Straight Like That🕺🏾🕺🏾

Myron & E with the Soul Investigators, from the album Broadway.  
http://stonesthrow.com/myronande


U.S. TOUR WITH CODY CHESTNUTT
Sep 27: St. Louis, MO @ Blueberry Hill 
Sep 29: Chicago, IL @ Lincoln Hall  
Oct 1: Charlotte, NC @ Visulite  
Oct 3: Asheville, NC @ Grey Eagle  
Oct 4: Atlanta, GA @ The Loft  
Oct 5: Nashville, TN @ Mercy Lounge  

IN JAPAN WITH THE SOUL INVESTIGATORS
Oct 9: Tokyo @ Billboard Live Tokyo 

EUROPE TOUR WITH THE SOUL INVESTIGATORS
Nov 13: Turku, FI  @ Dynamo
Nov 15: Helsinki  @ Tavastia 
Nov 16: Copenhagen  @ Loppen
Nov 17: Stockholm @ Fasching Club
Nov 20: Rennes @ Ubu 
Nov 21: Paris @ Bellevilloise
Nov 22: Avignon @ Nuits Zebrees / Radio Nova
Nov 23: Marseille @ Cabaret Aleatoire
Nov 25: Frankfurt @ Orange Peel
Nov 26: Stuttgart @ Zwölfzehn
Nov 27: Pfarrkirchen, Germany @ Club Bogaloo 
Nov 28: Basel, Switzerland @ Kaserne 
Nov 29: Amsterdam @ Paradiso 
Nov 30: Rotterdam, Netherlands @ Bird 
Dec 1: Hanover, Germany @ Lux
Dec 2: Cologne @ Bahnhof Ehrenfeld 
Dec 4: London, UK @ Jazz Cafe 
Dec 5: Cardiff, UK @ Koko Gorillaz
Dec 6: Berlin @ Bohannon
Dec 7: Madrid @ Tempo Club

THE ALBUM

Myron & E - Going In Circles

We have no idea who the rightful artist is, If you do, please let us know :)

Hardkandy / Moonlight

"The album was recorded in 3 consecutive days in which we just jammed - hence the name of the album - JAM - and was the initiative of Harake - a project of Kol HaCampus 106fm radio.

The general idea was to get into the studio, without any songs in advance, and jam using our equipment and some extra instruments to create a live album.

The result is a collection of intuitive tracks all made on the spot, very different from the trio's usual work process - in layers and over time.

Thanks to this process, the tracks got a dynamic living character that compliments the electronic format, giving the album its unique colour.

The sessions got an unexpected twist due to the November 2012 bombings in Israel/Palestine. Alarms that set off at peak moments got us all into a very specific zone which gave birth to some of the songs - Master Of Rockets, I Cried, What Is Madness are among its' children.

A few amazing musicians and good friends joined us in this session - Shuz (3421), Nomok (L.B.T), Roy Chen (Malox)." -- KerenDun
credits


Music by Buttering Trio (KerenDun, Beno Hendler, Rejoicer)

Additional Keys by Shuzin (3421) and Nomok
Drums on "Juno Juno" by Roy Chen

Recorded by Uri MixMonster Wertheim @ 106 FM studios

Mastering by Marko Gurkan @ Kicha Studios, TLV

Art and Design by Jengo

Executive Producer - Osbourne "Ease" Green 

Buttering Trio - Jam - 06 I Cried For You

Second side of the latest release from Bristol-based producer and songwriter Typesun, featuring vocals and production from Alex Rita of Okapii.

Available now on 10" & digital from http://typesun.bandcamp.com and all good record stores.

AA - WATER SONG feat. Alex Rita

Fireversion2

Pamoja - Oooh baby

Electric Wire Hustle - Again (Scratch 22 Remix)

Nubya Garcia - Tenor Sax/Flute
Shirley Tetteh - Guitar
Amané Suganami - Keyboard
Twm Dylan - Double Bass
Jake Long - Drums
Tim Doyle - Percussion

Recorded at Royal Albert, Deptford by Tom Sankey
Mixed by Ben Hayes and Max Wallace-Jones
Mastered by Ben Hayes

Africa (John Coltrane)

Most honored to even have the chance to put my spin on this beautiful piece of love by two of my all-time favorites. Sincerely hope yall dig it. I played all the guitar work, drums sampled from Shawn Lee, and grateful for my man Reed Mathis, coming through in a rush and laying bass on it night before the deadline for submissions.
Blessyall!
// Sole.

UPDATE: The winners of the DJ Shadow remix contest have been announced! I'm not one of them, but it was great to hear the ones that shadow picked. So glad Archive's Waltz version was in the ranks, played that on my KCRW show on Wednesday. I'm not bummed one bit, everyone who Shadow picked killed it in their own way, and since I only set out to make what I consider to be a beautiful song... I feel successful in that. BLESSYALL for voting, and all the kind words. Now that it's over I can give it away for free. Enjoy.

DJ SHADOW ft. LITTLE DRAGON - Scale It Back (Jeremy Sole Remix)

The Travelling Song Remixes (SK331D / elektrish)

The Travelling Song (Kyoto Jazz Sextet Remix)

Harmonies  

Woah! There's No Limit

Stone Soul Disco

From the second album by Australian heavy-hitters DOJO CUTS:

RKX041 DOJO CUTS feat. ROXIE RAY - "Take From Me" available April 16th

DOJO CUTS feat. ROXIE RAY - Sometimes It Hurts

This one's not a jazz track, but I can't get it out of my head right now.
Recently re-released on Colemine Records, by The Flying Stars Of Brooklyn NY.
I've extended the intro and far too short break, and added a few tweaks to increase the playing time.
Also had to add some wise words from Herbie Hancock at the beginning to get round the copyright filter.
Hope you enjoy. 
SJE https://soundcloud.com/monkeypocket

My God Has A Telephone (Skalpel Jazz Edit)

Pre-order album ~ https://hopest.re/NamingAndBlaming

The Public Opinion Afro Orchestra (The POAO) release ‘Fight So Hard’, the first single from their long-awaited second album ‘Naming & Blaming’. Recorded with the full POAO 17 piece ensemble, Fight So Hard is a simmering slow burn with MC One Sixth trading rap verses with singers Kuukua and Lydia Acquah, Fem Belling and Lamine Sonko. In true afrobeat tradition the album version clocks in at a trance-inducing nine minutes long! (Radio edit supplied for those on a tighter schedule). The vocals are broken up with heavy brass sections and extended instrumental improvisations while the understated rhythm section bubbles away without pause or deviation.

Available everywhere on all formats on November 30th, the ‘Naming & Blaming’ album is a pulsing, percussive journey into classic afrobeat led by fierce vocals and a howling horn section. It’s a fitting 21st-century response to the world-shaking music of 1970s Nigeria defined by Fela Kuti. The result is true to the afrobeat blueprint of hypnotising rhythm, extended improvisation and political comment, but adds to the formula a host of pan-African and local influences as well as hip-hop elements that reflect the deep ranging roots of the band. This balance is what The POAO is all about, paying respects to the culture while keeping their feet planted in the 21st century.

Naming & Blaming

Pre-order Album

The Public Opinion Afro Orchestra - Fight So Hard

Mixed and produced by Adam Scrimshire
Mastered by Walter Coelho
Artwork from a painting by Jonny Drop
All kit drums played and recorded by Chris Boot.
All other instruments including Fender Rhodes, piano, Juno-6, percussion, drum programming, guitars and bass by Adam Scrimshire. 

His fourth album, musically, 'Listeners' draws from Scrimshire's passion for jazz, soul and electronic music of all styles; from an energetic combination of Afrobeat and garage on 'Won't Get Better', to the lushly orchestrated neo-soul of 'Thru You', and the harmonious jazz experimentations of 'I Never'. The album features a host of esteemed guest vocalists and musicians telling their own personal stories, including Georgia Anne Muldrow, Emma-Jean Thackray, Joshua Idehen, Madison McFerrin, Chip Wickham, and James Alexander Bright.

"With this album I wanted to get a more focused sound after six years of relearning and development in the studio. But I also struggled to find my own words, to speak about where I/we are now. So I allowed my collaborators total freedom to tell their own story and as they came back to me, they were telling the same stories I wanted to. It's resulted in some deeply personal confessional pieces: mourning family, collapsing relationships, extremes of self doubt and analysis, trying to balance public and inner persona, and a reminder that life in all forms is important.

It’s called 'Listeners' as I am a listener here, I feel like I've been given these very personal experiences to care for. Listeners because, the travesty of the last few years is that we stopped listening to each other, everyone is shouting at each other and no one is learning. And Listeners because I hope I've made something that is for other people more than I have before. I've tried to craft something warmer and more enjoyable, made for those who give me their time in listening to my music."
- Adam Scrimshire

Since joining the Wah Wah 45s label in 2007, Scrimshire has released three albums of experimental cinematic jazz, and electronic sounds. Following his 2009 debut ‘Along Came The Devil One Night​’, his second album ‘The Hollow’ (2011) was a BBC 6 Music Album of the Week, with Gilles Peterson calling it “A late contender for album of the year”.

In the time since the release of his last album ‘Bight’ (“An eclectic range of influences ranging from disco to fusion to more contemporary electronic styles” XLR8R) in 2013, Adam has worked with long-time musical accomplice Dave Koor on new project Modified Man, and launched Albert’s Favourites releasing projects by The Expansions, Hector Plimmer and Jonny Drop. He has continued to gain radio and DJ support for his successful “Scrimshire Edits” series and has produced and mixed records for artist including Stac, Daudi Matsiko, Bastien Keb, Rōnin Arkestra, Jonny Drop. He has also continued to develop the Wah Wah 45s label, where he is now a co-owner and director.

Listeners

Theme For Us feat. Joshua Idehen & Chip Wickham

MUSIC FROM PLANET EARTH: PAST, PRESENT & FUTURE

Woah! There's No Limit

Soundway Records

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