with something contemporary like Simply Red...and somehow it all made perfect sense. A lot of these tracks may seem obvious now, but keep in mind this was mid 2000’s, a lot of these tracks were still not known, discogs was not what it is today: contextually, the calliber of his research was heavy. Imagine living in a time when the idea of what a good DJ should be doing is minimal techno yet you’re a Japanese guy going to Italy to look for completely expired Italo material, one can only imagine the facial expressions and dialogues that might have emerged between Italian record store owners and Zecky throughout his digging travels.


The role that talent plays in the DJ "profession" can sometimes feel fuzzy, especially in the post social media/CDJ era. In our humble opinions however, listening to Zecky’s oeuvre gave this mystery a good amount of inspiring clarity. The aesthetic precision of his selection supported by his simple but flawless mixing created compositions so striking that the mixes became new stories or soundtracks to beautiful movies no one had ever seen before. It really felt like he was making something larger than the music he was using to compose these moments. A common (and disturbing) cliche one often hears when people go about describing a DJ’s work is the idea of being a “story teller”. To us Zecky genuinely put forth this idea on a meaningful level, his stories were some of the nicest of all.

We learned so much from Zecky.


Thank you for the music and happy birthday — Zecky would have been 54 today.


Thank you to Daisuke, his party partner, for making this possible ❤️
_
DJ 界での真のスタイリストの一人。
残念ながら、予期せぬ早すぎる死によって残されたレパートリーはわずかですが、音楽の楽しみに対する彼の深い献身の証拠として残されたものはとてもユニークで、魅力的な一貫性をもってデザインされており、聴くとZeckyのセレクションを感じざるを得ません。
2000 年代後半から私たちは手に入れることができる数少ないミックスを執拗に研究し、例えば、2008 年の恵比寿バージャムのレコーディングのおかげでパットとパットの「Tobago」を聞くと、次に「City Lights」がミックスされることを期待せずにはいられなくなりました。
私たちにとってZecky は音楽のサブジャンル、つまり「Zecky スタイルのトラック」になりました。これは、私たちがバレアリックと考えるものの領域に属しながら、それでも許容できるイタロディスコの境界を曖昧にし、その後 Simply Red のような現代的なものによって予想外の形で登場しました... そしてどういうわけか、すべてが完璧に理にかなったものでした。これらのトラックの多くは今では当たり前に思えるかもしれませんが、これは 2000 年代半ばのことであり、これらのトラックの多くはまだ知られておらず、discogs は今日ほどではありませんでした。文脈上、彼のリサーチの質は高いものでした。優れた DJ が行うべきのことはミニマルテクノであるという考え方がある時代に生きていると想像してください。しかし、あなたは完全に期限切れのイタロの素材を探しにイタリアに行く日本人男性です。彼のレコード探しの旅を通して、イタリアのレコード店のオーナーと Zecky の間に生まれたであろう表情や会話は想像するしかありません。 DJ という「職業」において才能が果たす役割は、特にソーシャル メディアや CDJ の時代以降は、曖昧に感じられることがあります。しかし、私たちのささやかな意見としては、Zecky の作品を聴くとこの謎がかなりはっきりと理解できました。彼の選曲の美的精度と、シンプルでありながら完璧なミキシングが、非常に印象的な作品を生み出し、そのミックスは新しい物語や誰も見たことのない美しい映画のサウンドトラックになりました。彼は、これらの瞬間を作曲するために使用した音楽よりも大きな何かを作っているように感じました。人々が DJ の仕事を説明するときによく耳にする一般的な (そして不快な) 決まり文句は、「ストーリーテラー」であるという考えです。私たちにとって、Zecky はこの考えを本当に意味のあるレベルで提示しており、彼の物語は最も素晴らしいものでした。私たちは Zecky から多くのことを学びました。音楽をありがとう。誕生日おめでとうございます。Zecky は今日 54 歳になっていたはずです。これを実現させてくれたパーティーパートナーの大輔に感謝します❤️

H.A.N.D. MIX 065 : Zecky – Metro 1st

Recorded live at the k hole disco (Lunacy party), Angel Bar, 2025.

Aradea Barandana, widely known as Dea, began his DJ career in high school, spinning records as background music for a breakdance crew. What started as a casual exploration of rhythm soon blossomed into a passion for building community through music. Dea launched his own club night in Jakarta, where his eclectic taste began to take shape.
While studying in London, Dea delved deep into the world of underground and obscure cosmic sounds, honing a style that defies strict categorization. His sets are a rich tapestry of exotic psychedelia, infused with electronic grooves that transcend traditional genre boundaries.
Dea has released numerous records under his own name and as part of projects like Precious Bloom and Zatua. His collaborations span diverse fields, from co-creating a short film soundtrack with DJ Harvey to contributing to albums by A Mountain of One and Ricardo Villalobos. He also made waves with an EP released on Peggy Gou’s Gudu Records.
Looking ahead, Dea is set to release his highly anticipated solo album on Rush Hour Records in summer 2025, a testament to his ever- evolving artistry and deep connection to the global music scene.

H.A.N.D. MIX 068 : Dea Barandana

Sol is a DJ, collector, and graphic designer in Seoul, South Korea. She plays music from the '90s, such as balearic, downtempo, house, and techno. From a DJ's point of view, when people think of Sol, she wants to be recognized as a person who does not think of a genre of music and gives various genres of music to people.

H.A.N.D. MIX 070 - Sol

MLiR riding through 4 and a half hours of nuggets. 
ID requests ~ @/m-l-i-r

1800 triiip - Mix077 - MLiR

For DJ bookings:  Sound Metaphors DJs
dominic@thepool-london.com

Sound Metaphors 
Weichselstraße 22
12045 Berlin

H.A.N.D. MIX 065 : Zecky – Metro 1st

Sound Metaphors Store / DJs

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