It has a certain rust-like, Lynchian quality I really like. Feverish feeling, but very enjoyable.

Es handelt sich um ein Album der beiden Musiker Kurt Seßler und Werner Zeeb. Seßler ist Komponist, Texter und Sänger der Songs. Zeeb hat alle Instrumente eingespielt und ist der Produzent der self-made CD.
Charakteristisch für das Album sind eingängige Melodien, pulsierende Rhythmen und hintersinnige deutsche Texte. Es kommen viele verschiedene Musikrichtungen auf dem Album vor: Von Rock und Pop über Balladen bis hin zu Oberkrainer-Stil, Reggae und funkigen bis jazzigen Elementen.
Kontakt über: Sessler-Zeeb-Maerchen@gmx.de

Märchen

Jazzkeller

It began with a jam with Steve Gilmartin on guitar and SA on bass, and sentence: "It's a giant walking around."

SA, added in the deep guitar and other instrumentation, produced the piece and made the art.

Liminal

Unproven Memory

(UAD - Universal Audio (Plugins)
(DTS - Digital Theatre System (Plugin)
(4 Producers)

Pandora

Pandora (Cinematic)

Deep Space Wonders

Planet by Hanna Horn

An old salt, peers out from the bolts. 
Takes a look at the world on his plate.
He hands red raw, advice to his mate.
He knows that summer times drawing short. 

The cheese and the pickle, the bells, and the whistle away.
Working slowly - just waiting for much better days, in the haze. 

Stuck till Friday, an eye on the wall.
An important call, what's the date?
A punter comes in, a punch on the chin, 
or an old baccy tin, a long wait. 

The posters of girls on the wall have not aged like his face.
Turning slowly, just hoping for much better days. Through the haze. 

The cheese and the trickle of money that ties to the place.
Working slowly - just waiting for much better days. in a daze. 

An old smith, a rock megalith,
which was uncovered minutes too late. 
Having lain in the darkness for countless odd years without the forbearance to wait. 

The keeping of vigils and banging of anvils, 
the strength in the arms,
It fades slowly, just waiting for much better days.
Borne away. 

An old smith,  a weary eyed sit, and a look down at the ground. 
At the ground.

Smiths

The Attic

Mixed and mastered by The Bawl Slant. Many thanks again. 

New School [The Bawl Slant Remaster]

Memories Of A Crow

Experimental song I made with my cat in law.

Just getting started

Better left unknown

Experimental music that ranges feral beyond human constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.

Unproven Memory

Sound Animal

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Dino Ljubić

Diverse

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