Mike Espinell Soundiron Contributions

Mike Espinell's demo uses only the sounds that come with Elektronik 25.

Announcing the newest addition to the Vintage keys series, Elektronik 25. The EM-25 is a polyphonic synthesizer with a strong focus on strings, organ and brass with a rare and historic sound. This library offers a rare glimpse at sought-after Soviet-era synthesizers with rich string sounds that can enhance any composition.

Mike Espinell - Suspended Nebula (Library Only) - Soundiron Elektronik 25

Mike Espinell's demo uses only the sounds of Aevium.

Aevium is a powerfully unique collection of fierce lead synths and atmospheric pads, developed in partnership with the premier sound effects and foley production house BOOM Library.

Mike Espinell - Foreboding (Library Only) - Soundiron Aevium

Craig Peters demo is a track using the sounds from Hyperion Strings Ensemble blended with other libraries.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Craig Peters - Unleash The Necromorphs - Hyperion Strings Ensemble

Chris Cutting's demo is a track using the sounds from Hyperion Strings Ensemble blended with other libraries.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Chris Cutting - 1 And 2 - Soundiron Hyperion Strings Ensemble

This examples are using only the sounds of Hyperion Strings Ensemble.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Close Mics Trem And Shorts (Library Only) - Soundiron Hyperion Strings Ensemble

This example is using only the sounds of Hyperion Strings Ensemble.  

This orchestral string library brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Stage Mic Legato (Library Only) - Soundiron Hyperion Strings Ensemble

This example is using only the sounds of Hyperion Strings Ensemble.

This classical string scoring solution brings brilliant sound, vast content and adaptive performance control into one powerful package with 1st & 2nd Violins, Violas, Cellos and Basses and a huge selection of long & short articulations, legato, portamento, dynamic expressions and aleatoric effects in 4 mic positions.

Far Mic Swells (Library Only) - Soundiron Hyperion Strings Ensemble

Brandon Kootnekoff's demo uses a combination of sounds from Sick Ultimate blended with other libraries.

Sick Ultimate includes 8 libraries covering a huge range of disturbing SFX, atmospheres, instruments and special effects. It features over 17,000 samples, 20+ GB of sample content and 169 nki presets with advanced GUI features and sound design tools.



Dark Summoning

Thawing into motion, ever rising to the breaking point

Spanner

The ever pressure of time, not running out, just running. Momentum forces expression. Time is all that lets us speak. 

This is a song made with the Korg Module version of Soundiron Voice Of Rapture - The Soprano, using only the chromatic articulations and effects. The drums are from Soundiron's Knockout Drum. The bass line is Fab Filter Twin. No other sounds or instruments used.

Speaks

This track is for the Soundiron Rainy Day Contest! It is entirely made of rain samples. There are absolutely no other instruments used in this song. Anything you hear is a stretched/compressed and edited sample played through a sampler.

I got my sounds using the Kontakt sampler, numerous rain samples provided from the contest and an insane amount of effects. Mixed and mastered by myself as well. I hope you like it!

Category 3: Audio-only track(rain ambiences only)

Cloudburst

Cloudburst (Soundiron Rainy Day Contest)

Mike Espinell's demo is a naked demo using only the sounds of Didgeridoos.

Soundiron Didgeridoos is a one-of-a-kind virtual instrument that provides a wide chromatic range of 16 individually tuned didgeridoos that gives users the power to create rhythms and melodies that have never been heard or played before.

Mike Espinell - Otherworlders (Library Only) - Soundiron Didgeridoos

Mike Espinell's demo uses only the sounds that come with Disco 6000.

Soundiron's Disco 6000 captures the historic sounds of the fascinating Solton Disco 64. This analog synthesizer/drum machine was manufactured in Germany between 1978-1982 in a partnership with Ketron. This is early Italo Disco in a box! It has two SSM2040 filters in it, which were used in early iterations of the famous Sequential Circuits Prophet 5. This gives it a recognizable fat analog tone. It includes 36 keys on the removable keyboard, as well as a variety of knobs and buttons to trigger the drum machine. Disco 6000 has preset rhythmic drum loops, as well as synth sustains and staccatos. We recorded the instrument articulations in wide stereo and direct line in. After that, we hand-crafted twenty evolving atmospheric pads from the source content to make this party more bodacious. If you’re looking for warm funky grooves and radical synths to compose your next 1980 dance track, look no further than Disco 6000.

Mike Espinell - The Race (Library Only) - Soundiron Disco 6000

Mike Espinell's demo uses only the sounds that come with Breaker.

Breaker is all about the breakbeat, DIY-style. This hi-fi/lo-fi old/new school bastard was born to be broken, bruised, smashed, pumped, slammed, smeared, blown-out and beat to hell. We set out to find the essence of classic versus iconoclastic. Our goal was to build a big, fat and extremely diverse drum palette that evoked an equal blend of warm, smooth ‘70s funk and cold, hard ‘80s electro and pop. We created a drum library that is truly electro-organic: authentically electronic in sound but organically playable, providing the best of both worlds.

Mike Espinell - Murky Waters (Library Only) - Soundiron Breaker

I'm always looking to shrink the size and weight of my rig. I just love carrying the minimum amount of equipment!  I did this test to see how small I could go with microphone separation without sacrificing quality. All configurations were Clippy EM172 stereo pair to Sony PCM-A10.

My conclusion is that AB40cm rig with simple Rycote lav wind protection gives me a great sound with a very small and light footprint but not great wind protection. The quasi-binaural rig gives perhaps a more accurate stereo field with the advantage of excellent wind protection (it is housed in the equivalent of a blimp with proper windjammer). To get better wind protection for the AB40cm rig would require a massive and heavy (by my standards) blimp.

1. AB20cm - narrow, too narrow...
2. AB30cm - getting wider, pretty nice...
3. AB40cm - wider still but nice balance of width and centre-image?
4. AB60cm - very wide but hole in the middle?
5. Quasi-binaural (20cm spacing with foam cylinder baffles) - improved placement of sounds in the stereo field?

Would be very interested to hear what other folks think. Please comment if you care to.

Omni Spacing Test

Head over to my website at the link below to request an original score for your next project! If you'd like mixing and mastering, I can handle that for you too.

You can also message me on here to get a discussion started.

Soundiron LLC is co-owned and operated by Mix Foundation TEC Award (2007) winning and BAFTA nominated Sound Designer/Audio Engineers Mike Peaslee and Gregg Stephens, and technology, scripting and systems wizard Christopher Marshall. 

We're a premium instrument sample library and virtual instrument software design, production and publishing company, specializing in choral and epic scoring instruments and percussion, pianos, drums, ethnic instruments, professional sound effect libraries and inventive experimental sample collections. 

We specifically gear our libraries toward seasoned pros and working musicians in the film, television, advertising, video game, and music recording arts but we commit ourselves to bringing all users, from veteran to beginner, the same deep quality, outstanding customer service and low prices. 

With over 40 unique products and new releases every month, you'll always find something awesome at Soundiron.

If you’d like to check out current user demo submissions, look for their name to the right in the track title in the Soundcloud Player. 

You can see credits for the non-user submitted demos on our Soundcloud page, by clicking the Song Title to go to the track page, where you can see track info. 

For demo submission guidelines and information, visit here: http://www.soundiron.com/demo-submissions/



Mike Espinell - Murky Waters (Library Only) - Soundiron Breaker

SOUNDIRON

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