4ème émission, diffusée le dimanche 18 juin 2023 sur 48FM

1. Matthias Puech – Mt Hadamard National Park Pt 1 // Mt. Hadamard National Park (Hallow Ground - 2023)
2. Missing Scenes – Lectreus II // sturgeon moon​/​beaver moon ( / - 2023)
3. Artemiev – Stalker // Andrey Tarkovsky Vol. 4. Zerkalo/Stalker (	Toei Music Publishing Co. - 1995)
4. Aponogeton – Artemiev’s Dream or : The metaphysical Horror of an unpredictable world // A Place of Solace (Stroom - 2019)
5. Ioana Selaru – Seventy Times Seven // A mind of your own (	Longcut Records - 2020)
6. Ana Quiroga – Wallada // Azabache (Houndstooth - 2023)
7. Fluid – Utopic Dreams // Entering Dystopia (Subverted - 2021)
8. Sky H1 – Huit // Mono No Aware (VA) (PAN -2017)
9. Ocean Viva Silver – Summstein // Ħal Saflieni (Tsuku Boshi - 2022)
10. Manja Ristic – Lenga quarry, Korcula, Hongrie // Reveil 2021 for Framework Radio (CENSE - 2021)
11. Mats Erlandsson – Achilles // 4​-​Track Guitar Music (XKatedral - 2018 / Vaagner - 2021)
12. Antoine De Schuyter – Drauma // Procession ( / - 2023)
13. Perila – Scivia // On The Corner Of The Day (Shelter Press - 2023)
14. Noveller – Zeaxanthin // Arrows (Ba Da Bing! - 2020)
15. Oiseaux-Tempête – The Strangest Creature On Earth // Unworks & Rarities (2012-2015) (Sub Rosa - 2016)
16. Michael Levinas – Troisième Arcade « le chœur des arches » // l'Itinéraire* – Espaces Électriques (VA) (Salabert Actuels - 1988)

@mqtthiqs @missingscenes @aponogeton @selaruioana @ana_quiroga @fluid_music @sky_h1 @oceanvivasilver @manja-ristic @mats-erlandsson @soundofdecades @oiseaux-tempete

émission #4 - 18 juin 2023

The deeper I am investigating field recording as both artistic and listening practice, the more I become aware that each recording session is an intrusion into the landscape and that the landscape, whatever historical, biotic, or environmental system defines it – is sentient to my presence.

No matter how considerate my “intrusions” are, an abstract form of communication always takes place, and it largely depends on my ability to maintain this connection, which goes beyond the soundscape and sonic properties of the place. In this sense, my capacity to employ deep intuition and activate a specific neural architecture developed through a compound of skills also defines the recording process and its future aesthetic transformation. Thus, making a field recording fully personalized practice and soundscape composition a discipline of open interpretation, as well as a vast field for misuse and false representation. Regardless of an evaluation system, whether we contemplate an act of listening through scientific observation of one’s cognition event boundaries or through the capacity to comprehend the existential phenomenology of Zulu spiritualism, the possibility that two or more listeners can have the same listening experience is minuscule.

We are all deeply rooted in a diversity of psychological constructs; neural and sensory imprints, memory compounds, cognitive abilities, and many body-mind pathways determining our current psycho-physical state. Therefore, if the field recording practice is based on any form of active listening – it is a discipline based on interpretation.
With that in mind, I am asking: How do we approach the landscape of severe devastation and a dense history of warfare? Knowing that serious ethical and moral consequences are involved in the effort to interpret a particular soundscape.

In the work “ghosts” I am using obsolete instruments – a modular synthesizer built in 1970, a discarded wheelchair wheel salvaged from the Adriatic Sea, and the piano fallen in disuse which belonged to the Austrian conceptualist, filmmaker, improviser, photographer, environmentalist, and writer – Karl Katzinger aka John Tylo (October 1953 – April 2021). Next to these elements of the past and their voices rediscovered, I am incorporating hydrophone and field recordings from several locations appropriating them through the discourse of critical tourism and a culture of memory – more specifically through listening to the inherent memories of environmental devastation due to exploitation of natural resources as well as warfare – in the South Adriatic (Old town Dubrovnik and island of Vrnik), and the Czech-Austrian borderlands nearby of Mauthausen–Gusen concentration camps. 

--

Instruments:
EMS Synthi 100
Wheelchair wheel salvaged from the sea
John Tylo’s old piano

Field recordings:
Dubrovnik – Stradun air conditioning units and collection of rubbish containers
Vrnik Island South Adriatic – crickets in an ancient limestone quarry
Adriatic dolphins *hydrophone recording by Robertina Šebjanič
Harrachstal village on Czech-Austrian borderlands – crickets in the abandoned granite quarry
Hydrophone recordings of the river Schwarze Aist
Train coming into Freistadt train station in Austria

All sounds performed, recorded, composed & edited by Manja Ristić
Some sounds gathered at the SHAPE + musikprotocoll residency, July 2023

Hydrophone used for an underwater recordings made by Jez riley French
jezrileyfrench.co.uk

Mastering by La Plant Studio
laplantstudio.com

Bandcamp

ghosts

~ Deep Breakfast 248 by https://soundcloud.com/patriciawolf_music ~

Tracklist:
01. Pablo Diserens - Tidal Dwellers
02. Jonathan Sielaff - Lost Boy Beach
03. Slowfoam - Evapotranspiration
04. Marta Forsberg - Part 1 - Echo
05. Michele Di Martino - The Lost Archive Conspiracy
06. Ian Wellman - The Night The Stars Fell
07. Karen Vogt - The Wilder Things
08. Andy Aquarius - Waters Above, Waters Below
09. James Heather - Oizys (Nailah Hunter Rework)
10. Penelope Trappes - Away From Tidal Waves
11. Niecy Blues - 1111
12. Roy Werner - Whistling on the Roses (with Les Halles)
13. Igor Dyachenko - Depth Camera
14. Prokharchin - Green Grizzly
15. Ka Baird - Gate VIII
16. Methods Body - Torches
17. Alexandra Spence - Wind
18. Adam Wiltzie - Tissue Of Lies

~ Picture by Patricia Wolf at Berlin Botanical Garden ~

~ Check out her Deep Breakfast mix 101 : https://soundcloud.com/deepbreakfastseries/deep-breakfast-101-patricia-wolf ~

Deep Breakfast 248 ~ Patricia Wolf

CED — Bazar Bizar #24

Bonambi presents Days Like Television, to celebrate his tape debut album “This Will Have Been The Past”. Dive into tracks from the UK composer as well as our shared favourite musicians and influences. 

Bonambi presents Days Like Television @ Kiosk Radio 30.05.2024

Soundƨcape.liege :

https://www.instagram.com/soundscape.liege/
https://soundcloud.com/soundscapeliege

Tracklist : 

1. The Unthanks – Magpie
2. Maria W Horn – Veir
3. Farida Amadou & Pavel Tchikov – 1
4. Alireza Mashayekhi – Yaad, Op. 66
5. Missing Scenes – Lectreus ii
6. Elanie Lilios – Veiled Resonance pt. 1
7. Abigail Toll – RUIINS
8. Luka Aron – Variation 2:XV (XXVII III XXI IX)
9. Chloe Alexandra Thompson – A Craving To Be Engulfed
10. Days Like Television – Vänta
11. Mich L. - S.L.
12. Gazelle Twin & NYX – Fire Leap
13. Maria W Horn & Vilhem Bromander – Mycelial Bloom
14. Zemlya – Earth
15. Phew – Flashfoward
16. Lazzaro & LY Foulidis – Gathering #1
17. Franck Vigroux & Matthew Bourne – Geiger Counter + Radioactivity
18. Brian Eno – Sparrow Fall (2)

CED — Bazar Bizar #27 Guest : soundscape.liege

Distant Lives is the result of my first experiments with frequency modulation. I finally opened Ableton Operator to see how it works, and when I heard this three-overtone saw wave modulated by a 4-bit sine, I instantly fell in love with it. I randomly played some notes on my MIDI keyboard, and this surprisingly sweet melody emerged.

It reminded me of a few images I shot last winter at the Siófok pier—a red lantern coloring the shoreline and casting new light on the dusk. Aren't we all just mesmerized by the sight of great lakes and seas? Contemplating distances and unreachable goals? Are there people standing on the other side, looking in our direction with the same curiosity as us? Is there a better life waiting for us all, or is this the better life?

This is a rare case of image and sound inspiring each other in a feedback loop. I quite like this piece, and I hope you find something in it too.

Distant Lives

CED — Bazar Bizar #28 "Les Disques Omnison" Special

Lazzaro hovers on the verge of ambiance and intuitive songwriting to explore some intersections between poetry, raw noise and experimental folk. Guided by a lasting love for intimate tape recordings, found sound, dreams and diaries, tangible textures, fragile and forceful voices… an ethereal yet physical world of sound arises. She is currently performing solo (guitar, voice, tape decks and other electroacoustic instruments) as well as with the bands Zemlya (drums, voice) and Sergeant (guitar, voice), and hosts a monthly radio show, Unburdened Bones, on Kiosk Radio.Her first home-recorded EP, The Inner Land is Wide and Free, was released digitally and as a limited edition of tapes (2022, Bonambi). 

UNBURDENED BONES w/ Lazzaro @ Kiosk Radio 19.09.2024

https://puzzlingrecs.bandcamp.com

https://www.discogs.com/fr/label/20196-PuZZling-Rec

CED — Bazar Bizar #29 Guest : Bioxyd

CED — Bazar Bizar #30

émission de radio consacrées aux musiques ambient.
Les 1er et 3eme dimanches du mois, de 22h à minuit.
en région liégeoise sur 100.1 en DAB+ et en FM
en ligne : https://player.48fm.com/

émission #4 - 18 juin 2023

soundscape

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