Sound Universe

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Perched on the edge of the southern coast of Yogyakarta, Trisik Beach is a hidden gem known not just for its expansive black sand and serene views, but for the mesmerizing soundscape it offers. As dawn breaks or dusk settles, the rhythmic crash of the waves becomes a symphony of nature—raw, untamed, and deeply calming.

Recording the sound of the waves at Trisik Beach is an immersive experience. The ocean breathes with power, each surge rolling in with a thunderous roar, then receding with a soothing hiss as it drags along the sand. The coastal breeze hums gently, occasionally mixing with the distant calls of seabirds and the rustling of coconut palms lining the shore.

This sonic atmosphere is pure and profound—ideal for field recordings, meditation soundtracks, or simply as a memory of nature’s untouched beauty. At Trisik Beach, it’s not just about hearing the waves; it’s about feeling them resonate through the earth and into your soul.

Yogyakarta Beach - Trisik Sample

Dark Space Ambient invites listeners into the vast, unsettling silence of deep space. This collection blends haunting ambience with eerie creature textures, creating an atmosphere filled with mystery, tension, and the unknown. From distant rumbles and drifting cosmic drones to subtle alien movements hidden in the shadows, each sound is crafted to support dark sci-fi worlds, horror atmospheres, and space-themed storytelling.

Perfect for filmmakers, game developers, and sound designers seeking immersive audio for suspenseful environments, extraterrestrial encounters, or interstellar exploration. This album provides a rich sonic palette to build mood, enhance tension, and breathe life into otherworldly scenes.

Dark Space Ambience Sample

Authentic Gamelan Sound brings you a detailed collection of traditional Indonesian gamelan instruments, captured with exceptional clarity and depth. This album features the full range of metal gamelan instruments—each recorded individually to preserve their natural character, tonal richness, and shimmering harmonics.

Using high-quality recording gear including the Sound Devices MixPre-6 II, SO.3 cardioid microphone, and selected recordings with the Tascam X8, every sound is delivered in pristine 192 kHz / 32-bit for maximum flexibility in post-production.

Perfect for film, game development, sound design, and music production, this collection provides authentic, high-resolution source material for creating atmospheric scores, cultural soundscapes, or unique tonal textures.

Experience the true essence of gamelan—captured with precision, presented with authenticity.

Authentic Gamelan Sound

Malioboro Street Ambience is an authentic collection of urban soundscapes recorded in the heart of Yogyakarta, Indonesia. This album captures the vibrant atmosphere of Malioboro Street, the lively crowd of Pasar Beringharjo, and the distinctive ambience around the Kretek Kewek Bridge.

Recorded at various times of day — dawn, daytime, and night — this library offers a wide range of moods, from calm early-morning streets to energetic daytime crowds and atmospheric nighttime scenes. The recordings feature traditional horse carts (andong) moving along Malioboro Street, dense crowd activity inside Pasar Beringharjo market, and trains passing over Kretek Kewek Bridge, blending modern urban life with strong local cultural character.

All sounds in this album were recorded on location in Yogyakarta using a Sound Devices MixPre-6 II paired with an SO.3 cardioid microphone, captured in stereo WAV format at 192 kHz / 32-bit float. The recordings were made across multiple sessions and time periods to reflect natural variations in activity and atmosphere, then carefully edited, trimmed, and lightly cleaned while preserving the original character and realism of the environment.

Malioboro Street Ambience

This album presents a focused and authentic collection of gamelan gong recordings, capturing every note of the gamelan gong with clarity and precision. Each strike is recorded individually to preserve the natural resonance, decay, and harmonic character of the instrument, allowing users to access the full tonal range of the gong without unwanted background noise.

Designed for composers, sound designers, and music producers, this collection is ideal for traditional Indonesian music, cinematic scoring, ambient compositions, meditation, ritual scenes, and cultural sound design. The clean recordings make it easy to layer, tune, and integrate the gong tones into modern productions while maintaining their authentic character.

All sounds in this album were recorded using a Sound Devices MixPre-6 II recorder paired with an SO.3 cardioid microphone, ensuring high dynamic range, accurate transient response, and detailed capture of both the initial strike and the long natural decay of the gong. The recording approach focuses on preserving the instrument’s true acoustic character, making the collection suitable for both musical performance and professional sound design workflows.

Gamelan Gong

This album features a detailed collection of Bonang recordings, capturing every note of the instrument with clarity and balance. Each strike is recorded individually to preserve the Bonang’s bright attack, rich overtones, and natural decay, making the full tonal range easy to use in both traditional and modern productions.

Ideal for gamelan compositions, cinematic scoring, ambient music, ritual scenes, documentaries, and game audio, this collection provides clean, isolated Bonang tones that can be layered, tuned, or sequenced while maintaining their authentic character.

All sounds were recorded using a Tascam X8, ensuring accurate transient response and a natural acoustic presence.

Gamelan Bonang

This album presents an authentic set of Gender recordings, capturing every note with focus on the instrument’s smooth sustain and complex harmonic movement. Each note is recorded individually to highlight the flowing resonance that defines the Gender’s musical role within the gamelan ensemble.

Suitable for traditional Indonesian music, cinematic textures, ambient compositions, meditation, and atmospheric sound design, these recordings offer a warm and expressive tonal palette.

Recorded with a Sound Devices MixPre-6 II and SO.3 cardioid microphone, this collection delivers high detail, dynamic range, and a natural decay.

Gamelan Gender

This album features an authentic collection of Kenong and Kethuk recordings, capturing every note of both instruments with clarity and precision. Each strike is recorded individually to preserve the distinct character of the Kenong’s deep, resonant tone and the Kethuk’s tight, percussive attack, highlighting their complementary roles within the gamelan rhythm structure.

Designed for traditional gamelan compositions, cinematic scoring, game audio, and percussive sound design, this collection provides clean, isolated tones that are easy to sequence, layer, and integrate into modern production workflows. The contrast between sustained resonance and short, rhythmic articulation makes this album a versatile rhythmic foundation.

All sounds were recorded using a Sound Devices MixPre-6 II recorder paired with an SO.3 cardioid microphone, ensuring accurate transient capture, wide dynamic range, and a natural acoustic presence with minimal processing.

Gamelan Kenong & Kethuk

This album showcases the deep and resonant tones of the Slenthem, with every note recorded individually to capture its low-frequency warmth and long natural sustain. The recordings highlight the instrument’s supportive and grounding role within the gamelan ensemble.

Well suited for cinematic scoring, ambient music, traditional compositions, and atmospheric sound design, this collection offers rich, full-bodied Slenthem tones.

Recorded using a Sound Devices MixPre-6 II and SO.3 cardioid microphone, the album preserves natural resonance and detailed decay.

Gamelan Slenthem

This album contains a clean and precise collection of Saron recordings, featuring every note captured individually. The recordings emphasize the instrument’s strong attack, clear pitch, and short decay, making them highly usable for rhythmic and melodic patterns.

Perfect for gamelan arrangements, film scoring, game audio, and percussive sound design, this collection provides focused Saron tones that cut clearly through a mix.

All sounds were recorded using a Sound Devices MixPre-6 II paired with an SO.3 cardioid microphone, ensuring crisp transients and minimal noise.

Gamelan Kenong & Kethuk

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