with Dagon, I endeavored to go beyond 'Invisible Cloak'. Dagon is written in multiple bpms. Each time I reloaded the .wav into a new project, I would change the bpm a little, from higher to lower and back again over many reiterations. In this way I could approach the canvas from multiple angles in time. It is not in any specific time signature. The time signature is fluid and morphing constantly. It is written off grid. I approached this piece as a visual art, not exactly as music.

Dagon

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Old School D&B!

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Old School Garage!

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