Going to watch the new Dune movie next week, so I reupload an old track made about 2010 or thereabouts. Seems so long ago now, but so recent at the same time...Time is erratic.

The Fremen still yearns for the day the desert returns (2013-mix)

Recorded the sound of a strange percolator I stumbled upon in the Martian Palace, when looking for a secret exit route. It's a labyrinthine building. Grown like a plant, but a plant with a plan.
It's corridors shifting in time.

This perculator got it's power from piezoelectric cells placed under the dancefloors. Brilliant. 
The coffee it produced was strong enough to break on through the veil of drowsiness brought on by the fumes inside the palace. 

I must away...

This was made with a Korg SAS-20 and a whole lot of effects.

Piezoelectric Perculator for Progressive Coffee

A change of scene, a change of style....

A bonfire at the edge of a desert draws different kinds of people to it, who then begin to play under the starlit sky.

This was a late friday night experiment with a new addition to my sound laboratory. First time I've experimented with this and liked the result, so it became a track. 
Padshop Pro with 4 presets/samples from the magnificent set Granular Symphonies, by Simon Stockhausen: soundcloud.com/sampleconstruct‎

Great stuff.

The Edge between the Desert and the Green

A walkway to space

While testing some new equipment and programs in the SlabLab this came suddenly out of the speakers, so then I want to let it be heard, so the voice of the machines, both virtual and analog, could spread its voices...

The Crisalys is a Signal in Time

Badly (un)mixed improjam from the SlabLab which is under assembly finally. Close to the forests, short way from de-digitalizing hikes...

Into the forest haze to hide from the AIs eyes

Chaotic improjam from the SlabLab by the forest.
The forest pigeons approved of this jam. Tasty, they concluded. Squirrels gathered to play... then I remembered they couldn't hear it as I play with headphones. Oh well, next time...

The Quantum order of the Pattern

Quite a noisy piece, even though I tried to make a calm and meditative track. It took off right after launch and kept going full speed. 
A fast improvisation watching snow outside.

Tubeohm Super Bruno 3 and SynthMaster.
Fxpansion Tremor and MaxSynth's DR-910.
Think I'll clean the mix a bit later and maybe add some volume automation. Recorded in two rounds.

*New mix up. Still trying to comprehend some points regarding mixing. DR: 11

Locomotive For Weird Mysteries And Visions*

After surfing on the Mare Vaporum I went cruising with the Screamboat Queen. She always has some strange music going in her starboat.

Layered improvisation with bass guitar and several virtual synths.

DR: 12

Cruising With The Screamboat Queen

Finally had a sitdown with some of my music equipment.

Microkorg and guitar in duet, plus a lot of vst fx.

Tried to fix the mix a bit or 16 to be exact. I don't know. Must relearn a bit about mixing. Been a while now

Mesmerized By The Carpenter's Tapestry

Another one of those tracks, which starts with a thought of just playing for the sake of playing, but I start to record and then I suddenly have a track. First one after a hiatus of several months. Recorded this prior to the Mesmerized track.

Still trying to mix. Can't complain about DR of 10, though

Return To Bass

Inspired by a talk I had with someone...Not that the track can do it justice, but it was a sense of getting somewhere...though I don't know where...

Improvisation in a quick session

PS: I think this track will disappear into a black hole soon, or it may pick up speed and slingshot by it's gravitational pull and go farther into space and hitherto unchartered space, if I can get the spaceslab to up and go on

Together Into The Complete Unknown*

First attempt to use my Digitech GNX3000 with my microKorg. . A VST of a regular drum/rhythmbox supply the perc. 

Title influenced by Peter F Hamilton's Pandora's star from the Commonwealth saga. A must-read for any science fiction fan.

Investigating Dark Fortress generator (2013 mix)

This is a track I made back in August 22.

Well, hmm... it just materialized on it's own. Like a forgotten mushroom sample in a petridish in a surprisingly humid underground laboratory in an oasis in the middle of a weird desert... Yep, exactly

22 Horses In The House Next Door

Flu or something, so I have to stay indoors, so I make music. Not sure what this is, but it was fun making and when I was thinking of developing it further I noticed I had forgotten to save the project. I blame the fever.

Luckily(?) I rendered how it was before going to bed yesterday. Bass synth is too dominating, but yep

Deluge
DM6
Reaktor 6
=
Blend

Easter Fever Evolved

Not sure if this is a wørk in prøgress yet...or if I should try to rerecord it

Synthstrom Audible Deluge
Behringer Deepmind 6
Reaktor 6

Is That A Space Station?

Landed on the moon, one Sunday. Just resting and looking at the earth from my spaceship's lounge. Thinking about our earth...no conclusions or answers. Just wondering...

Edit:
I think my inspiration from and fondness of https://soundcloud.com/sachiko-musashi 's music finally showed through in this track. I listen to her music a lot

Sunday On The Moon

This is a collaboration between me and http://soundcloud.com/weirdsville 
I made some effect-laden guitar tracks and http://soundcloud.com/weirdsville made the rest and mixed it. Check out his other superb music, too.

Mexican border , paranoid driver.. (Collab with Weirdsville)

I was listening to Ariad-music's pianotrack, when there was some disturbance or what I should call it, inside the spaceship. Must be some electromagnetic force disturbing my speakers or could it be even sinister? The sound of the piano has stirred something on this asteroid that I'm currently investigating.

Piano: http://soundcloud.com/ariad-music
Electromagnetic spectre emanation: http://soundcloud.com/spaceslab-go

Phantom and spectres (Remix of Ariad-music's piano)

First recorded flight with the Korg SAS-20. Heavily laden with effects. 

The Korg is a gift from http://soundcloud.com/kev7bx

Korg SAS-20 was the first Korg keyboard with a chord recognition computer onboard. It dates from 1983 and weighs 11kg. Solid piece of equipment.

Forward in which direction? First flight with SAS 20

Solitary manipulator of soundproducing stuff. Mostly improvising in some way or many. 

You're free to download and use this music as you please. Sample,mix, fix or mangle it into unrecognisableness, but I want to hear the result. That's the only catch.
Can send you stems etc if wanted... 

Interested in collaborations/remixing/stuff.
Give feedback and hints as you see fit. Peer review is important in this kind of endeavour. I have no charts for these territories, no boundaries are in view, no limits.

Mixed with and mostly for headphones, not sure how it'll sound on sound systems. For some tracks it's advisable to turn the sound up, but some tracks are quite loud. I don't know what I'm doing half(or more of) the time.
Time is elusive and opportunities for spending time on my music comes and goes fast. An hour here and two hours there...I need coffee...

When the solo project started:
https://myspace.com/spaceslabgo/music/song/organ-dis-failure-impro-excerpt-41425664-43956793?play=1

Also involved in this through time:
https://soundcloud.com/the-prophets-of-lotto
https://soundcloud.com/spacedrive-hive-5

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