JF/TB - 8001PID (Vinyl, 12") (Released March 26, 2025)
Available on Bandcamp: https://tinyurl.com/4j9k8azn
Label: Crowdspacer

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JF/TB - 8001Pid (Full Circle Remix)

Tangible Dreams (Lawrence Remix)

En esta nueva entrega de la serie Fun Fun Mix presentamos a Andrew Thomson. Tras 18 años trabajando como dj en la música electrónica, Andrew ha tocado tanto en fiestas y clubes con poca gente como llenos totales. Comprometido con eventos y lanzamientos de discos arriesgados y vanguardistas, Andrew ha dado a conocer a muchas caras nuevas e interesantes en su ciudad natal, Glasgow, y al mundo de la música en general. También dirige la emisora ​​de radio Clyde Built y el podcast Connections, y es curador de Huntleys & Palmers, una empresa de promoción y sello discográfico que publica música de artistas de todo el mundo, incluso ha editado un EP de Djs Pareja llamado "Steps" y el remix que estos le hicieron a las argentinas Ibiza Pareo. No te pierdas The Andrew Thomson Experience, muy pronto!

For the 60th. entry in the Fun Fun Mix series, we present Andrew Thomson. Chipping away at the coalface of electronic music for the past 18 years, Andrew has overseen as many poorly attended events as he has sell outs. With a commitment to adventurous and forward thinking events and record releases, Andrew has introduced many exciting new faces to his hometown of Glasgow and the world of music at large. He also runs Clyde Built Radio station and Connections podcast, and he also curates Huntleys & Palmers, a promotional outfit and label releasing music by artists around the world. He has even released an EP by DJs Pareja called "Steps" and the remix they made for Argentine band Ibiza Pareo. Look out for The Andrew Thomson Experience coming to you soon.

IN HIS OWN WORDS:

"I was very honoured to be invited to contribute to the FUN FUN mix series. I have a great deal of admiration for Djs Pareja and I’m very inspired by their enduring love and the musical world they’ve created around them.

I have had very fun (fun) experiences with them visiting the UK and also was a great honour to play at the FUN FUN party at the infamous Shamrock Basement in Buenos Aires. 

With all of this in mind, I wanted to do something special for the mix but I originally put too much pressure on the outcome and wasn’t ever happy with the result. Instead, I recently recorded a bunch of records I’ve enjoyed discovering and I recorded something quite loose and unplanned on a rare sunny day in Glasgow. Hope you enjoy wherever you are! Huge thanks to Mariano and Diego. Spanish IS beautiful. DJs Pareja forever ♥️♥️♥️"

Soundcloud: @huntleyspalmers
Instagram: https://www.instagram.com/huntleyspalmers

Fun Fun Mix 60 - Andrew Thomson

FEATURE > https://inverted-audio.com/feature/the-burrell-connection-looks-back-on-10-years-of-craigie-knowes 

For Zander Hay - better known as @theburrellconnection - music has always been as much about people as it is about sound. His new EP for @craigie-knowes, 'I Waste My Time So You Don’t Have To', arrives as the label marks its 10th anniversary, a milestone that means more to him than most. Not only has Zander released music with the Glasgow-born imprint, he’s also been quietly running their PR from behind the scenes since the early days, helping to tell their story to the world.

That dual role makes this release feel like a full-circle moment. The EP gathers together material shaped in the club, in the bedroom, and most importantly, in the company of friends. Lead cut “E Before I” has already been heard echoing through Berlin basements, including in a live version taken from Zander’s performance at Tresor, invited by LNS and DJ Sotofett. The B-side heads deeper, pairing the dubbed-out force of “Celestial” with the warm, widescreen pads of “Ensemble” - tracks that carry what he half-jokingly calls his “signature sound,” something he’s been chiselling away at for over a decade.

Zander speaks candidly about the title of the record, pointing to the endless hours spent in pursuit of something original. He’s unflinching in his criticism of DJs hiding IDs or passing off other people’s tracks as their own - a reminder that, for him, credit and community go hand in hand. “Music is not a luxury, it’s an essential,” he insists, and it’s clear that ethos drives not just his own practice, but also the way he moves through the scene.

That scene has taken him from Glasgow, where he cut his teeth at La Cheetah Club and soaked up records at Rubadub, to Berlin, where he now co-runs Slurp of the Antics with Valcat - a party deliberately centred on live performance in a city often saturated with DJ culture. Between the drizzle-soaked after-hours of Scotland and the intensity of Berlin’s underground, he has carved out a practice that feels both grounded and exploratory, rooted in place yet open to evolution.

At the heart of it all is Craigie Knowes. For Zander, the label’s story is bound up with his own - from being pushed creatively by deadlines and honest feedback, to finding genuine friendship with Max, Mitch and the wider CK family. “Friendship!” he says without hesitation when asked about the most rewarding part of his journey so far. That word runs like a thread through his reflections: from teenage trips to Sub Club on borrowed IDs, to afterhour residencies, to the countless connections made through music over the years.

As he sets up a new studio, offers tuition, and continues to develop his live shows, Zander isn’t slowing down. 'I Waste My Time So You Don’t Have To' is more than a title; it’s a snapshot of where he’s at right now - committed, outspoken, and still finding joy in the graft. For him, the story of Craigie Knowes at 10 isn’t just about a label’s legacy, but about the friendships that make the music possible.

The Burrell Connection - Celestial [Craigie Knowes]

Christine Renée, a sonic storyteller and American expat, curates themed sets and occasionally interviews a variety of sound artists on her show FOR THE BIRDS. She's collected records since the '90s and DJed since the '00s. Renowned for her residency at Lot Radio (2016) and role at hi-fi club Public Records as head curator (2019), she's now studying sound as a healing modality.

FOR THE BIRDS w/ Christine Renée @ Kiosk Radio 04.09.2025

High above the desert, where the sky spilled its secrets in stars, the brightest among them was Altair. To the villagers below, it was more than a star—it was a guardian.

Generations passed, but Altair never dimmed. Pilgrims crossed miles of sand to sit under its light and make wishes. Some claimed they saw a flicker.

On a clear night, if you stare long enough, you might see wings in the darkness. Illuminated against the dense black.

For in the sky, where time folds and dreams take flight, Altair burnt brighter than all else.

 Two Thou is the lead behind the Oraculu project – a hybrid jazz exploration with ambient undertones described as follows:

“This music was born in Berlin, matured with me through a winter in the rural Sardinia, and ended up on wax through Chicago and New York. With this record, that to me sounds in-between worlds, I want to recall that jazz and electronic music both emerged as inventions, and it seems to me they’re both suggesting us to keep inventing.”

PREMIERE: Oraculu - Altair [Division81]

West London’s Tutu Ta returns with their most haunting work yet on “Violence Or Violets” via the ever excellent Long Gone Are The Old Traditions

There once was a Samurai keen, Who lived in an Igloo pristine, With his Tutu Ta sound, Where the dub beats abound,

And violets grew violet-green!

He mixed up his beats in the snow, With post-punk and spoken word flow,  “Long Gone Are The Old Traditions!” he’d cry,


 
As ethereal vocals flew by, From West-London’s factory echo! His Violence Or Violets EP, Made the arctic winds sing with glee,

For LONGGONEIII, Was the label so free, Where heart-aching sonics run free!

Producer-singer-songwriter Tutu Ta dives deeper into their fusion of dub, spoken word, and post-punk atmospherics. Following acclaimed releases “The Shrine” and “Clay Birds Are Grey,” this latest offering from Long Gone Are The Old Traditions stable showcases an artist unafraid to explore more intimate, spectral territories while keeping one foot firmly planted in the UK’s rich sound-system heritage.

Ethereal vocals float above punchy rhythms that nod to their hometown’s legendary dub legacy, creating “a driven heart provoking siren.”

https://www.theransomnote.com/music/premieres/premiere-tutu-ta-samurai-igloo/

@long-gone-dublin-london

MORE INFO

PREMIERE: Tutu Ta - Samurai Igloo [Long Gone Are The Old Traditions]

Residency show broadcasted live at Radio Tempo Não Pára (30.08.2025)

Artist: @jae-zae & @sssooolll

Imaginary Friends w/ Jaezae & Sol @ Radio TNP 30.08.2025

After 2 outings on recent SHOUTS compilations, Asa Tate lands on Rhythm Section Intl proper with a timeless EP - “ Replica”.
Asa Tate, fka Tech Support has been on a bit of a tear recently and this record feels like a real step up: a statement of intention aimed directly at the peak time dance floor.

A student of the Weatherall school of DJing, Asa Tate has showcased an astonishingly mature approach to production over the years that belies his age. You’d be forgiven for thinking these 4 tracks had been discovered from a dusty DAT tape, locked away in the vaults of a northern Italian club and rediscovered after 30 years….Listen more closely and you’ll notice the contemporary production flair and more recent influences that make this EP a perfect reinterpretation of the mid 90s house sound: sitting somewhere between dream house and Morales finest work under the red zone moniker.

The EP wastes no time in setting it’s intentions with the A1 Title Track, “Replica” - after a brief and floaty progressive house intro the refrain “ E-e-e-e-e-e-e-ECSTASY” echoes loudly over sampled vocals, euphorias piano chords, throbbing lead synths and a bouncy tech house bass line. It straddles so many sub genres of house without feeling derivative of any of them. Cliche’s and classic samples are embraced playfully and serve to contextualise and elevate the influences. This is not just really great house music or excellent storytelling, it’s art history.

“89” is a sultry deep house cut featuring rising Spanish star, Dariam Coco on Vocals. It floats like a butterfly, but stings like a bee, as the soft chords are interrupted with huge drum fills deftly transforming an after party jam to a peak time moment.

We continue to “ Unknowns” - a masterclass in building tension and holding it - this track simmers with restrained intensity for almost 6 minutes. It’s trademark Asa Tate production at its most understated and classy.

We round of the EP with the fittingly titled “Last Dance”, a wistful composition that brings us back down to earth slowly, safely and gently; always grooving but never pushing - this one is the soundtrack to the end of a long summer day and reaffirms Asa Tate’s claim to be a modern master of Deep House.

We’re super excited to give Ned the platform he deserves and look forward to hearing this one soundtrack many a dance as this long, beautiful summer draws to a close  

buy/stream now

Asa Tate - Replica - RS071 EP Preview

There’s something quietly magnetic about Duncan Thomas. A London-based producer, live performer and lifelong digger, his sound sits at the crossroads of warm soul, deep groove and harmonic richness. From his early work with TR Trio and Size 8 to recent solo outings on The Check In and his forthcoming label Slam Duncs, Thomas has steadily carved out a space that favours feeling over formula. Whether behind a keyboard or a pair of decks, he approaches music with a jazz musician’s ear and a selector’s instinct — patient, playful, rooted in depth.

His Phonica Friends & Family mix is a love letter to that ethos. Rather than chasing dancefloor peaks, this is a set built on timelessness — music he wants to return to in ten years and still feel connected to. These are deep, soulful cuts that lean into warmth and atmosphere, curated from both dusty crates and digital rabbit holes. True to form, the mix resists trend in favour of tone, inviting you into a space where melody, memory and movement meet. It’s subtle, emotive, and unmistakably Duncan Thomas.

Phonica Friends & Family Mix Series 25: Duncan Thomas

Odopt is wired.
wired into the circuit, wired into the night.

4 transmissions from beyond the static. Remix from Roman Flügel

Released 10 October

Odopt - Wired (CBR002) snippets

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JF/TB - 8001Pid (Full Circle Remix)

Sound Station Strategy

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