🚀 Exciting News! 🚀 My latest single "Last Time" has just dropped on all streaming platforms, and it's an EDM Progressive House masterpiece featuring the incredible DMOND! 🔥🎶

🌟 Immerse yourself in the electrifying beats and uplifting vibes. 🕺💃 Let the music take you on a journey like never before! 🌈✨

🔗 Listen now on Spotify, Apple Music, and all your favorite platforms! 🎧🚀 [https://open.spotify.com/track/0r8W7ACm3w6azgqmwRZyzr?si=6e6269ee40284fbc

https://open.spotify.com/track/0r8W7ACm3w6azgqmwRZyzr?si=6e6269ee40284fbc]

🔥 Turn up the volume, feel the energy, and make "Last Time" your anthem! 🎉🔊 Don't forget to share with your friends and spread the good vibes! 🌐🤝

Last Time (feat. DMOND) [Radio Edit]

When Victoria BC’s Michael Beggs made his debut on Feral One Records with his EP, Way You Feel, he demonstrated his identity as a music producer who can explore the emotional depth of his audience.

Now with the new remix package for “Mad Hatter,” the final track on the EP, it’s clear that Beggs, deep down, prefers to have his audience going freakin’ crazy on the dancefloor.

The Mad Hatter is the ringleader of the off-their-rocker cast of hooligans in Alice in Wonderland, and these four remixes demonstrate how Beggs leads his audience into total insanity.

Beginning with his own VIP of “Mad Hatter,” Beggs sets the tone of the remixes good and nutty. Where his original captured the power of minimalism, he doesn’t hold anything back on the VIP. The fog horn that lands on the second drop isn’t a fog horn at all. It’s a roar of gruesome energy punctuated by some happy melodic instances that are like makeup and a cruel smile that (used to) keep the crazy at bay.

The second remix takes things in a breakbeat direction. Because of the scattered drums, breaks always have more room for madness. Especially when they’re produced by the Feral One veteran, EMUH. As the Seattle stalwart has done on numerous FO releases before this, EMUH understands the (loony) assignment. Extended vocal samples and forward-moving chords dance around each other while other seemingly random effects like backspins appear out of nowhere. It’s insane. But it totally works.

dopecreature’s deep tech rework is all about controlled madness. The track starts with jittery samples buzzing around the steady and solid four-on-the-floor. A little teaser of the mood swing that’s about to hit. Suddenly an epic synth build-up akin to the unmistakable THX intro rumbles up from nothing before massive amalgams of sound design burst through the seams. It’s hard to believe such a tight-knit beat could contain what was hiding beneath the surface.

Then for the finale, Phrase takes his remix into a direction that is probably most often labeled “mad” in all of dance music: drum & bass. And yet, he was able to find even more madness with circular synths hypnotizing listeners like an undulating pocket watch while the drums exist at the maximum level of erratic. Feral One doesn’t put out much D&B, but when they do, it’s always welcome.


Mastering: Hume Audio (Seattle, US)
https://www.feralonerecords.com
https://linktr.ee/feralonerecords

Mad Hatter Remixes

Mad Hatter (EMUH Remix)

Buy on Beatport

Michael Beggs - Mad Hatter (EMUH Remix)

interpretation of Da Blow by Lil Jon and the Eastside Boyz, Gangsta Boo, and Act a Fool by Lil Jon and Three 6 Mafia

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Track recorded from one of my live sessions.

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Me and my blood cuzin tearing up the beat!! 


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na ja was soll man über diesen Journalismus großartig sagen. 
Dieser nervt mich derzeit so. so... so
Ich finde es gut, dass die Judith Rakers hier den Ausstieg gefunden hat...
Spaßmuke nicht so ernst nehmen von Fun-cy

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