"Embryonic Devils" shall be released via Southern Lord in LP and digital formats on 28th April, 2017.

DARKEST TRAX OF 2016

Pain

C&C PROMO COMP_SIDE 2_MASTER

This episode of Cult and Culture kicks off a group of podcasts recorded and centered around Oak Cliff Film Fest, an independent film festival located in Dallas, Texas. Here, Luke and Justin talk with Ashton Campbell, the co-director of the operation. They talk about the unique location for the festival, a theater with an infamous history: where Lee Harvey Oswald was captured. They also discuss what makes the festival memorable for attendees as well as those participating in it, from yoga classes being offered to staff, to the thoughtful curation of films chosen and bands performing, the result is a sense of community and buy-in that makes people invested in coming back year after year. Campbell laments what AI has become and the threats it may pose as well as where it may be practical, and shares the tongue-in-cheek "analog approach" the team takes to create their promotion-- this year featuring "Nicole Kidmannequin" and the overall theme of "REAL MOVIES FOR REAL MOVIE PEOPLE."

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.

Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.

Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.

https://soundcloud.com/threeoneg/sets/cult-and-culture-podcast

https://podcasts.apple.com/us/podcast/cult-and-culture/id1232084207

Watch episode

Cult & Culture Podcast Episode 55 feat. Ashton Campbell of the Oak Cliff Film Fest

Cult and Culture Podcast Episode 56 features director, actor, and writer of the film Fucktoys, Annapurna Sriram. This is the second in a five-episode series of podcasts Luke and Justin filmed at the Oak Cliff Film Festival in Texas. Fucktoys is Sriram's debut film as a director-- an adventurous, ambitious, tragic dark comedy set in New Orleans in the fictional world of "Trash Town," which is something of a lush, magical, simultaneously dystopian American wasteland that seems to occupy various decades in time. The episode discusses these various directorial decisions and the importance of intense preparation when creating it, as well as "The shitification era of Capitalism," the choice to have a trans love interest in the film while simultaneously NOT centering their transness as a part of the narrative, the prevalence of patriarchy and the necessity of sex work in today's society for women, the general decay of America, and the ways in which Gen Z may save us all.

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.

Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.

Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.

https://soundcloud.com/threeoneg/sets/cult-and-culture-podcast

https://podcasts.apple.com/us/podcast/cult-and-culture/id1232084207


Cult & Culture Podcast Episode 56 feat. Annapurna Sriram (Director, actor, writer of Fucktoys)

Negative Blast formed in San Diego during the depths of the pandemic when longtime buds Rainier Pesebre (vocals) and Alexander Jacobelli (guitar) began trading riffs and ideas in isolation. Jacobelli and bassist Patrick Callaway were touring buddies in their respective bands Lewd Acts and Hour of the Wolf during the early 2000s hardcore punk renaissance. Within two weeks of Rain and Alex jamming ideas, Pat relocated from Chicago to San Diego, cementing the songwriting core of the band.

Jacobelli, who operates Sunsick Studio in La Mesa, engineered and mixed the band’s early recordings, allowing Negative Blast to develop and release material quickly. Their first EP, The First Four Months, was followed by DEMO 002. Initial shows featured Sam Rich (Del Vipers, Riverboat Gamblers) on drums before the group began work on their first LP, Echo Planet, released through Quiet Panic Records.

Midway through the record, Callaway reached out to Mario Rubalcaba (Earthless, Hot Snakes, Rocket From the Crypt), who joined on drums. With Rubalcaba, the band released a split with LA hardcore act SWEAT via Vitriol Records.

In 2025, drummer Hunter Martinez (Decent Criminal, Human Issue) stepped in as a permanent member. His energy is captured on the band’s 2025 full-length, Destroy Myself For Fun.

Destroy Myself For Fun

NEGATIVE BLAST "DENIAL"

Cult & Culture Podcast Episode 57 is a discussion with Albert Birney, director, actor, and writer of his most recent film OBEX-- a story that centers around a man in search for his dog in a world that blurs the lines between video game and reality. This is part three of Luke and Justin's five part series of conversations with independent directors that took place at this year's Oak Cliff Film Fest in Texas. The trio talk about the aesthetics of the film, with the goal of creating a "lofi" feel and striving for authenticity. They dive into the filmmaking process, breaking down a lot of the techniques that were used and the process of collaborating on the film score with Deakin of Animal Collective, an old friend of Albert's, to target a "retro" perspective. Birney is also a musician himself, having been in bands as well as recording on his own. They discuss the magic of dogs, the potential for creating a video game to accompany the film, time travel, and nostalgia.

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.

Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.

Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.

https://soundcloud.com/threeoneg/sets/cult-and-culture-podcast

https://podcasts.apple.com/us/podcast/cult-and-culture/id1232084207

Watch 

Cult & Culture Podcast Episode 57 feat. Albert Birney (Director, actor, writer of OBEX)

http://mannequinrecords.bigcartel.com/product/mnq-087-flo-andrew-take-suicide-12

One of the holy grail of the minimal synth and one of the most obscure musical projects ever produced in Italy is finally reissued on Mannequin Records.

Originally released in 1981 by Broadbean Records, a sub-label of LM Records, Flo & Andrew only release ‘Take Suicide’ was home-recorded and home-mixed by the duo in Bologna, using early drum machines like the Boss Dr-55 and the Korg Kr-55, analog synthesizers, guitar, saxophone, tape loops. Flo & Andrew music is truly unique and exemplifies the fact that limitation can be the perfect source for creativity. The title-track and ’To Committ Suicide’ travel through contort and nervous synth sounds and loops, taking somehow inspiration from the No Wave heroes, while ‘Japanese Girls’ is nothing less than a beautiful minimal electronics track in the mythology of the futuristic rise of Japanese country.

Recently (re)discovered, ‘Take Suicide’ is a milestone of the European minimal synth singles and is not really a coincidence that a young generations of producers take it as inspiration (you can see ‘Take Suicide’ floating in the tracklist of artists as Helena Hauff and NGLY). Another must have in your collection / record bag!

Tracklist

A Take suicide 
B1 To committ suicide 
B2 Japanese girls 

Mastering by Rude 66.

Original graphic design by Surgelato.

Limited edition of 500 copies, first 100 copies on red vinyl.

MNQ 087 Flo & Andrew - Take Suicide

Take Suicide

MNQ 087 Flo & Andrew - Take Suicide 12''

Out on October 7. Taken from the upcoming album "Running Out Of Love" on Labrador.

iTunes: http://smarturl.it/ROOL
Spotify: https://open.spotify.com/track/16DuvFY6MM7BUlr7Y4wlrg
Amazon vinyl: http://smarturl.it/ROOL_AmzLP

www.labrador.se // info@labrador.se

Running Out Of Love

iTunes

The Radio Dept. - We Got Game

Crypt Rot - Chapters of Torment

New track me and @niteboi6 made together // free download <3

Like S&S on Facebook: https://www.facebook.com/sidewalksandskeletons

ｆｒｅｅ ｄｏｗｎｌｏａｄ

Isolated w/niteboi ✨🌙

Free Repost @soslowed Est. 2012
Twitter: Spid3rcloud  
Sice 2012 I have offered a free repost service. 

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Crypt Rot - Chapters of Torment

Southern Lord Records

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