Daily Drops

DECEPTIVE DREAMS is a track of the "GALACTIC COMMAND" - Album: 
https://soundcloud.com/moflow-records/sets/escalazer-galactic-command 
ESCALAZER - OWN NEW ACCOUNT: https://soundcloud.com/escalazer
Escalazer on FACEBOOK: https://www.facebook.com/escalazer/?ref=py_c
Escalazer - Galactic Command on YOUTUBE:
https://youtube.com/playlist?list=PLkWQ19PYJcCNw_j0__EuvtarwYu40vMby&si=Z1xSdHLILF77LIf9

ALL ANALOG: (but the samples) 
Drums: Roland TR 707 / Roland R8
Melodys: Oberheim OB8, Korg DW 8000, Melotron
Chords: Roland JX 10
Bass: Sequencial PRO 2
Arp: Roland Juno 60

All rights reserved by escalazer & moflow records

GALACTIC COMMAND

DECEPTIVE DREAMS

After 18yrs of releasing a new song, Hostal Handshake are BACK!
Maybe just a single, maybe just an EP or maybe...an album? But we are Back! :D
#ripOzzy

Youtube link: https://www.youtube.com/watch?v=lYcakJJnz1E
-----------------------------------------------------------------------------------------------
lyrics:
This is not a drill!

Give me something to break it in two
give me glory to rule the fools
take me in your house on a big flat screen
Ready to sink you on a dark black dream

Are you ready to become a slave of me?
Corrupted government ain't gonna set u free
All these righteous pre-election pigs
are now pointing the finger for you to pay the fee

Now it's the time, this is not a drill
ain't got no privilege , got nothing to feel
Your heart is gray from the news today
only your soul left in the end to pay


(p) & (c) 2025, Hostal Handshake.

This is not a drill! (new song 2025)

Cube

Hear the voice that calls you to freedom—echoing through the wilderness, stirring the soul. Step onto the path of truth, where every footfall is a testament to courage. Grasp the covenant, sacred and unbroken, from which unwavering faith is forged in fire. This is not just escape—it is deliverance. A journey from bondage to belief. This is Exodus Libertas.

Exodus Libertas

Archetypical

https://www.instagram.com/reel/DNntOqxN1fi/?igsh=OWJ1M2hqZ3ozNW5j

MARTIAN WASTELAND
The Martian winds whispered across the empty plains, carrying dust like ash from an old fire. When SPACECAT landed, he knew immediately—something here was wrong. His whiskers tingled, his tail flicked. Mars wasn’t just silent. It was watching.

Shapes appeared through the red haze. Astronauts. But their suits were torn, their visors cracked—inside, nothing but pale light, shifting like smoke. They walked with jerking, unnatural steps, boots leaving no trace in the dust.

Ghosts.

The stories were true. The lost crews of Mars missions, trapped between life and death, now wandering the wasteland.

One lifted its helmet, revealing a hollow void that hissed his name:
“Sssspaaacecaaat…”

SPACECAT didn’t flinch. He’d faced worse. Probably.

Then came the sound—metal grinding against rock. A rover rolled into view, but it was twisted, warped by something beyond engineering. Its headlights burned white like empty eyes. Chains rattled as it tore across the soil, hunting.

The ghosts pointed, and the rover roared forward.

SPACECAT sprinted, claws flashing on stone, his jetpack coughing weak sparks. The rover chased close, its mechanical arm snapping inches from his tail. The ghosts drifted after, whispering in unison:

“Stay. With. Us.”

He leapt into the shadows of a crater—and there, waiting, was Zorgo. Oil on his claws, sparks in the dust, he grinned his lizard grin.
“Fixed it. Just in time. The MARS RIDER is yours.”

The machine stood ready: sleek black hull, neon veins pulsing, engines glowing like fire in the dark. It looked alive. It looked hungry.

SPACECAT dove into the cockpit. The rover crested the ridge above, screeching, its jaws widening—

FWOOOSH!

The MARS RIDER launched like a lightning strike, neon trails tearing across the wasteland. The rover gave chase, but the Rider cut sharper, faster, burning over ridges and craters. With a final burst, SPACECAT flipped a switch marked with a claw-scratch: Overdrive.

Engines screamed. The Rider leapt a canyon, fire spilling behind. The rover couldn’t follow. It fell, crashing into the abyss, its death-screech swallowed by the Martian dark.

Silence returned. But not peace.

The ghosts still stood on the plain, far behind now—hundreds of them. Their glowing visors turned, following the Rider’s path. They raised their hands in eerie unison.

SPACECAT narrowed his eyes, tail lashing as he sped into the horizon.
“They’re not gone,” he muttered. “And next time… they’ll come for me.”

The Martian night swallowed the MARS RIDER, leaving only dust and whispers in the wasteland.

Martian Wasteland

Here's my take on this Yanni's masterpiece. I've changed the original arrange in some sections to differ slightly, improvisations during the recording sessions are always full of surprises. I've added some subtle strings as an essence of Yanni's original version, no intention to copy it anyway. It wouldn't be an appropriate approach to this project, I think. It is strangely satisfying to dive into a genius mind to discover what is moving the gears inside. Yanni as a composer seems to be simple and minimalistic, but there are some quite complex twists in his compositions...

The End Of August by Yanni - piano remake

When Everything Was Ours

Heavenly Ray

MUSICVIDEO-LINK: https://youtu.be/8xhiD6aRsvA?feature=shared
WHOLE TRACK HERE: https://soundcloud.com/escalazer/shadowswithin
Its the first track of ESCALAZERS new album NEON NEBULA.
THANK YOU SO MUCH SUPPORTERS! - Escalazer
The KEYBOARDS SONGCONTEST ended. WE made the third place,
which is great. First place is RETROSOUND, so congrats to him!

YOUTUBE- VIDEO (moflow records) comes in the next days !

SHADOWS WITHIN - JINGLE

SHADOWS WITHIN - JINGLE / MUSIC & VIDEO-LINK in description!

PRIPYAT is the first poduction from the new MOFLOW - ARTIST
"EMPIRE CITY NIGHTS" ! Created by HARDTOP86 & SXS ! 
It describes the disturbing atmosphere of a place that hides a terrible story. 
INFO here: https://www.youtube.com/watch?v=VpBrWzfinpk 
AND here: https://www.youtube.com/watch?v=YfulqRdDbsg

This song is only musical art - but it is important for us to express our deep compassion with the victims of the disaster, our deepest respect for the heroes who lost their lives, and our humility towards the bereaved who can never forget.

MUSIC-VIDEO in production! Soon on YOUTUBE.
All rights reserved by Empire City Nights & moflow records

PRIPYAT

C / T / F / O
Release Date: 07-01-2019
© 2019 Keith Richie

C / T / F / O represents a bold evolution in my sound—ushering in what I consider a new phase: Aggressive Ambient. While still grounded in the atmospheric textures that define my work, this album introduces grittier edges, distorted basslines, and a driving pulse that adds urgency and weight to each track.

The journey begins with Maestoso, featuring searing guitar leads by Ray Clay. What starts as a subdued ambient-techno fusion gradually builds into a cinematic, guitar-forward anthem—setting the tone for the dynamic contrasts that follow. Throughout the album, you'll encounter industrial rhythms, shadowy darkwave undercurrents, and moments of melodic tension that refuse to stay in one place.

Familiar elements of my previous work remain present, but they’ve been recontextualized with new intent. Tracks like Muzika Automatika—a clear homage to Kraftwerk—blend retro-futuristic textures with robotic precision and raw mechanical energy.

C / T / F / O is unpredictable and unapologetically experimental. It’s ambient music with a backbone, designed for those who want their soundscapes immersive and invigorating. The experience concludes with the title track—a final cathartic release, and a reminder to… well, C / T / F / O.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/ctfoBC  

Every 4-6 Hours

This week's Disquiet Junto prompt challenged us to a duel with a metronome: record a piece of music that weaves in and out of a steady beat. 

I assembled a trio comprising the Moog Minitaur (lead and bass), Roland Juno (pads), and Waldorf Streichfett (strings). I improvised a meandering chord sequence and spent a lot of time mixing multiple layers of analog pads to bring it to life. Against the steady backdrop of a simple percussion pattern, I recorded the lead performance on the Minitaur. Since this synth doesn't sync to the MIDI clock on the computer, riding the LFO controls manually let me improvise the swirling/cycling/beating patterns that dance within, against, and without the beat. 

About the vocals: When I was listening to the mix earlier today, I heard a momentary audio artifact that sounded like a muffled voice. This inspired me to add a vague vocal part for way back in the mix, so recorded myself reading an excerpt from "A Vision of the Night" by Ambrose Bierce.

More on the 719th weekly Disquiet Junto project, Riding on the Metronome — The Assignment: Play with and against a steady beat — at https://disquiet.com/0719/.

Legend of the Moon People (disquiet0719)

ears 33 bpm august 6 take 1

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Space  –  the final frontier.
These are the adventures of SPACE CAT, his continuing mission to explore strange new worlds, to seek out new life and new civilizations – to boldly go where no cat has gone before.

Inspired by Star Trek, Copyright CBS Studios Inc. / Paramount Pictures

Martian Wasteland

SPACE CAT 😸

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