https://sfx-space.bandcamp.com/track/wait-aya-dub-zo-mc-pherson
Brilliant surprise remix by the wonderful artist @aya_yco out on @s-f-x-0101
! A slow-burning roaring footwork drum and bass remix of my track Wait taken from the album Pitch Blender.
This one comes as a super yummy cherry on top of the already delightful Pitch Blender remix EP, with works by Scratcha DVA, Jana Rush, Kasimyn Gendang, Jessica Ekomane, Mc Yallah and me.
We've heard with immense joy these being played out there in clubs and on the airwaves. Thanks for the love!

Giving it extra back at you now! Go hear it now
Red-flavoured artwork by Alessandra Leone

Pitch Blender remixes

Wait (aya Dub)

Out now ♡ https://links.paradoxeclub.fr/crush

Written and produced by @BasileMusicSounds
Mastered by Le Dom
Artwork by Manuel Moreno Cortes

PRDXS008 - www.paradoxeclub.fr

Basile3 - Crush

Lastrack - Sony Glace

ANSWERS

DJ Plead, Phillip Jondo and Xzavier Stone join forces in a collaborative EP that not only signifies the birth of a profound friendship and creative alliance but also traces the roots of their interconnected musical journey. Crafted over several years, this body of work was meticulously shaped through both remote collaboration and sessions held in Xzavier Stone's studio in Zurich. As the trio delves into their mutual musical passions, they skillfully weave together influences from contemporary club music, 00s club rap, and intricate syncopated drum work, creating a sonic tapestry that resonates with innovation and shared artistic vision.

releases April 22, 2024

Written & Produced by Xzavier Stone, DJ Plead and Phillip Jondo. 
Mastered by Modulaw. 
Cut by Dubplates & Mastering, Berlin. 
Artwork Design by Kieran K.

Bisqu EP

Xzavier Stone, DJ Plead, Phillip Jondo - POU LOOP

Hollywood birders Harry and Tom deliver four DJ unfriendly tracks aimed squarely at the parish hall. Sonic forage-ables and contemporary barndance to storm cruck frames across the Tunbridge Wells - Pontypool connection.

‘Drum, Botany & the Brash’ is the product of six months of outings and studio sessions by Forest Casual, a collaborative project by Harry Murdoch and Thomas Morley. These songs assemble nocturnal field recordings, barely metric rhythms, the May Day dawn chorus, wilted bouzouki and wood-pigeon wub. Two heads colliding to create a third, completely distinct from its makers.The resulting four tracks are dub infused soundsystem folk for the funglist massive, just don’t call it Folktronica. Entrenched in the music are many musical tangents explored in Harry’s basement, anecdotes of work and play on the ropes, and memories of jumping fences and squinting at woodpeckers. 

Harry Murdoch makes music as hmurd and has released with TT Label, Gin & Platonic, All Centre and more. He co-runs the label Cherche Encore and is in the band Hard On Yarn Sourdonk Communion. Harry is chronically ill. He mostly makes music with code.
Thomas Morley is a free improviser currently exploring composition by experience and relationship. He is 1/2 of microband ‘mosspit’ and provides side-person duties for artists in need of pads and foley. Hailing from South Wales, Tom finds catharsis by abseiling on heritage buildings and playing 5-string banjo.

Written and Produced by Tom Morley and Harry Murdoch
Artwork by Sheonagh Baird

Forest Casual - Transients Cadw

Youth Remixes

Promises (Sylvere Remix)

dru-1 - preshuh
Label: Infinite Machine
CAT#: IM118
Format: Digital
Release Date: April 25th, 2025

dru-1's "preshuh" was composed in the artist's home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP's bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. "preshuh" builds upon the

vision realized in the artist's debut project, a 4-track EP released on Why Be's Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—"maco queen," "palance," and "a4s."

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett's EP is infused with a spirit of optimism and revelry. The EP opens with echoes of "toma!" and other indistinct cries, as timbale taps gradually build alongside jerky basslines in "diastema." The subsequent track "corbeaux," takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. "Libido" calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, "We come together," repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the

steady rhythm beneath. In "maco queen," the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. "Hey!" and "Ha!" shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, "palance" unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with "a4s," a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett's EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies

a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived?

PREORDER

dru-1 - maco queen (IM118)

Jersey Club Drill - Lala _ Free Type Beat _ Rap Trap Beats Freestyle Instrumental

Funky Banjo

Tiger Skin

Music label based in Cologne
19.07.25 - SPA at Open Ground
28.05.25 - SPA at Salon des Amateurs
28.03.25 - SPA w/ Mechatok - Jaki, Köln
06.12.24 - SPA presents perila, Xzavier Stone, luxxuryproblems & Sarah San - Cherry Hill, Köln
19.10.24 - NoS w/ Kode9, aya, HiTech, luxxuryproblems+++
07.09.24 - SPA recordings at Open Ground
23.08.24 - SPA x KALKAIRS w/ Ultrafog, Joyul, Inwoo Jung
_
SPA ON NTS.LIVE
TUESDAY / 12AM-1AM / MONTHLY
www.nts.live/shows/spa

Xzavier Stone, DJ Plead, Phillip Jondo - POU LOOP

SPA

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