La mélopée de Vulnus

From the album Breathing Starlight
Buy: https://scapeone.bandcamp.com/album/breathing-starlight
Stream: https://share.amuse.io/XxbjQod6-84i

All tracks written, recorded and produced by Kurt Baggaley
Mastered by Simjon Spangler at Incision Mastering
Design by Scape One

An album of deep meditation for armchair astronauts. Each track is designed to take you on a journey of inner cosmic discovery with slow building arpeggios and intricately evolving sequences complimented by subtle washes of synth layers.

Mastered by Simjon Spangler at Incision Mastering.

Breathing Starlight

Johnny Diamonds

⭐⭐⭐RUNNER-UP µ-Ziq Remix Competition⭐⭐⭐

Meemo & Mu (episode 9 - with Xylitol)
https://www.youtube.com/live/qlaQpymmVu8?si=-50QzhT2JFLytekA&t=3891

@planetmurecords
@mikep

µ-Ziq - goodbye, goodbye - Rol[s]an's Looby Loo remix

Pluxin

Seed to Stage Jamnuary daily (or as many as I can manage) jam challenge for two weeks

Jamns2025_Day 3

Jamns2025_Day 4

Garry Linden (Schubert: Piano Trio in E-flat major, Op. 100 rework)

エレキVR 狸ラジオ ダッシュな街でスクワットカーネル 
謎の翁がグルーヴでダンス カラテキックでエスケープバンス 
地下鉄カウボーイのタンスムーブ 
煙トースト視界がワースト エグいゴースト歯科医でバースト
古代のママチャリ宇宙人とピース スナックのティース
ノイズで見え隠れ 朝の光静寂なビーコン 無限の宇宙
日常さなかの白昼夢 手元に聖なるフライヤーリーク
タケノコに静なるスナイパーフリーズ

羅ラララ羅ラララ羅ラララ羅ラララーーーーーーーーーーーーーーーーーーーー

夢の野良猫チャクラキャット 霊現象金縛りトラッド 
最高気温でラウドのナウス サイコ軌道でバグをR2
自転車ハンドルに謎のグローブ インベーダー 仮想水 羅生門 フローズン

Hope grows in tranquility and kindness lights up our hearts.
Door to the future will open and A new perspective will soon emerge.
Escape from the brokenness of society grow a beautiful inner garden.
If you really need it… If you really want it… 

幻の駄菓子屋　電子音ハウス　宇宙の牛丼屋　地下のマウス
ーーーーーーーーーーーーーーーーーーーーーーーーーーーーーーーーーーーー
ポエトリーリーディング部分はVOICEVOXというソフトを使用してます

Virtual Water

0 27 to @ 40 \i n [ 
	3 1.1 i ^ * = lf lf lfnoise3 (.08 .16 xrand urand sinosc 0 4 bilin) * i (.08 .16 xrand urand sinosc .3 2 bilin) * n + + nnhz urand sinosc 7 ^ 0 |
	lf lfnoise3 .75 * .25 + 0 | * 0 (.05 .2 xrand urand lfsaw) rot2 .95 i ^ * = a
	i 1.2 * 2X mum a 4 fadein $$
] ! +/ aa 4c 3 apverb6 3c 1 apverb6 (.0374 urand sinosc .9 *) fade2 .1 * 170 10 fadeout conormalize .85 * 0 >sfo

Sapf - 2019 - 0309 - 225408 - 0003

off-key cover of I`m so tired* by Fugazi

``out here, I can barely breathe,
surrounded by jealousy and greed.
I can`t be reached, only had one call,
trapped underneath, separate from you all.

this time i lost my return,
in spite of what i learned.
I hid my tracks, spit out all my air,
slipped into cracks, stripped of all my cares.

I`m so tired. sheep are counting me.
no more struggle, no more energy,
no more patient, you can write that down.
it`s all too crazy. I won`t stick around.``

*with slight lyrics adjustments, because of dyslexia, speech impediment and because why not;


**I was too tired to rerecord so just added another layer that was done with both the volca and vocoder set in slightly different pitches, hence it`s extremely off-key, but kinda fun in a way somehow imh0

my nye mantra (recording of a live performance for my cat from my couch)

This account contains examples from a programming language for audio.
This language is still very experimental and is not available. 

WHAT

This programming language is called:

"A tool for the expression of sound as pure form."

It is an interpreter for a language for creating and transforming sound. The
language is mostly functional, stack based and uses postfix notation similar to
FORTH. It represents audio and control events using lazy, possibly infinite
sequences. It intends to do for lazy sequences what APL does for arrays: provide
very high level functions with pervasive automatic mapping, scanning, and
reduction operators. This makes for a language where short programs can achieve
results out of proportion to their size. Because nearly all of the programmer
accessible data types are immutable, the language can easily run multiple
threads without deadlock or corruption.

WHY

Other languages that inspired this one:
    APL, Joy[1], Haskell, Piccola[2], Nyquist[3], SuperCollider[4].

APL and FORTH (from which Joy derives) are both widely derided for being
write-only languages. Nevertheless, there has yet to be a language of such
concise expressive power as APL or its descendants. APL is powerful not because
of its bizarre symbols or syntax, but due to the way it automatically maps
operations over arrays and allows iterations at depth within arrays. This means
one almost never needs to write a loop or think about operations one-at-a-time.
Instead one can think about operations on whole structures.

Here is a great quote from Alan Perlis[5] on APL, which that also reflects my
interest in this way of programming :
"What attracted me, then, to APL was a feeling that perhaps through APL one
might begin to acquire some of the dimensions in programming that we revere in
natural language — some of the pleasures of composition; of saying things
elegantly; of being brief, poetic, artistic, that makes our natural languages
so precious to us."

The Joy language introduced concatenative functional programming. This generally
means a stack based virtual machine, and a program consisting of words which are
functions taking an input stack and returning an output stack. The natural
syntax that results is postfix. Over a very long time I have come to feel that
syntax gets in between me and the power in a language. Postfix is the least
syntax possible.

There are several reasons I like the concatenative style of programming:
    Function composition is concatenation. 
    Pipelining values through functions to get new values is the most natural
        idiom.
    Functions are applied from left to right instead of inside out. 
    Support for multiple return values comes for free. 
    No need for operator precedence. 
    Fewer delimiters are required: 
        Parentheses are not needed to control operator precedence.
        Semicolons are not needed to separate statements.
        Commas are not needed to separate arguments.


When I am programming interactively, I most often find myself in the situation
where I have a value and I want to transform it to something else. The thing to
do is apply a function with some parameters. With concatenative programming this
is very natural. You string along several words and get a new value.


REFERENCES    

1. http://www.kevinalbrecht.com/code/joy-mirror/joy.html

2. http://scg.unibe.ch/research/piccola

3. http://www.cs.cmu.edu/~music/nyquist/

4. http://supercollider.sourceforge.net

5. http://www.jsoftware.com/papers/perlis78.htm


Sapf - 2019 - 0309 - 225408 - 0003

sound as pure form

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