Name: The Heliocentrics - Oh Brother by Soundway Records
Duration: 3 min 25 s
Description: The new Heliocentrics album 'A World Of Masks' is out June 9th on Soundway Records. https://TheHeliocentrics.lnk.to/AWOM

Awesome stuff! This is really a great song.

All the songs from our world-famous playlist in one place

Quantic - So Long Feat. Alice Russell

https://open.spotify.com/album/4XfjbetSzQqOXXE0NVdOjl

https://music.apple.com/us/album/the-moving-finger/1663546857?i=1663546858

The Amazing Dorothy Ashby in a slight extended version for her beautiful creation "The Moving Finger".

Dedicated to my newborn Aviv "Ginger".

Dorothy Ashby - The Moving Finger (Ginger Dream Edit)

Song For My Lady - Louiz Banks

Featuring Tata Din Din Jobarteh, Ed "Preachermann" Holley and the Antibalas Horns

Written and Produced by Jon Fine
Ed "Preachermann" Holley: Vocals
Tata Din Din Jobarteh: Kora and Vocals
Jon Fine: Bass, Guitar, Keys
Stuart Bogie: Saxophone
Martin Perna: Saxophone
Jordan Mclean: Trumpet
Nathan Hank: Drums
Matt Hauser: Percussion

Mastered by Joe Lambert at Joe Lambert Mastering,  Brooklyn NY
Engineered by Jon Fine and Lee Weinberg at Feet First Studios
Additional Engineering by Mark Bengston
Recorded at Creature Studios NYC and Tata Din Din’s in Brikama, The Gambia

https://www.facebook.com/theholyforest
https://www.theholyforest.com


©2015 Mighty Fine Music

Africa Calling

Auntie Flo - Mother Theresa (Original Mix)

The new Heliocentrics album 'A World Of Masks' is out June 9th on Soundway Records. https://TheHeliocentrics.lnk.to/AWOM

The Heliocentrics - Oh Brother

King Britt & Ursula Rucker - Circe - Jazzanova Remix

Tribute Vamp

From the album Blast Off Through the Wicker available July 14, 2017 on Western Vinyl

Bandcamp https://artfeynman.bandcamp.com/album/blast-off-through-the-wicker
iTunes http://hyperurl.co/a49jo3
WV http://westernvinyl.com/shop/wv162

ART FEYNMAN
Instagram https://www.instagram.com/artfeynman/
Facebook https://www.facebook.com/artfeynman/

Blast Off Through the Wicker documents Art Feynman looking for life in the lifeless, questioning what it means to be living.  There is a calm, disciplined pocket to be felt in everything Feynman does; krautrock slink, staccato bounce, and pentatonic bursts of Nigerian Highlife fuzz pour on the temporal canvas with unquestionable ease, never falling in the wrong place. Even more admirable is, that his “canvas” is a four-track tape recorder, and that Blast Off features no loops or drum machines despite its aesthetically faithful motorik and afrobeat underpinnings.  Nowhere is this fact more surprising than on album standout “Slow Down” which pulses along infectiously with a crunchy backbeat, and deftly arpeggiating bass lines that are so locked-in that it would be hard to fault an unknowing ear for assuming the whole thing is tediously programmed.

There are gentler sides to Blast Off that conjure the spacey tenderness of Arthur Russell inventively and respectfully, without adopting their muse’s palette wholesale. In this regard Blast Off is an endearing collection of songs that capture the ear with warm-yet-clear cassette aesthetics and spot-on musicianship, both of which form an angle that points lovingly to Feynman’s deep and varied influences. Make no mistake-- this one truly is alive.

Art Feynman - "Can't Stand It"

Born out of hazy nocturnal walks around London during the Winter of 2015, L’Eclair initially took form as a duo consisting of Sébastien Bui and Stefan Lilov, who conceived of the band for months before coming back to their homeplace of Geneva, Switzerland where their muse was eagerly awaiting them. The groove was their aim but they needed a bigger band to accomplish it. Long times friends and brother, Elie Ghersinu and Yavor Lilov joined the band, respectively on bass and drums, and not so long after, Quentin Pilet on percussion and Alain Sandri on keyboards & cowbell rounded out the current lineup.

L’Eclair was prepared to make people dance. After playing lots of wild shows with the likes of White Fence, The Mauskovic Dance Band, Derya Yildirim & Grup Simsek, the band released their first LP in 2016. “Cruise Control” was recorded in one day and the album received support from radio and venues around Switzerland that led to just what L’Eclair wanted… more and more chances to work it out on stage. “Cruise Control”’s Swiss Groove™ and crunchy, high-tempo jams caught the ear of producer and renowned live engineer Jasper Geluk (Allah Las, Jacco Gardner, Eerie Wanda) who invited them to record their next record at his studio.

After a year working on new songs and perfecting their Swiss Groove™ on any stage they could, L’Eclair took their guitars and shitty old synths to Geluk’s Tone Boutique studio in Haarlem, Netherlands. There the young groovers were confronted with the beautiful vintages machines and keyboards that would set the spirit high for the rest of the sessions that birthed the fine far-out funkiness that is 2018's “Polymood” on Beyond Beyond is Beyond Records.

“Polymood” is a further expansion on L’Eclair’s quest to channel and honor their Afro-Disco, Kosmische, and early House 70s influences. And what we end up with is a collection of timeless Swiss Groove™ music—inspired by William Onyeabor, French band AIR, Piero Picioni, Sly Stone and CAN’s ‘Future Days’—bringing euphoric dance to the human machine while it perseveres in its never-ending search for the soul.

Polymood

L'Eclair - L'Arrivée Au Port De Lagos

Emanative & Ahmed Abdullah - Love In Outer Space

MUSIC FROM PLANET EARTH: PAST, PRESENT & FUTURE

The Heliocentrics - Oh Brother

Soundway Records

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