Klaus Schulze

Marsen Jules - The Empire Of Silence 

Buy this now: oktaf.bandcamp.com
(CD inludes download of a 38 minute bonus track)

Ten years after his debut-album “Herbstlaub“ on CCO, german ambient composer Marsen Jules takes us to his “Empire of Silence“. An impressing soundtrack to the epic power and  beauty of nordic snow and ice-landscapes. Thereby he sounds even more elegiac, warm and romantic as ever before. This might be a result of a strict reduction to bittersweet symphonic string-sounds. Sounds which Jules elapses like a prism on the timeline and lets them meander on the slightly on the listeners eardrum. While others are still talking about “modern classic“, Jules is already moving on the particle-layer through the sound-continuum. Diving deeper into the sounds then ever before, he lets the frequencies mirror on the sound spectrum with an impressing precision. Actually there is not much space for “real“ silence on the album. Instead the epic sounds of “The Empire of Silence“ seem to unfold their archaic euphoria best at high volumes. An euphoria that carries everything away and occupies the whole space. For the track titles of the eight gems on this album Jules refers to different Words for snow in Inuit language, of which the legend says there are dozens. While the melancholic openers “penstla“ (the idea of snow) and “tlaslo“ (snow that falls slowly) still travel on soft ways, the album raises to its full euphoria with “kayi“ (drifting snow) and “skriniya“ (snow that never reaches the ground). With its epic magic the nine minute long “katiyana“ (night snow) thrills the listeners attention while “naklin“ (forgotten snow) brings a short inhale. The album finds its peak with the ecstatic glisandi of „chathalin“ (snow that makes a sizzling sound as it falls on water) and finds its finish in the beautiful and lofty “ylaipi“ (tomorrow´s snow). For everyone who is still not satisfied fully after this 55 minute journey through nearly endless stringlisandi, we recommend the 45-minute bonus track which comes as digital download with the cd version on bandcamp.

Oktaf Bandcamp Store

Marsen Jules - The Empire Of Silence (Album Preview)

Klaus Schulze - Chromengel

Tallinn-based producer Dharma Doom has performed and released music under many aliases and groups, with each collaboration and side project revealing a different slice of the wide spectrum of styles and sounds in his arsenal. He is something of a shapeshifter, showing up one night as one half of Ost Euro to deliver floor-filling minimal techno improvisations and then reappearing on the next to perform a raw and emotional noise set with his other trio project Keetai. Through years of moving between various mediums and expressions of sound, he has developed a subtle yet distinct sonic language — one that is often menacing and gritty, but also intimate and meditative.

His new solo EP, “A Place Between Places”, feels like a 7-track guided meditation through ideas and influences absorbed from years of side projects, experimentations and collaborations — combined and refined into a rich collage of club music and textural ambient.
credits


Bandcamp

Never Found (w/ Kofu)

OBLIVION

I did this cover / remix of Klaus Schulze's track Brave old sequence for the CD "A tribute to Klaus Schulze", released on Série Poème in 1998. This is my 2014 remastered version with brighter and fuller sound than the original.

Site: www.fogelberg.com
Facebook: www.facebook.com/Bjorn.Fogelberg.official
Instagram: https://www.instagram.com/bjorn_knatter_fogelberg
Spotify: https://open.spotify.com/artist/4xU4qHDLHRnEtgtt4fDiMa?si=KLfdQgUDQNi3O5g04mv_tw

Klaus Schulze - Brave new sequence (Bjorn Fogelberg remix)

Klaus Schulze X [Revisited] Disc 1 03 Frank Herbert

Music for Whales, chapter 4.

Tribute to Klaus Schulze. Seventeen little extracts from his first decade in chronological order. Nothing else to say... Whales would not understand us.

1. Klaus Schulze -Satz: Ebene [Irrlicht, Ohr, 1972]
https://www.discogs.com/es/Klaus-Schulze-Irrlicht/master/28952

2. Klaus Schulze -  Satz: Gewitter (Energy Rise — Energy Collapse) [Irrlicht, Ohr, 1972]
https://www.discogs.com/es/Klaus-Schulze-Irrlicht/master/28952

3. Klaus Schulze – Conphara [Cyborg, Kosmische Musik, 1973]
https://www.discogs.com/es/Klaus-Schulze-Cyborg/master/28971

4. Klaus Schulze -   Chromengel [Cyborg, Kosmische Musik, 1973]
https://www.discogs.com/es/Klaus-Schulze-Cyborg/master/28971

5. Klaus Schulze -  Ways of Changes [Blackdance, Brain Brain, 1974]
https://www.discogs.com/es/Klaus-Schulze-Blackdance/master/29016

6. Klaus Schulze -  Bayreuth Return [Timewind, Brain Brain, 1975]
https://www.discogs.com/es/Klaus-Schulze-Timewind/master/29104

7. Klaus Schulze -  Echoes Of Time [Timewind, Brain Brain, 1975]
https://www.discogs.com/es/Klaus-Schulze-Timewind/master/29104

8. Klaus Schulze – Totem [Picture music, Brain Brain, 1975]
https://www.discogs.com/es/Klaus-Schulze-Picture-Music/master/29048

9. Klaus Schulze – C'est pas la meme chose [Picture music, Brain Brain, 1975]
https://www.discogs.com/es/Klaus-Schulze-Picture-Music/master/29048

10. Klaus Schulze – Floating [Moondawn, Brain Brain, 1976]
https://www.discogs.com/es/Klaus-Schulze-Moondawn/master/29301

11. Klaus Schulze -  Crystal Lake [Mirage, Brain, 1977]
https://www.discogs.com/es/Klaus-Schulze-Mirage/master/29406

12. Klaus Schulze -  Velvet Voyage [Mirage, Brain, 1977]
https://www.discogs.com/es/Klaus-Schulze-Mirage/master/29406

13. Klaus Schulze - In Cosa Crede Chi Non Crede [Mirage, Brain, 1977]
https://www.discogs.com/es/Klaus-Schulze-Mirage/master/29406

14. Klaus Schulze - Friedrich Nietzsche [X, Brain, 1978]
https://www.discogs.com/es/Klaus-Schulze-X/master/29418

15. Klaus Schulze -  Friedemann Bach [X, Brain, 1978]
https://www.discogs.com/es/Klaus-Schulze-X/master/29418

16. Klaus Schulze -  Objet d'Louis [X, Brain, 1978]
https://www.discogs.com/es/Klaus-Schulze-X/master/29418

17. Klaus Schulze -  Georg Trakl [X, Brain, 1978]
https://www.discogs.com/es/Klaus-Schulze-X/master/29418

Music For Whales -  Klaus Schulze, seventeen little extracts from his first decade

White Noise - Love without sound

Recorded Live in Leiden (Netherlands), November 22 - 1981 

02 Klaus Schulze Live part 2

Benoît Lefeuvre & Maxime Mouttet - Incursion III [Ōtium]
Catalog - ŌTMS3
Release Date - 09/12/2019
Format - Cassette & Digital

Support & Buy - https://otiumrec.bandcamp.com/

Mastering By - Maxime Mouttet
Artwork By - Benoît Lefeuvre

Ōtium on Facebook - https://www.facebook.com/otiumrec/
Ōtium on Soundcloud - @https://soundcloud.com/otiumrec


These improvised musical pieces were recorded live in Brittany by Maxime Mouttet and Benoît Lefeuvre. 

They soundscape the fictional exploration of a chasm with crystallizing walls, remodeled by erosion through the work of salt and water over time. 

This natural process has guided their musical approach, mixing field recordings and re-arranged raw sound materials to carve them as a set of unique instruments, sometimes playing as a discordant ensemble, sometimes in symbiosis.

Support & Buy

Benoît Lefeuvre & Maxime Mouttet - Incursion III [Ōtium]

Composed on Ableton, 19th february 2013.
Tribute to Klaus Schulze.

Meeting Klaus Schulze at night (Tribute to Klaus Schulze) - Free download

Alternative Version: Klaus Schulze - I Loop You Schwindelig . More Versions  : https://klaus-schulze.fandom.com/wiki/I_Loop_You_Schwindelig

Ash Ra Tempel  - Pikant

Pre-order availabe now via Imprec.com
Cassette edition of 100 via Cassauna/Imprec

ALEXANDRE BAZIN​ is a member of the ​Groupe de Recherches Musicales​, better known as the GRM, for which he writes documentaries about music for the radio. He is passionate about experimental music and more specifically acousmatic music created by members of the GRM, such as Bernard Parmegiani, Francois Bayle and Guy Reibel. Due to his background as a classical and jazz pianist, Alexandre Bazin is also passionate about instrumental music by the likes of Steve Reich, Erik Satie, Brian Eno ... This album attempts to synthesize these two worlds that are so dear to the composer, either in symbiosis or in opposition to one another with simple and loose melodies as its main theme. The use of analog synthesizers and acoustic sounds are at the heart of the composer's creative process. His music has already been heard thanks to Umor Rex Records in Mexico and the Moogfest festival in the USA.

OCEANS :

"Oceans" ​was written for Marimba, Piano and Buchla Music Easel, in 4 movements around the theme of the Ocean. Simple and loose melodies, played on piano and Buchla. They rotate around the marimba which evokes breathing and the rhythm of the swell. Suspended melodies reminiscent of Generative music although in this case they are an improvisation around a simple motif. Through its title and movements, this work evokes a reflection around climate change and our relationship to Oceans: water, breathing, the repetition of movement, but also its immensity which reminds us of our limits. The piece was performed by Alexandre Bazin on Piano, Buchla Music Easel and Marimba as well as Gabriel Benlolo on Marimba, a member of the Radio France Philharmonic orchestra.

Alexandre Bazin  -  Underwater (Part 4) From Oceans/Dream - Land - Cassette

from 'In Origine: The Field Of Repentance' [CD|2xLP|DIGITAL]
Denovali Records · den343
available on all formats at http://denovali.com/saffronkeira

"In Origine: The Field of Repentance" is a concept album dealing with the origin of man and its impact on the cycle of creation and destruction which drives the evolution of the universe. This time Caria invited one of the world's major trumpeters, prolific Sardinian jazz artist Paolo Fresu to collaborate on the album. Fresu's unique trumpet sound is recognized as one of the most distinctive in the contemporary jazz scene and on this album Caria and Fresu succeed in perfectly merging their contributions into a coherent entity. Fresu is not accompanying Caria and Caria is not accompanying Fresu. Instead they both drive each others plays, building and rebuilding, forming and reforming meticulous pieces of analogue-electronic music that invoke the feeling of a pure timelessness.

In Origine: The Field Of Repentance

Saffronkeira with Paolo Fresu - The Field of Repentance

DVORJACKED
‘Dvorjacked’ is a rework of Dvořák's "American" Quartet - Movement II
(Lento). “It’s a fragment of the piece, one phrase really, and it's just old enough to be in the public domain which is of interest to me. I used a modular synthesizer called the Morphagene to loop and process the recording. I wanted to work with a piece of existing chamber music and I was especially looking for something that sounded like a love song. The process I used to decompose and recompose is modelled after mid 20th Century tape experiments so the piece points to early sound sculpting. The vague familiarity of the work is an important element. All of my work deals in some way with deconstructing existing musical forms and re-thinking them while considering how memory operates and how the brain deals with familiarity and abstraction.” - Christina Vantzou

CONCENTRIC RECORDS - COLLIDING WIND - VARIOUS ARTISTS TWO
12" LP, 180gr. Vinyl & Digital - Release Date: January 15, 2021
Pre-Order Album Here: concentricrecords.bandcamp.com/album/col…ding-wind

Colliding Wind

Dvorjacked

Christina Vantzou - Dvorjacked [Self-Titled Mag] [Track Premiére]

Taken from Origamibiro's LP Miscellany on Denovali Records, out March 26.

More: www.orbmag.com/music/

@origamibiro
@denovali

Klaus Schulze - Chromengel

Sowrdation2

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