SoundCloud Weekly May 3rd

The next TRM mix series comes served by the mind behind @future-primitive-records and @clubrooted, Milo Bragg. Here he captivates us with a mighty selection of new and old cuts that goes from cerebral broken techno inductions and DnB derivates to late ’90 revival solid techno grooves.

 Check this out!

_tracklist

01 - Terrence Dixon - Found In Space (Tresor)
02 - ASC - Area Check (Samurai Music)
03 - Karamika - Ton 2.3 (Offen Music)
04 - Pessimist - Pagans (Osiris Music UK)
05 - Cristian Vogel - Artists In Charge Of Expert Systems (Mosquito)
06 - Mat Carter - 7 Zark 7 (Varial Records)
07 - Stave & Grebenstein - Rack 4 (Standards & Practices)
08 - Subjected - Ambro (Arts)
09 - ESP - 6:01 (Synewave)
10 - Israel Vines - Path Correction (Interdimensional Transmissions)
11 - Marco Shuttle ‎- Qatarsi (Spazio Disponibile)
12 - Question - 1st Question B1 (Question)
13 - D-Knox - Reformed (Sonic Mind)
14 - Leo Laker - Sometimes (Tresor)
15 - Rue East - That Time (Regis remix) (Pure Plastic)
16 - The Exaltics - 8000 Miles Deep (D.I.E. remix) (Clone West Coast Series)
17 - Wizzbit - Oldskool (Road)

@future-primitive-records
@clubrooted

TRM PODCAST 062 | Milo Bragg

A2 - Kombé - We Are Insufficient (Snippet)

https://soundcloud.com/alfred092

https://www.retreatradio.net/alfredo92

Alfredo92 #12 (13/08/21)

Neon Cleptu 15 
Organic details. For this episode I like to welcome Oisatsana.

Spherical densities smudged to oblivion, The right words to describe Oisatsana's show. The Madrid based producer released a highly recommended EP on Secuencias Temporales where tries to earmark the balance of shapeshifting vibrations and more melting ambiences. His use of detailed blends and dematerialized atmospheres keep turning back in his music. 

I'm very pleased that he participated and will be the one to guide us through his musical fascinations

Broadcasted 04.02.2022
www.lyl.live

Neon Cleptu 15 → Oisatsana

Host of Oneiroi show on Bristol's 1020radio @freyacaldwell embraces listeners with solar buzzing, ringing hum and streams of organic noise - a therapeutic hour of sound meditation with eyes open.

Recorded specially for Grains of Peace - recreational zone and charity marathon on Kyiv-based 20ft Radio to help Ukrainians who have suffered from russia's aggression. 

Listen to music and stay with Ukraine: www.20ftradio.net

20ft Radio Ukraine Fundraiser

Grains of Peace w/ Faery @ 20ft Radio - 29/03/2022

GANJA MAN

holy moly

MY ROOM ISNT MINE

Made in collaboration with @la-fraicheur in Berlin on a rotation of naps, dj gigs, getting caught in thunderstorms and more naps. Enjoy the free tunes!

Nark & La Fraicheur - No Sleep, Next Place [Free DL]

Fred P’s fresh ‘Perpetual Sound’ imprint continues its journey with 'Lush Culture', a split EP that finds the label head alongside like-minded soul, Deetron. 

 

‘Liquidity’ opens the EP: a slowly-bubbling, elegantly shuffling house trip that pairs liquid, deep chords with irresistible percussion. ‘Lush Culture’ finds the New York-Berlin producer in his most sophisticated mode, channeling pure early-hours dance floor ambience via a rolling, charismatic beat amid a subtle but intoxicating build.

 

Handing the reins to Deetron for the flip, ‘Sweet Science’ sees the Swiss maestro punctures the weightless mood with a heavier, stepping bassline that blossoms into a blissful analogue state that rolls on and on, mastering sublime cosmic tension with each powerful breakdown. 

 

Fred P returns to conclude the release with ‘119 Black Key Experiment’, a sparkling, ambient sign-off that explores the retro-futurist influence at the beating heart of the label’s aesthetic.

Fred P - Lush Culture

What is the sound of the end? How does one acoustically convey that something is over? Computers have had a shutdown sound; movies play a melody while rolling credits and even the end of human life has a sound attached to it, courtesy of Chopin. Heatherbrae, an excellent track from Thomas Gray & Liam Ebbs feels like it's a sountrack to an end of some sort. Its deliberate and sparse pacing of someone who's no longer rushing, its "I-am-at-peace" synth chords as well as casual and relaxed drumming all seem to say: "It has been a lovely experience; I laughed and i cried, I've learned and I've grown but now it's over”.

Write up by: https://soundcloud.com/slinkyslava

Thomas Gray on SoundCloud: https://soundcloud.com/twfgray
Liam Ebbs on SoundCloud: https://soundcloud.com/liam-ebbs-1
Analogue Attic on SoundCloud: https://soundcloud.com/analogueattic

FOLLOW FICTION LAB ON: 
✖ SoundCloud ▸ bit.ly/LabSC 
✖ Facebook ▸ bit.ly/Labfacebook
✖ Instagram ▸ bit.ly/Labinsta

PRE-ORDER

PREMIERE: Thomas Gray & Liam Ebbs - Heatherbrae [Analogue Attic]

www.instagram.com/francisscissor/
www.facebook.com/francisscissor/
https://www.facebook.com/Joe-Claussell-47558567307/
https://www.facebook.com/lnslaurasparrow/
www.facebook.com/scissor.and.thread.nyc/

**

After Francis Harris' third album 'Trivial Occupations' gained magnificent resonances during press and listeners - his “meandering, spine-tingling loveliness” (DJ Mag, USA) became an album of the year in several publications - here is the Remix-EP with two very special reworks.

While the left-field ambient waves of 'Trivial Occupations' still linger in the ears, Joaquin Joe Claussell and LNS tamper with the two bit more beat-driven 'Minor Forms' and 'St. Catherine And The Calm' for two new interpretations that totally break the chains.

New York based DJ, musician and producer Joaquin Joe Claussell, label-owner of both Spiritual Life Music and Sacred Rhythms Music is looking back on a list of countless works on Labels like Vega Records, Brownswood Recordings and Wonderwheel Recordings. Famous for his percussion-driven Afro-House tracks which are influenced by his Puerto Rican background, he also has a deep connection into New York’s local Jazz Scene. Claussell's Cosmic Arts Version of Minor Forms features the outstanding Jazz-pianist Bennett Paster with skillful and organic Piano lines. The track opens up with indistinct vocal chants and distant piano-tinkles alongside scattered drum hits. This moody, steady swelling beginning follows on the vibe of the original’s jazzy trumpets. As the bass, played by Claussell, hits at some point, the whole track turns into a fusion of  virtousic synth and piano melodies, underlined with excentrical drum rolls. A turn back into the lighter ambient-spheres finally ends the wildness.

"No different than how I approach producing remixes," says Claussell, "my goal first and foremost is to initiate a connection with the original composition. What this allows me to do is become intimate with the piece in a way that it almost becomes one of my own. Once the relationship is established, I then sketch out the ideas in my head - then on to the canvas - hence whatever format, whether that be DAW or Tape that I feel can most appropriately assist me in getting the job done. As it relates specifically to 'Minor Forms', I envisioned it becoming a journey that moves in 4-parts (Deep Wilderness, Morning Light, Jazzstosphere and back into the Wilderness). The ultimate goal was for the remix to become a story that continues moving through different atmospheric scenes and melodic emotions-all the while respecting the brilliance of the original story. An important part however, is that i need to feel the original composition before i entertain the idea of  agreeing to do remixes. And so, hats off to Francis Harris for creating an inspiring piece of music to begin with."

The lively breathing nature of 'St. Catherine And The Calm' is what Laura Sparrow aka. LNS is most fascinated about, so her approach for her remix was to “utilize Francis organic sounds and approach it both via hardware electronically, and using real instruments”, she says. Her Sister, Nadia Sparrow, who is a professional flutist played over the track, creating a goosebump-atmosphere, that is permeated by floating tape-delays of the originals’ piano and vibraphone. Calm and breakbeat-like drums provide the basis for this breathtaking harmonic adventure. LNS, originally keeping the spirit of Vancouver’s underground scene alive, is now at home in the Berlin’s equivalent. Not only her love for Detroit and UK-Techno during Djing, but also a great variety of musical influences mirror in her productions. On her recent releases on DJ Sotofett’s Label Wania and her self-released Recons One EP she shows off a interesting mix of short edged electro and leftfield electronica.

With almost thirty minutes playtime, Trivial Occupation Remixes leaves the impression of listening to an entire album that continues telling the story of the original.

Francis Harris - St. Catherine And The Calm (LNS R/ & Nadia Sparrow)

SDM002 (snippets)

Satori is a deep listening audiovisual event, fusing experimental music with visuals.
DJs craft deep, carefully selected sets in clubs transformed into artistic audiophile dens.
Accompanying the music is a visual installation featuring VJs operating multiple screens, creating a fully immersive experience.
Sit down, lean back and get ready to take the plunge into Deep Listening.

Asusu mix at Satori 2020 September

READ > https://inverted-audio.com/sa-pa-inaugurates-lamassu-records-with-borders-of-the-sun

Following previous album releases on Forum and Mana, Sa Pa (@sapaofficial) has announced the release of his third long player via Lamassu, marking the inaugural release on the Bristol-based imprint.

SDM002 (snippets)

Space Drum Meditation

Recent comments

Jamuar

ᏢᎾᏞᎽᎶᎾᏁᎥᎪ

Tony Rainwater

KreteK

Related tracks