Straight up this feels like a soul answering back through smoke and memory. The way it replies to Missy Firecracker? Chills. The lyrics are layered with regret and recognition, like someone finally owning the silence. 🔥🔥🔥

A prophetic street sermon in poetic form.
This isn't just music — it's a final warning.
🔥 Based on Christian eschatology, this track explores the rapture, hell, and eternal separation from God.
🎙️ Written and performed by BlackLatino — this is the last message before the sky breaks.
📖 Inspired by 1 Thessalonians 4:16-17, Matthew 25:46, and 2 Thessalonians 1:9.

"I don't want claps. I want convictions. I want souls to wake up." 

👉 “If the Rapture happened today, would you be ready?”
👉 “Is Hell real? Play this track then decide.”

 lyrics

https://docs.google.com/document/d/1MaGsFSPTvWtxe1QXOijee5cPZ07mLB6gbPlibSBaHdM/edit?usp=sharing

In God We Trsut

This Will Happen Walk Through Rapture (The Architect Edition)

🔥 If I Were the Devil (Samuel’s Files Remix)
Lyrics by: Samuel  Bushwick-grown
🕯️ Narrated in the voice of Paul Harvey meets Biggie's ghost
🎙️ Presented by the UnpluggedMale Banner

📻 What if the devil didn’t wear horns — but a badge, a black robe, or a court order?
In this unapologetic remix, Samuel flips the Paul Harvey classic into a grimy, prophetic NYC street sermon, laced with truth bombs and courtroom scars.

🎧 Imagine Biggie’s “My Downfall” meets a family court exposé — over a soul-sampled organ loop with thunder in the drums.
This is gospel for the ghosted fathers, legal warfare in rhyme, and a message for every man buried alive by paperwork, false claims, and public opinion.

✊ This track is not for everyone.
It’s for the ones who got dragged through the mud and still stood tall with receipts in hand.
It’s not a diss — it’s documentation.

About this Track:
If I were the Devil, I wouldn’t come in flames. I’d come in a courtroom suit, whispering justice with a smile.
This ain't just music. This is a warning.
Samuel flips Paul Harvey’s old-school radio style with that Brooklyn grit and prophetic venom.

Over an organ-drenched, thumping beat, this track goes all in on broken courts, ghost fathers, and the modern war on men.
If you a father who fought to see your kids, this one’s for you.
If you got silenced while lies got amplified, turn this ALL THE WAY UP.
This is truth on beat. And the devil ain’t ready.  (Inspired by by Paul Harvey’s old-school radio style)

Support the Movement: www.sourcelinemediai.com
👑 Powered by: BlackLatino | A.I. Music Co-Production

In God We Trust

If I were the Devil

🎧 “Breathe Before the War”
By Samuel 
Presented by UnpluggedMale

This ain’t rage. It’s preparation.

🎤 A modern-day war hymn for the ones who held their tongue while the world threw dirt.
This track is tension. Stillness. That deep breath before all hell breaks loose.

🌩️ Think Phil Collins’ “In the Air Tonight”  if it was raised in Bushwick, trained in trauma, and baptized in silence.

This is the moment right before the roar.
Right before you remind them you never folded  you observed.

🩸 For the loyal ones who got burned..

🧠 For the thinkers who became fighters.

💨 For the silent who learned how to breathe before striking.

This is that deep inhale before vengeance breathes fire.
A cinematic track wrapped in thunderous drums and gospel refrains. Samuel delivers poetic rage and raw reflection in “Breathe Before the War,” fusing scripture, street pain, and spiritual warfare into a street sermon.
For the fighters. For the betrayed. For the ones who breathe before they strike.

Original Artists Credited (As Required by Law)

Each track is based on iconic work from the following artists (credit applies per track and remains the property of each copyright holder):

 Phil Collins Original composition and performance

Plus all additional original copyright holders listed on each track

All rights, ownership, and publishing remain with the original artists and copyright holders.

SourceLine Mediai does not claim ownership of the original compositions only of the remix production, arrangement, and creative direction.

🔊 SOURCELINE MEDIAi REMIX APPROACH (SIGNATURE STYLE)

Every track has been reconstructed using:

The Architect’s signature “surveillance-era” sonics
Modern -soul accents
AI-assisted arrangement (legal & transformative)

The goal?

To honor the classics while pulling them into the 2025 soundscape  colder, sharper, more emotional, and more cinematic.

This project is the sound of memory meeting evolution.

💽 COMPILATION THEME  “The Hood Back in the Days”

A curated journey through time:

Bushwick rooftops before gentrification
Walking to school with headphones blasting classics
Block parties, cyphers, brownstone steps
Breakups, fights, survival stories
Hard lessons that built strong men
The code, the culture, and the consequences
The remixes aren’t nostalgia they’re living history re-expressed for a new generation.

📌 LEGAL + FAIR USE NOTICE

This compilation is a transformative remix project under fair use guidelines:

Non-commercial Educational and historical analysis Tribute to original artists
No original masters included
No attempt to replicate full vocal performances

All rights remain with original copyright holders

SourceLine Mediai provides new production, arrangement, mixing, and artistic direction only.

The Hood Back in the Days (Redo/Remix)

“Breathe Before the War” Inspired by "In The Air Tonight"

“Bushwick Ain’t Bushwick” is a lyrical gut punch.

BlackLatino and Da Sniper take you back to the real Brooklyn  steel drum fires, fiends on the floor, roaches in the straps  before the brunch spots, and kombucha crept in.

This track is for those who remember when Putnam Street was a war zone, not a zip code trend. It’s a call-out, a time capsule, and a warning:

"They said it’s safer now… but for who?"

🎙️ “You rent that loft with ‘exposed brick charm’  but that brick held weight, blood, and alarm.”

🔌 Produced by Sourceline Mediai
A.I. + Soul = No Filters. Just Facts.

📍 Born in Bushwick. Built for the Block.
🌐 sourcelinemediai.com

Bushwick Ain t Bushwick

BlackLatino delivers a powerful boom bap street sermon exposing how Bushwick was sold off while Gen X was left in the dark. Politicians posed for ribbon-cuttings while eviction notices hit mailboxes. 

This track puts truth on the table with Da Sniper style fire and soul sample grace.

🎙️ "Bushwick got sold with a smirk and a check, and nobody warned Gen X what was next."

If you grew up watching your neighborhood disappear one bar, bike lane, and lease at a time, this one’s for you.


🔌 Powered by Sourceline Mediai
AI-crafted. Bushwick-born. Truth-laced.

🌐 sourcelinemediai.com
🖼️ Art, lyrics, and vinyl coming soon.

📌 Track Themes:
Gentrification & legal displacement

Generational betrayal

NYC politics + community erasure

Soul samples meets street wisdom

BlackLatino Chronicles 2.0

Nobody Warned Us ( Gentrification & legal displacement)

🎵 Track Title: And There Was Someone

🎙️ Artist: UnpluggedMale

🎚️ Produced by: SourceLine Mediai

🎧 Genre: Pop / Emotional Pop Ballad

📻 Version: Radio Edit (Studio-Polished)

A voice that breaks and soars. It is a story of heartbreak, healing, and unexpected love.

“And There Was Someone” is a cinematic pop ballad that captures the moment you stop waiting for the one who left and realize someone else already picked up the pieces.

With warm piano, layered strings, and a vocal that bleeds truth, UnpluggedMale delivers a performance that’s both vulnerable and victorious. Produced by SourceLine Mediai, this track blends the emotional storytelling of Dean Lewis with the atmospheric polish of modern pop.

💔 For anyone who’s ever been left behind… and found someone better.

🎶 “You left, and I found someone who never let me drown.”

Tags:
#UnpluggedMale #AndThereWasSomeone #SourceLineMediai #EmotionalPop #HeartbreakAnthem #DeanLewisVibes #SoundCloudDiscover #PopBallad #HealingThroughMusic #CinematicPop

Love & Drama

And There Was Someone ( Replying to Missy Firecracker) Remix

This isn’t just a breakup song it’s a slow unraveling of truth. “You Know Why (Blame Her)” dives into the quiet moments that tore two people apart.

The silence, the cold stares, the missed chances. Samuel’s raw vocals and stripped down lyrics cut through the noise, laying bare the emotional wreckage of a love that couldn’t be saved.

🎙️ “You blame me, but I can’t deny your cold eyes told the story first.”

Built on acoustic guitar, ambient piano, and a slow-burning tempo, this track channels the spirit of  Samuel’s signature grit and vulnerability. 

It’s for anyone who’s ever been blamed for the fallout but knows the truth runs deeper.


You Know Why ( so blame Her )

This is the other side of the story. “I Know Why” is a haunting response to betrayal, told through the voice of a woman who’s done pretending. 

Missy Firecracker delivers raw vocals with fire, while Unplugged Male adds depth and grit from the male perspective. Together, they unravel the emotional chaos of suspicion, silence, and the slow death of trust.

💔 “You left me without leaving. So now I leave without grieving.


I Know Why

“You’re the Last” is a cinematic trap-ballad forged from emotional wreckage. It blends haunting melodies with visceral lyricism, capturing the moment when pain becomes poetry.

Crafted with layered synths, ghosted percussion, and a vocal performance that bleeds truth, this is the sound of closure, not forgiveness.

You re the last

“A frozen heart, a thawing light. Generation Ice mourns love gone numb and calls fire back to the altar. Signature line: This ain’t a sermon… it’s a warning again.”

 Save, repost, and tag a friend who needs this


 Crated by Samuel • Powered by A.I 🌐 SourceLineMediai.com  Built by The Architect. Heard by the world.

Not a Sermon… It’s a Warning

Generation Ice (Cold Hearts, Closed Bibles)

Lil Hoodie - “Shatter Me”-l·līł ḥøøðīə

WHO WE ARE

SourceLine Mediai is a cinematic creative powerhouse shaping the future of music, visual storytelling, and digital artistry.
We fuse elite human production, mythic narrative design, and AI-enhanced musical engineering to build the next great creative empire.

We don’t make tracks.
We build universes.

From orchestral-trap storms to neon-future love stories, every SourceLine Mediai project speaks across generations grounded in hip-hop truth, elevated by R&B soul, and expanded by future-world visual engineering.

OUR PHILOSOPHY

At SourceLine Mediai, AI is treated as an instrument not an author.
Every creation begins with human intention:
the vision, the pen, the emotion, the direction, the lived experience.

AI assists. Humans define.
The soul stays human. The power becomes limitless.

THE ARCHITECT

Founder, Writer, Visionary Director of Artist Development
(Represented by SourceLine Mediai  an A.I.-Powered Production Company)

The Architect entered the creative world on his own timeline.
A late starter but a master observer.

Decades spent traveling the world, studying culture, dissecting human emotion, surviving life’s storms… all forged a perspective no classroom could teach.

Today, he shapes a musical signature that blends:

Cinematic hip-hop

R&B soul

Melodic pop

Orchestral depth

Mythic storytelling

AI-enhanced sound design

Under his leadership, SourceLine Mediai operates as a cutting-edge creative lab + production house a hybrid engine where human imagination and machine precision merge into commercially powerful art.

He oversees:

Creative vision

Songwriting

Licensing compliance

Brand development

Artist growth

Sound design direction

Marketing and narrative campaigns

His work captures the emotional DNA of modern music:
technology meets truth, and truth hits hard.

STATEMENT OF CREATIVE ETHICS

We believe the future belongs to creators who fuse technology with integrity.

SourceLine Mediai stands for:

Authorship accountability

Transparency in AI licensing

Ethical Human-AI collaboration

Creative truth over shortcuts

Our motto:

“Built by Humans. Enhanced by Intelligence.”
OUR PRODUCTION PROCESS

A SourceLine Mediai project is not a beat or a track.
It is a cinematic ecosystem.

We work collaboratively with artists, filmmakers, and brands to craft customized soundscapes that move audiences emotionally, visually, and psychologically.

Every process includes:

Human-written lyrics

Human-directed arrangement choices

Human-guided vocal performance or narration

AI tools strictly used for sound design, simulation, or texture generation

Human-owned mixing and mastering taste

Each project becomes a story. Each story becomes an experience.
Each experience becomes a world.

HUMAN AUTHORSHIP DECLARATION

Every SourceLine Mediai release contains traceable, verifiable human authorship:

Original lyrics

Melody creation

Human-directed song structure

Creative direction

Vocal performance or engineered vocal delivery

Final mix decisions reflecting human taste

AI-generated stems, visuals, or instrumentals are treated as licensed materials, not autonomous works.
Human creators guide every action.

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All human-authored content is protected under U.S. and international copyright.

AI-assisted elements are lawfully integrated under platform licenses.

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Unauthorized reproduction, dataset training, or resale of SourceLine Mediai content is strictly prohibited.

Every release is registered, documented, archived, and protected.

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Built by The Architect. Heard by the World.

© 2025 SourceLine Mediai  where human artistry meets algorithmic power.

And There Was Someone ( Replying to Missy Firecracker) Remix

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