Tracks composed using and inspired by the Extended Mandolin library from Edu Prado Sounds

Jan Pfitzer - Isbreen

Edu's Notebook

FOLK DEVIL DRIFT 003 Demo Michael Oliva

Here is a track where we took an unorthodox approach to the drum kit. We replaced Bill's kick drum w/an empty beer keg and freed up his sense of drum responsibility. It opened up this odd meter groove and helped create the vibe you hear. 
This was part of an original jazz project recorded in Boston, MA for a project entitled The Downtime Sessions in the early 2000's. It was recorded live to analog 2 track tape so there were no overdubs, edits or corrections. Personnel : Gary Wicks: Upright Bass, Compositions, Arrangements; Bill Carbone: Drums; Jared Simms: Tenor Sax;  Dan Berkson: Wurlitzer Craig Welsch: Engineer

The City Is A Swamp

Taken from 'The Epic', released 4th May 2015 on Brainfeeder.

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iTunes: http://found.ee/kamasiepic-it
Ninjashop: http://found.ee/kamasiepic
Amazon: http://found.ee/kamasiepic-am

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Twitter: https://twitter.com/KamasiW
Soundcloud: https://soundcloud.com/kamasi-washington
Youtube: https://www.youtube.com/user/KamasiWashington

http://kamasiwashington.com/

'Re Run Home'
Composed, Arranged and Produced by Kamasi Washington. Copyright Control. Recorded at King Size Sound Labs. Engineered by Tony Austin. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering.

Kamasi Washington - Tenor Saxophone
Ryan Porter - Trombone
Igmar Thomas - Trumpet
Cameron Graves - Piano
Brandon Coleman - Keyboards
Miles Mosley - Acoustic Bass
Stephen "Thundercat" Bruner - Electric Bass
Tony Austin - Drums (Right Side)
Ronald Bruner Jr. - Drums (Left Side)
Leon Mobley - Percussion


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Kamasi Washington - 'Re Run Home'

SP2 022115 Loops

An ode to women everywhere, in the inimitable, elegant, eloquent words of the Big P himself, Donald Trump.

I Moved On Her - Grab Em By The Pussy Mix

Bouncy, percussive, full of fresh air and hands free delight, the bright sun rays of Sam O.B. shine again on the Astro Nautico imprint, a true homecoming for the label co-owner.

‘Pep Ventura’ is a summertime roller replete with electro square bass and guitar interplay, blasting synth stabs, and a bell-and-clave shuffle that motivate pure body movement. “Pep’s got that bounce for you.” ’Addictive’ opens expansively with lung-level piano chords spiraling heavenward. A triplet vocal scat pattern explodes with cowbell and syncopated fretless bass whirling us back to earth—or sea? Riding waves of rushing synth chords and singalong washy jazz guitar, O.B. ditches his yacht rock connoisseurship in favor of a bed of quasi-kuduro grooves sounding like your next beach day.

O.B.’s trademark is crisp here. Genuine fun meets just-sincere-enough emotionality, musicianship, and a producer’s producer’s knowledge of dance floor engineering. Building on years releasing exclusively with LuckyMe, ‘Pep Ventura’ and ‘Addictive’ reveal new level nuance in O.B.’s sound, etching deeper a course long laid down by classics like Melted Magic (Astro Nautico, 2011). Keep an ear to the Astro Nautico ground for more soon from our hometown hero both solo and as one half of Ensemble Entendu together with the formidable Evan Shornstein (Photay).

Pep Ventura

Sam O.B. - Pep Ventura

This track is part of the soundtrack for the first person platformer game "Speed Bomb Airport".

Catch the Bomb (Speed Bomb Airport OST)

Working out of his buried bunker in Brooklyn, sounddevisor melds ancient asian and arabic influences with modern music-making tools: the result - deep grooves, moody atmospheres and melodies, mangled samples and gritty loops.

Edu's Notebook

sounddevisor

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