A radio feature with David Toop, Simon Zagorski-Thomas,
Paul Théberge, Maria Hanáček & Holger Schulze.

*

This is the first of series of three one hour-long radio features,
produced at Deutschlandradio Kultur Berlin/Germany
in cooperation with the international research network
Sound in Media Culture (funded by the German Research Foundation DFG):
http://www.soundinmediaculture.net

Researchers, designers and artists from the field of sound studies
present their approaches and evaluations of how sound is produced,
perceived and appropriated – in the 21st century as well as in cultural history:

On the Adventures in Sound I-III: http://www.soundstudieslab.org/homepage-2/adventures-in-sound/

*

How are those sounds you hear right now technically generated and post-produced,
how are they aesthetically conceptualized and how culturally dependant are they really?

How is your ability to hear  intertwined with all the other senses
and their cultural, biographical and technological construction over time?

And how is listening and sounding a deeply social activity
 – constructing our way of living together in cities as well as in apartment houses?

*

What exactly do you hear in this very moment?

Holger Schulze - Adventures in Sound I - Sound & The Studio (2011)

A radio feature with Jonathan Sterne, AGF a.k.a Antye Greie, Jens Gerrit Papenburg & Holger Schulze.

*

This is the second of a series of three one hour-long radio features,
produced at Deutschlandradio Kultur Berlin/Germany
in cooperation with the international research network
Sound in Media Culture (funded by the German Research Foundation DFG):
http://www.soundinmediaculture.net

Researchers, designers and artists from the field of sound studies
present their approaches and evaluations of how sound is produced,
perceived and appropriated – in the 21st century as well as in cultural history:

On the Adventures in Sound I-III: 
http://www.soundstudieslab.org/homepage-2/adventures-in-sound/

*

How are those sounds you hear right now technically generated and post-produced,
how are they aesthetically conceptualized and how culturally dependant are they really?

How is your ability to hear  intertwined with all the other senses
and their cultural, biographical and technological construction over time?

And how is listening and sounding a deeply social activity
 – constructing our way of living together in cities as well as in apartment houses?

*

What exactly do you hear in this very moment?


SoundStudiesLab

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